If you could meet ANYONE, dead or a live - who would that be? for me i think Bill Evens & Pat Metheny. Had way too many dreams where we talked for hours and then I'll wake up..
@@RotemSivanGuitar you absolutely should, i wouldn’t have ever committed to the instrument if not for him. here’s a personal favorite m.ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-rtfk7ujMCnQ.html
Wonderful Rotem. The key is to be able to join all the dots. My dots are still very diffuse, but this video has helped me see more patterns within music. Namaste x
You rock!You know what would make you one of the best teacher out there?Putting the scale your talking about on the top of the screen so we can pause learn the scale and play along with you!Keep the good work but with what i ve said you would be the best with millions of viewers for sure it's like you think we are has good in scale has you are! Most of us only know pentatonic and major scale in a diatonic context!That being said I will still listen to all your videos even thought they make me feel stupid😅,lol!
Sort of an off topic question but I wanted to know what you think of the duo sonic? It’s definitely an out of the norm choice when it comes to playing jazz. What are your thoughts about it?
Well, besides from meeting you, Rotem… I would love to meet Michael Lemmo. He is the host of Norman’s Rare Guitars and demos beautiful guitars every single week. An incredibly versatile player with a distinct melodic style!
Hi Rotem great lesson, what for example if you have R&B song that has non-diatonic chords like Dmaj7 (1 bar), Amin7 (1bar), Gmaj7 (1 bar) and Bbmaj7 (1 bar). How would you solo over that? I tried and I used d major pentatonic mostly, when Amin7 comes notes change and A dorian or D mixo felt right and hitting chord tones, for Gmaj7 I tried to combine d major pentatonic and Gmaj7 arpeggio and for Bbmaj7 I tried to mix d major pentatonic with Bbmaj7 arpeggio, but then I realised that d minor pentatonic would work. What would you choose which scales, or would you chase after arpeggios of each chord? I tried to add colour, but when does non diatonic progressions come I am lost. Song is could Best part by artist called HER if you want to check out.
Joe Pass is the guitarist i admire and respect the most overall. I would definitely love to meet him - if it were possible - and have a few funky cocktails together, talk about guitar, jazz and art in general...
Great! Thank you! In Level 6: wouldn't you possibly use Dorian scale / colours for minor chords? Did I miss it? I sometimes also like it for Major dominant 7 chords. Level 7: I also not only like to use the triads, but the 7th (for all minor or for dominant) or the maj7th for the other 2 Major chords. Or even easier all Major chords triads with an additional 6th. And you can easily play it in a two notes per string way, jumping through the octaves. This is visually very easy to map on the fretboard. What do you think?
Little known fact, cucumbers and avocados make terrible vegetables... because they are both fruit. 😅 Bro your videos are some of the best instructional music theory videos on the platform. 👏👏👏
Great video Rotem!! To answer your question, you perhaps will be surprised, maybe disappointed, but I would LOVE to meet Kfir Ochayon. He's a youtuber, so perhaps not yet too famous, but this dude is electrifying guitarist. you should check his youtube channel if you don't know him. He's actually Israeli too and so won't that be fantastic if you can meet with him, perhaps work out one/few sessions, that will be a killer. One thing about him that I always want to know is the process he's going through to produce his melodies and solos, whether it's all just coming to him by improv or is he really trying out a few things, how long it takes him etc.. about this lesson: fantastic. I'm still struggling with technical aspects of playing and so thinking of these colors and scales always seems daunting cause I'm still too caught up with fingering and catching up with the chords I'm playing over. perhaps I need to slow things down, which seems to be what you're suggesting generally in your channel. take care man. great video.
I would like to meet and ancient Egyptian musician (2000 bc)... and Wes Montgomery! The RU-vid channel _Produce Like a Pro_ just release a video biography on Wes and it was amazing. I like Wes a lot. His solo, on a video archive, of West Coast Blue might be my favorite guitar solo of all time. Too me, this solo is kind of the most jaw-dropping of all, because it's just too easy, to perfectly phrased and written/improvised. And he's maybe the ultimate chord-solo guy.
maybe a weird answer during a jazz lesson but I think I would like to meet Mozart and I would like to witness him gaining confidence with jazz, fusion and progressive music and listen and learn from him
@@RotemSivanGuitar i watch your entire video, and its a very good lesson, and i notice that beginner would be comfused about what to play in one chord, and what scale to play when the second chord is something, it's about 7 scale in one chord againts playing chords progression, i think you need to explain more about that. regard
Where i get lost is , going from the C7 the a V chord to Fmin, i thought Fmaj would be the tonic , can you help me out as to why Fmin is the tonic in this scenario,
Frank Zappa and ask him what the hell is going on in his mind when making a song like black page part 2 New York live version. Or Zoot Allures beautiful chords.
Ok i think i got it, Fm is the One (I) chord of the melodic minor scale and C7 is the (V) chord , do not use C7 as if it is from the major mode! 😆 now i can sleep
