@@brayannexon4613 yeah i know there is a reason for it and he deserves it but… you get the point right? Its like people only knew playboy carti in „rap“ yk?
I like when a completely solid genre is created by one artist. Viking-step goes pretty hard and Samplifire practicly defined what that genra should sound like. Btw the video is very well made, you put in the best songs for each genra.
Bro SNAILZ is the god of vomitstep and i love his complex style of bass, considering that he created the subgenre in the first place makes the music that he produces even more unique to his own style. I love his music in general :)
@@averyadkins9600 I would say Don’t Give A Fuck is a pretty unknown one. I hadn’t even heard of it til a few years ago. I would also like to say majority of his Galaxy Burst album is pretty unknown as it’s region locked to Japan on Spotify where a lot of his fans are.
The classic dubstep was classic brostep. Substep sounds more like that, but still different. I forgot all my other points but everything else I didn't forget was good! Nostalgia.
Other than not putting terror squad for bro step (the song that made the entire genre copy paste for almost 2 years) the video is superb. I feel ancient as someone who’s been going to shows since 2009
omfg i can't believe you used a Naph song, i can't even express how much i love you for it! i've been binge listening Naph songs nowadays, and Naph is so underrated (i'd classify Naph song as Future Bass tho, but Chillstep is totally understadable too)
Also here on RU-vid you should check a dude called GramGreene , he does vlogs on shows of these guys he attends and publeshes cool mixes as well and pretty educational stuff overall ru-vid.com
@@imafraidjumitebeinagang I don't think Subtronics-Clockwork and Izzy Vadim-Sleep Paralysis are that similar, and they're both riddim. That's just one example
I've been listening to this kinda stuff for I think over 10 years now and it's gotten to a point where I love minatory way more than I should. Also, RIP Moth's soundcloud. I'm pretty sure he deleted it because of creator burnout
my favorite from this list is Never Gonna Die by virtual riot! the melody is on point. but man... I used to consider myself as a dubstep producer, but.... lol I guess I'm not sure anymore. it's EDM in general, but using elements I like.
@@urfavneighborhoodguatemalan that’s what I’ve been trying to tell everybody too! Everyone always wants shit on Spotify, but it’s all here right on RU-vid
I honestly think that some of these just incorporate some influences and aren't exactly full sub-genres. For example the Viking one to me is just some elements of old Nordic era type sounds that get mixed into riddim, but not like an entire branch off. And Anime as well which again has some influences in the sound but to me it's still Brostep. Another one that was a lost opportunity to add was Pirates, as there are definitely some Pirate themed dubstep out there, but I guess it's technically not a subgenre. But if some others on here were added then Piratestep does deserve to be on the list. That's just my opinion
It's melodic dubstep but I’ve never heard two tracks sound the same, everyone can make his sounds and techniques, and the only thing that isn’t future riddim is poly riddim it should be called polyriddim or jazz step, all these subgenres are called dubstep because of the flow and drums, not because of synth type, u can rap over dubstep, dubstep/trap/hip-hop 1/2 step flow
I still remember first hearing Dong by Marauda (formerly Mastadon) wen it first came out. I wish I could hear that bass drop for the first time again :D
Suggestion for next time: put a little notice that explains how it's different from its similar counterpart. Edit: given classical dubstep is the source of all these subgenres, could also add the same thing but for solid genres; or maybe just a brief sentence or two that explains what the genre is about.
Future Riddim and Melodic Riddim realistically are the same thing. Same with Colour Bass, you can assign differences all you want but they all keep the same core idea at the end of the day
@@neorth2383 Future Riddim realistically is the se core concept it's just more minimal. I've seen people use them to refer to each other it doesn't matter 9/10 times unless you want to be pedantic or seem like you care too much
@@neorth2383 idk what future riddim your listening to that has no harmony. Stuff from Trinergy and Automhate had a pretty strong sense of harmony. Just say you like funny ahaha chord
If I had a nickel for every time someone used Flatline by Hydraulix as an example for substep, I'd have to nickels. Which isn't a lot but it's weird that it happened twice.
I'm extremely surprised you didn't actually include og dubstep (aka deep tunes, or whatever). I mean you were so close with the inclusion of early tearout (under classic dubstep) and that Skream track from his second album.
Dude, Enigma TNG - is the best example of metalstep, it had to be included Same as Cruel Reaction and Deathmatics - gods of Robostep, their tracks shows how it sounds like way better)
Didn't think I'd laugh so much at "substep". I read the name and thought "is this gonna have sub-bass as dubstep bass", and it did. The idea is so ingenious and it actually sounds pretty decent.
@@mikaxxy dubstep in general is a concept of heavy drums with loud sub-bass and simple FM basses/synths and it developed into different types depending on the bass and drum flow, and synth sounds. If you watch people's reactions to EDM/heavy music/beatbox. They call it dubstep, I mean there is no need to think about the subgenres, as a producer, I sit and say I want to make dubstep. other than that it's just a vibe
@@fiirasmusic5366 wtf is your point 😂😂 I just said that the tracks chosen here to represent classic dubstep, or rather the roots of dubstep, are very poor.
