Hello Firstly, I'd like to extend my gratitude for crafting such a remarkable video. I wonder if you can help me understand the following concept using the Lewwit Connect 6 and Studio One while recording vocals. My primary concern revolves around avoiding latency and buffer complications while recording vocals. I'm contemplating the best approach to achieve this and would greatly appreciate your insight on the matter. Here are the options I'm considering: 1- Should I mute the 'CLEAN' vocal track being recorded in Studio One and use the Lewitt Connect 6 for external direct monitoring of my voice? 2- Or is it more effective to record while muting one track in Studio One and concurrently have a separate track "passing through" (if even possible) from the Lewitt Connect 6? 3- Completely monitor my voice on the Lewiit Connect 6 on another PC while recording. Admittedly, I'm somewhat puzzled by these options. Your guidance on this would not only clarify my doubts but also influence my decision regarding the purchase of the Connect 6. Thank you in advance for taking the time to assist me with this query. I'm excited to hear back from you. Thanks
That depends a bit on uour preference. I usually monitor the audio that is being recorded. But that means that you need to get used to having a bit of latency.
How does this affect audio work on the 2nd PC or mobile in terms of configuring its audio port away from normal use to this device? What does your Mac need adjusted to work in tandem with your Master PC?
It’s used like a regular audio interface on the Mac. The Mac does not know that it is just the second wheel on the Lewitt Connect 6. For the Mac it looks like any other audio interface.
@@michaelgwagner Times are getting real spooky what with 'the brains of an object being stuck in a desktop or laptop PC. Thanks for the Clarify, Maestro. I have been working on a Bedroom Studio-sized 3rd-, 4th-, & 5th-order Ambisonic setup to practice on here in Ableton Live 11 Studio, if and when tragedy is not assaulting me 24/7/365&1/4 from so many random trajectories and intervals like the last two years have been here. Formerly-United States of America Has done gone lost its collective mind and pulled the worst characterization of the Lemmings Last Dance way too much of late. I was thimking these new-fangled spherical Kali Audio's IN-UNP desktop speaker using the mid-high coincident driver from their IN-5 & IN-8 systems would be ideal for a near-field monitoring setup, but when I wrote to them they indicated these drivers do not go below 280Hz & x-over at t280Hz, so I will contact them in a week or so and beg them for this coincident driver to be fabbed large enough to require only the sub from where the let go on their bottom end. The focus and localization of various instruments and voices across any given sound-stage has me flummoxed and flabbergasted someone pulled it off so smoothly. And to think the JBL folk that started it, were wise in Not bringing the absolutely horrid "JBL Sound" with them.
For a voice over, podcast and other recorded vocals..not live streaming or music stuff .. for max 2 mics input need which is the best interface under 300 ..lewitt 6 or audient id14 or ssl2 or motu M2 ?
Any of those would do. The only thing you need to look out for is if the mic preamp has enough gain for your mic. Especially if you are working with a Shure SM7B.
@@michaelgwagner I am not planning to get sm7b ..just SE electronics v7 or sm 58 plus a condenser microphone like rode nt1 or Aston origin..so shall I choose the cheapest interface of those ? Or there is one that is offer better features for voice over?
If you are doing voice over you usually do all your processing in post, so on-device effects don’t really help. Either one of those will yherefore do just fine. You might even want to go less expensive. The Focusrite interfaces are very popular. But the ones you have listed are all very good values. You can’t go wrong with any of those.
a barely-used RME of your choice, purchased by someone like myself who lets it go for a dime on the dollar out of Sheer Embarrassment from their not being able to figure out what to actually do with it once at home in the attic or basement studio.
