7 Options for a Dominant 7th Chord - Peter Martin & Adam Maness | You'll Hear It S3E139

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In today's episode, Peter and Adam break out the Keystation to show some scales and subsitutions to play over a dominant chord.
And check out The Jazz Glossary for more lessons on jazz chords, scales, and terms: www.openstudio... (And yes, this course will also be moved over to our new site www.openstudio... very soon!)
7 Options for a Dominant 7th Chord:
1. Mixolydian
2. Lydian dominant
3. Half-whole
4. Altered
5. Sus7
6. Tritone sub
7. Half-step below
8. BONUS
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Опубликовано:

15 сен 2024

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Комментарии : 11

@Jazman0959 5 лет назад

Awesome as usual. I wonder why this Musical approach (and manner of showing) is not found any where else {even with thousands of videos and texts). You guys are very helpful and kickin. Even though this is not an Dominant 7th Chord idem per say, I think it would be good to mention the functional minor approach to II V I (in the key of C: E half dim, A7 alt,) back to the II minor. It is just another arrow in the keyboardist quiver. Carry on and I await more treasures !

@Jazman0959 5 лет назад

Another good V chord in the key of C is (F-6). D-7 , F-6, Cmaj7....

@yes_its_THE_Dave_Alleckna 5 лет назад

Hey guys! Keep up the good work! Quite jealous of your temperature though! Big cheers from cloudy Hamburg - just across the pond! 👊

@yes_its_THE_Dave_Alleckna 5 лет назад

@@pianopeter No fair! Here in the arctic circle (Hamburg) life is only muggy right now. Cool beer anyway? Okay! Olá, Cheers and safe travels, Peter!

@judeelias3078 4 года назад

@David Alleckna Hey David! You live in Hamburg too? We should meet up!

@winstonmacmahon9735 5 лет назад

Great episode. Could you update the comments by adding a note to the context where you'd might use each scale? I.E. you might use the finished when moving from a dominant to a Major