I have a bad habit of overthinking my writing lol, so I appreciate the overview of the core things that matter - making sure the reader actually gets what you're writing
I had a revelation when I simply put down the ideas in my story as, “beats,” in the correct order of the narrative (beginning, middle and end) with about eight or nine beats. I said to myself, “Right, that’s the whole story.” Then I just took each beat and asked how one would lead to the next, explored why the characters would do what they did, and expanded on the world they inhabited. It just changed my whole approach. I didn’t even keep the original beats, because the story and characters took over.
@@TurtlesAndTortoises302 I have a character that says "Oh" quite a lot. (She's is listening to a bunch of people talking about Communism) Sometimes, "Oh, well" is exactly what you write because it is what the characters do. Rule #1: Be true to your characters.
I think you've talked about removing filter words before. I went through my manuscript and swept it for filter words. Doing this helped to shorten the story, tighten it up, cut out repetitiveness and over-explaining. Good advice.
Awesome video and great advice! I was thinking about concrete language and I find that applying non-concrete language as modifiers for concrete adjectives achieves a better effect. Rather than the "flowers were the color of joy," "the flowers were a joyful magenta color."
I'm not sure if Shaelin titles these videos. The videos and the contents of the videos are instructed by Reedsy (the blog Shaelin works for). But yes I agree that "Improve" is a better word. Maybe "Better" just worked more for the algorithm.
1) Filter words also put up a barrier between the author and the narrator. If you're writing "she saw," then you are not in the character's head, experiencing what she's seeing. You will miss more opportunities for characterization and development. 4) Pedantry: A weasel is something non-committal, called so because they allow you to weasel out of specific conclusions; "mostly" and "someone" qualify. "Just," "only," and "that," however, aren't weasel words. 99% of the time they are filler words, called so because they fill up space and do nothing else.
This is very good, as usual. I'm in a writing group and I find some people (myself included) fill their writing with words to make it seem like they've written something wonderful. "While I contemplated the anguish of anther day of existence, I looked out of the dirty window framed by an embroidered white lace curtain yellowed with age, to see the sun filter through the early morning mist and gently settle on the dew covered milkweed. The noise of the coffee grinder sluggishly milling through a cup's worth of beans gave a noisy counter-point to the majestic silence of the unfolding beauty outside of my grimy abode." Or "I woke up and had a cup of coffee." Great detail in the first example that wow's the writing group but so what? You woke up and had some coffee.
Tip on perfect past tense super helpful. "I had previously thought this was very difficult to do. I worked and worked on it but hated when my writing got convoluted with "had." I found myself using "She'd" and "He'd" just so the contraction shortened the "had." Now I know better =)
Thank you for this! I didn't realise I used "had" so much. This video really opened my eyes on some of my grammatical mistakes I didn't even were there.
Good video. The tips on past tense and specificity were particularly helpful. I'm going to start my own list of details. You are so right about how they make writing more real. Thanks, Shaelin. You rock. Peace.
Thanks. Thought I understood everything about why to and why not to use passive voice. Your example of the tree planted in the past so the subject (the farmer) isn't needed, known or relevant (could have even been an apple tree grown from the core the farmer's son chucked there) has given me a whole different understanding about passive voice and when may be appropriate to use. I already knew about focusing on the subject of the sentence and making the sentence sound cleaner without "was/were"
The first point isn't the case for a third person omniscient narrator, if you're aiming for the narrator to be neutral. You don't want the narrator's voice to mix with the character you're focusing on
I just ask myself if it's really necessary to add that detail. Like if my characters' mother grabbed his hand I typically wouldn't specify which hand she grabbed because it really doesn't matter unless maybe one of his hands are broken or something. It doesn't add anything to say "left" or "right" hand and it's mundane. Describing every aspect of a bedroom is useless and tedious but specifying certain outstanding aspects of a bedroom (like books on the floor, certain posters on the wall, etc) can build a strong image in the readers' mind (without telling them where all the furniture is) and show them what kind of person the character living in the room is. I'm definitely not as educated or qualified as Shaelin but asking myself "who cares?" and "why would this matter or add to the story at all?" helps me a lot.
If anyone deserves to make book sales through their book tube clout, it’s the very objective sincere and competent shaelin. Judging from her advice this is someone who won’t make it through the door just because of drooling beta reader subscribers but because of good writing.
Thank you so much I really really enjoyed listening to your brilliant advice, so much so that I’ve subscribed and given you a thumbs up 👍 too. Please stay safe and well too xxx Mags
Hi Shaelin, great video! Sorry to ask here but I'm looking for a resource that I think you shared/mentioned in another video ages ago. It was a list about drafting/editing a novel, I think from a professor and I remember it being very strict! If this rings any bells please let me know and if not no worries. Thanks for making great content and sharing what you know.
He narrates the existence of all life through one book. It does not matter because all that exists must end in this universe. Ultimately they all have the same ending. Fin
Thank you so much for the ...Past perfect sentence...idea of how to structure my ..slipping into the past narrative. It has improved my own writing as I weave in and out of the past.
I lost brain cells trying to read this gibberish. Either English isnt your first language or you had a few too many drinks in you to try and proof read before posting. Holy Cow
Is it just me, or does she contradict herself, on the final point about clarity, when she says, at first, that clarity is the key thing, as opposed to complexity and using obscure words. Then she says this style of pros will be strong. Make up your mind! Anyway, I love her lilting, musical voice. I think she is very charming. 💕
I have no idea how I want to write my small story, it has to be 4,000 to 6,000 words. I have somewhat of an idea and its due in 7 days. Is it okay if I just go with what I put down, then check through once I'm done and make changes then? I haven't watched really any other videos so I don't know if you have said so.
This sounds super dumb but, just read their books and only their books for a while and suddenly their vocabulary and tone will just "osmosis" into your writing 😂 it happens to me all the time, not on purpose though, sometimes I accidentally adopt the style of another author
