Too many mistakes. I am ashamed that I let so many mistakes slip, such as the spelling of Lisitsa, concerto, and the title of the last clip. I will admit, I did rush this video a bit and was getting impatient as the softwares I was using were acting up. Anyway, here are the sources: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-1vDxlnJVvW8.htmlsi=ME7a-ki0wXZNKOmI ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-zucBfXpCA6s.htmlsi=VGrxIzIdhC-ET3hW ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-drbHdLSbYwc.htmlsi=h-p82X3UaI2PEd7p ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-E-Hva8dRLuY.htmlsi=ILT9_-IZmnE8p0pL ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-HHP9Az5V8Vw.htmlsi=gNUoJE1sLM8P5Eok ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-_ehLc7h9sRQ.htmlsi=B_AnYLTMYYSvUyIS ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-a5TNZ1Mxt_k.htmlsi=WRTjuG-YSHMxcxxs ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-JFIGoB7rK70.htmlsi=C44LMnuuWSQzFvUM ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-d2ClI74dP_Y.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE--LIw8ykSmGU.htmlsi=CNKAysQkTJL62hO4 Also, I can't believe I accidentally put an "I'', in concerto, silly me.
I've made so many mistakes in this video... I'm contemplating taking it down, but it's already got 1000 views and plus, I don't have the original file anymore
@@epointerwinboie the composer whose most famous pieces are literally piano gamelan, Chopin on steroids and variations on Schubert's melody, tbh your observation makes sense
The performer for number 10 is such a legend 😅 To be willing to play that and scream at the score paper in front of a classical audience deserves some respect and I thought he really did the piece justice. Really cool video!
First time I read Ravel's Valses Nobles et Sentimentales I checked at least 10 times the opening chords just to make sure I was reading well. These chords just make sense when you play the valse in one go, but individually they are absolutely uncanny.
Try listening to Red Earth or his impressions of other composers like "Scriabin in itself", "Erik Satie, like everyone else" etc. The string quartets are also quite accessible
Listen to the Seven Sacred Motets, and then Vieux Noël. He was 12 when he wrote that second piece and it's already his Op58. Consider that if you as the listener aren't getting things that someone able to do that is writing, then it *might* be you, not they, who is missing something?
I was really laughing out loud when I saw that synthesia video of the Finnissy piece😂 Thats usually something you’d associate with an Einaudi piano piece…
The more the level goes high, it starts to sound more avant-garde. mostly some pieces that are so dissonant entered the 20th century including ravel and debussy. What a big step
This is tame stuff....Xenakis (e.g. Synaphai) would be several levels about 10. Even Messaien's Turangalila Symphony has some really juicy dischords. Level 10 was more bizarre than anything else. Always happy to see/hear Scriabin PS8.
3:52 - Since we have this now, we can burn all of Beethoven's, Mozart's and Schubert's piano sonatas. Let's listen and sing along with this wonderful tune.
I remember some years ago a recording was made from a collection of snatches of unrelated recordings, for no apparent reason. As the dissonance increased on these piano pieces I was reminded of that recording. Are these dissonance piano music just produced just to say look I can produce horrible music, get pianists to play it, and the gullible to pay and waste their lives lives to listen to it 🧟
I enjoyed the Finissey. While it's certainly at least freely atonal, it's not hugely dissonant (and thus not worthy of the #9 spot) because there are very few chords. The vast majority of it is two lines or sometimes just one line played by two hands.
You chose the most listenable of the late Scriabin sonatas and the most listenable of Sorabji pieces. Also Rautavaara PC 1 should be a lot lower because although the chords are cluster chords, the voicing and the melody still lies in the outer octave, with the in-between notes more just existing for color. I think a more accurate progression would be Rautavaara PC 1 Scriabin sonata 6 or 7 Maybe something Messiaen, but I can’t tell if this is above or below Sorabji Sorabji Opus Clavicembalisticum/Archimagicun cadenza Finnissy anything
imma be real level 8 sounds more consonant than level 5-7 prolly cause the only real dissonant part there are the right-hand/arm part clusters (and the outer voices of said cluster is still a fairly listenable melody too)
I've often thought an orchestra tuning up could easily be mistaken for a 20th century avant- guard piece. It was a brave but ultimately not enduringly popular movement.
Take almost any of Keith Jarrett's solo piano improvised concertos, wait the first couple of minutes of deceptively nice music and here you are, generously served with dissonance. He calls that aural sculptures, not adding they feel like made of barbed wire, not white marble.
Interesting video, but why zlmost only piano works ? Consonance and dissonance can be differently percieved with sustained sounds (organ, orchestra...)
For the last piece it would be quite interesting to hear it played on piano with poor intonation. I would bet, most ppl would be able to hear the difference. 👽
Mozart has composed a quartet subtitled the dissonances. at the end, it's noise. You could quote Boulez.. but modern music is not dissonant but with different scales
Hi sir I am desperately searching for a rare piece of piano from Howard Goodall. It’s a piano piece (very modern!!) that you will find during the intro of the documentary titled Carl Jung wisdom of the dream. Maybe you have heard of it? Thank you.
i never understood, are those pieces by sorabji, finnissy, etc written for actual listening/playing? or are those just joke pieces? can someone please explain it to me lmao
As a rule of thumb as a composer. Dissonance in upper register usually wouldn’t sound that bad. Also, if there are other elements like easily recognizable rhythm, dynamics, activity, etc. It also wouldn’t be that bad. In the world of contemporary music, if you can find predominantly traditional note head, it’s a sign that the piece isn’t that bad. This is as if someone say, they’ll love Maths if it stays with number, but they lost in when English alphabets start to appears.
Wonderful rank! I don't understand why musicians makes those types of music. Especially the last one, it's just noise. No harmony whatsoever. Make more of these types of ranks, please!
I feel like the last piece was more of a joke. I have struggled to enjoy this "noise" music, but lately I have had a breakthrough with the Feinberg sonata, which I thoroughly enjoyed surprisingly. Thanks for the comment!
I think thats quite serious…It is raw emotion. Thats what music is all about. I remember listening to Widmanns viola concerto for the first time. That scream was a nice climax to that building tension.
