As a sound editor, I kept thinking about bad sound for the student film problems list. Maybe not in the top 5, but definitely in the top 10. It was everywhere from what I remember.
Video/film professors love to talk about how “audiences won’t forgive bad audio” but simultaneously have no idea how to mix dialogue. Audio isn’t really covered as much as it could be in filmmaking and videography classes.
@@HatWearingDog I agree. A lot of times it's not really the students fault. It can also be a hard thing to learn. A lot of the software and techniques and jargon has a steep learning curve.
Wonderful video, videos actually, I love them. About Tim J Smith's experiment... I test the marketing, Web pages, and movies I make using a technique originally from Seth Godin, it's called the $50 usability lab. For example, to test a new Web page I invite 2-3 friends to view a Web page with me looking over their shoulder. "Where is your eye going to first?" I ask. Then I ask "Where is your eye going to next?" Often they ask me what I want them to do on the page. I keep asking them "Where is your eye going to next?" It often surprises me how the thing i worked so hard to realize on the page is completely invisible. I apply the same technique when I am editing movies. -Frank
For 1:01:37 Un resumen de las ideas más importantes del libro "On the Problem of Empathy" de Edith Stein: 1. **Definición de Empatía**: - Edith Stein define la empatía como un acto de conciencia en el que una persona experimenta indirectamente los sentimientos y estados de otra persona. No se trata solo de una imitación o una proyección, sino de una experiencia auténtica de la realidad emocional de otro. 2. **Distinción entre Empatía y Simpatía**: - La empatía se distingue de la simpatía y otros sentimientos afectivos en que no implica necesariamente compartir el mismo estado emocional que el otro. La empatía permite reconocer y comprender el estado emocional del otro sin perder la propia individualidad. 3. **Tres Fases de la Empatía**: - Stein describe la empatía en tres fases: 1. **Primera impresión**: una percepción inicial del estado emocional del otro. 2. **Exploración comprehensiva**: una exploración más profunda y detallada de estos sentimientos. 3. **Apropiación del sentimiento**: una internalización y comprensión personal de la experiencia del otro. 4. **La Naturaleza Intencional de la Empatía**: - La empatía es un acto intencional en el sentido fenomenológico, lo que significa que está dirigida hacia otra persona y se basa en la percepción consciente de sus sentimientos y experiencias. 5. **La Importancia de la Cuerpo y la Expresión**: - Stein subraya el papel del cuerpo y las expresiones físicas como medios importantes a través de los cuales percibimos los estados emocionales de los demás. La empatía se inicia a menudo a través de la observación de gestos, expresiones faciales y posturas corporales. 6. **Empatía y Comprensión Moral**: - La empatía juega un papel crucial en la comprensión moral y en las relaciones interpersonales. Permite a los individuos actuar con compasión y justicia, ya que fomenta una comprensión más profunda de las experiencias y necesidades de los demás. 7. **Empatía y Autoconocimiento**: - A través de la empatía, no solo comprendemos mejor a los demás, sino que también ganamos una mayor comprensión de nosotros mismos y de nuestra propia experiencia emocional. Estas son algunas de las ideas centrales del análisis fenomenológico que Edith Stein hace sobre la empatía en su obra.
I think the Online Draft is a much better tool than a storyboard. Together with getting the real feel of movement with moving images (rather than stills as in a storyboard), the online draft is also an opportunity to quicky experiment with many different camera angles, shot types and movement inside and outside the frame.
Almost everything was planned be the director & the camera man every shot & angle & movement. The editor can only work with what they have. So they only have control to a certain extent. The magic of a movie is what is the whole movie about. That’s what pushes everything forward
Great content! I am a psychology student and don't even edit, but this content is really useful for a plenty of fields. Thanks for providing your great content.
What I’ve learned from editing is that in a sense it’s not so much up to the editor if not what the scene itself what it’s asking for. In other word you need to find the links that connect them in there own accord.as it’s begging for. Same for camera angles & movements.
That was amazing.Great Content.I am a Film editor from Nepal.I was editing a scene where i cried while editing.Something stuck in mind that i want to see whether the audience will cry or not relating to the scene i had with the cuts and the composition .I sat with the audience when that scene came into the screen i watched the audience they were crying.it went three shows house full.Again with the same director i edited another movie i was a editor as well as background music scorer.there was scene where boy and girl has been departed bcos of girls family.She was taken by her family forcefully.but in later there was a scene where boy and girl were sure to meet together.when that scene came.i score the music differently instead of using the sad music i used happy music bcos the meeting of both was sure to happen though the boy and the girl were little sad.it was a long shot.you can see a little bit sad in their face was a profile shot. audience gave a big run of applause though the girl and boy has not been met.director was smiling.I felt like the editor is the greatest audience.if it had been close up shot there would have been great mismatch between the shots and the music.It works im music also.thanks guys
It was hard not to watch, but I was able to just listen to the whole thing the first time. Now I can play it again and both listen and watch. tHanks for the video.
On science of editing.. can you also include the type . in terms of human adaptation and their time period. I recently tried to watch an old film n i as an editor felt a bit lag, but then madmax rate of change is extremely fast n so is now social media more faster than mad Max now. Whats happens when people are so adopted to watching 90% of watching phone n reels shorts that now watching a ok mid 2000s feel slow. Can we reset it this effect? By own or by giving audience a set rythm n making it feel fast.? Coz i dont want every movie to run at 2x coming ahead as empathy need time.
I create audio drama productions. I turn a books into full audio productions. Narration, characters, effects, music... the works. They're like watching a movie with your eyes closed. I do everything your video details, but with no visuals to guide me. I don't know if that makes it harder or easier. But I do know I have to add more to the audio experience to make up for the lack of visuals. More subtleties in the effects and ambience. Hit more rhythmic beats. I love it! I have already watched your videos twice in the past. I'm on my third watch now.
