Collective singing of classical carnatik music of saint thyagaraja gives us so much immunity and pleasure which can not be expressed in words. Thanks al lot for great presentation.
This mass concert gives a great bliss to our soul....entharo mahanubhavulu..... This is how Hinduism exists....not through conversion. I pray God if I have another birth plz. Give a Hindu spiritual mother's womb....
திருவையாறு ஒன்று கலந்த சங்கமம்.இதை எவ்வளவு முறை கேட்டாலும் திகட்டாத சங்கமம்.இதை கண்டு களிக்க ரசிக்க எவ்வளவு ஜன்மங்கள் எடுத்தாலும் போதாது.ஒரு கலையரா ஒரேநேரத்தில்.கர்நாடக சங்கிதத்தை காண பெரும் பாக்கியம் வேண்டும்.அந்தமகான்தியாகரையர் அருள் தான்.
It's the real hindu culture. it's divine and having direct touch with God , remembering the great vocalist Thyagarajaswamikal🙏 all blessing from Kerala.
@KALEESWARI P B.SC. MICROBIOLOGY proves ur foolishness,,,which ever university gave u micro biology degree will be ashamed of you,,,, ALSO PROVES UR jealousy towards SUNDARA TELUGU lang., SURE U R A TAMIL,,,BCZ TAMILS R DYING OUT OF ENVY ON TELUGU
No words to describe the pure joy of this divine bhakthi music. Only bliss, bliss, bliss. Immortal classic. Blessed to be born in this holy land. Thanks for uploading.🙏🙏🙏
The chorus performance of 171 & 172 are more melodious than previous years perhaps because the musicians are from younger generation also the orchestra especially flute and muharsing contribute to the melody It may be perhaps worthwhile to invite artists of mandalin saxaphone and keyboard for the future aradanas
🙏🙏🙏we miss stalwarts like MS, Semmangudi, Maharajapuram, Kumrakkudi etc. New veterans have taken the place carrying on the legacy. No doubt this legacy will be carried on with youngsters showing great interest and even US born singers like Ananya or Sid finding their calling here.
aham brahmasmi, we must see god himself in all creatures and must eradicate false egoism. Unity is strength. Nice to hear this song of saint Thyagaraja. May god bless all of us.
We should well preserve the rich heritage of all the works of Saint Tyagaraja and should promote and propagate in all the places of AP and Tamilnadu to start with, from where tyagaraja comes
I don’t understand why in tamilnadu which produces great nadaswarsm experts cannot produce Carnatic singers Think of Thiagarajan bagavathar cs Jayaram Thiru chi Loganathan If Kerala can produce Carnatic experts why not tamilnadu
@@narayanaswamyhariharan3177 Tamil Nadu does produce fine Carnatic singers, but contemporary music is more popular. Also contemporary music garners more fans than Carnatic. Kollywood music fan base > Carnatic music fan base. This is because of various factors like contemporary Dravidian politics, centuries-long Brahmanisation of Tamil culture, ownership of Carnatic music by Brahmins (Casteism) and Tamil revivalism. All these made Carnatic music less popular and makes people question like you. Carnatic music would continue to be a copy-righted property of one community/caste as long as caste system exists. So, non-brahms would pick it up when we all see music as music, just like we see a fellow human as a human. Reminds me of Bharthiyar’s song on cats (vellai nirathoru poonai).
Konnakkol , considered as dying art a decade ago, is becoming internationally known now, more than in India. Some European percussionist also do tutorial on this. Thanks to the high technical touch given by Mrudangam Maestro B C Manjunath, along with demonstration lectures abroad.
i am really afraid whether we can sustain this tempo in our future generations since kids are not showing much interest to join in such music classes .
The only way we can sustain it is if the current generation has the fervour and the desire to keep it alive. You cannot expect children to be interested when the parents themselves aren't interested or do not work to keep them alive. The only way this will be sustained is when you teach the kids from a very young age not only about the music but also the musicians, our history and the importance of our culture.
Konnakkol is a unique feature of our carnatic music where the rhythmic taalas are reproduced through voice. This is a dying art. The camera could have focused on the vidwan reciting this....but did not. Time and again I have observed the cameramen shooting the Aradhana have zero knowledge of the music as also who are the vidwans present...vocal and instrumental.
