Hey, thanks Andre.......let's face it......I'm using a prerecorded loop, which makes it very simple for people to hear all aspects of the manipulations........Not very original (like your guitar sound/style), but I felt it'd be the simplest way to demonstrate the radical nature of that setting......thanks for watching bro!
Here's another cool feature, that is available if you install the Rhythmic Firmware..... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Q-ETf9BGmio.html
Actually, I was having this problem, and couldn't find a solution (not in the original manual).....a fellow Cosmos dude on RU-vid, reached out and suggested that I read the newer version of the manual.....It was a real relief. I've even asked Vlad (SOMA) if there's a possibility of resolving that in the future......
Glad you found it.........it was a big relief for me when I resolved that Noise Gate issue.....Also, if you're not aware, there are Firmware updates now available on the SOMA sight (V 1.3)
Hey Will, I will (no pun intended) make note of that for the future as it would drive me bonkers if a slow attack caused issues seeing as that is a big part of my sounds also. Thank you for sharing.
Thanks S.M......Glad you like the Bellcycle.....it's taken me years to develop, as the gear and concept keep changing, but I dig having a pedal powered workstation......
Hi Will. I like your videos and on a RU-vid search have again found myself returning for more. Where would you put a Soma Cosmos in a guitar signal chain? I however realize that you are more into synthesizers. Am wondering if you got around to recording a Quadraphonic Soma Cosmos sample? :)
I don't own a Cosmos anymore.....and I didn't get a chance to do the Quad set up, as I discovered that it's not really Quad, it's just 2 Cosmos (with DIFFERENT input signals) linked. For a guitar set up, as long as you have a preamped signal, you could go into the Cosmos anywhere on your pedalboard fx type chain, but you just have to decide if you want to go Stereo in or Mono......you definitely will want to take the Stereo Cosmos outputs though....
Please keep these videos coming. Would love to see some demos/thoughts on the other firmware. Still waiting for someone to try out the quadraphonic firmware too!
Thanks for your support. There's a great Prog/jazz Russian guitarist who's done a video or two with the Quad software, and I've get a very close friend who also own one, so at some point, he and l will certainly do a Quad Firmware Cosmos Synth jam............ : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-eanGkf4Y8Ik.html
Thanks for your comment. I truly appreciate it....I was fortunate enough to find another 'user video' here on YT which mentioned this, as well as some other info.....it turns out that this information DOES exist in the Cosmos manual, it just didn't exist in the original manual......Now, I'm in direct contact with Vlad (the creator), which is really wonderful and helpful....
Thank you so much for the tip about setting the noise gate. Will bookmark this if I end up getting one of these. My only hesitation is (lack of?) sync - how do you sync this, especially rhythm-wise with your other gear? I may have missed the sync input somewhere. Or is this more of a "embrace the non-sync" sort of kit? Which is beautiful too. :)
Embrace the non-sync........that's it in a nutshell......otherwise, you might want to check out the Microcosm....an excellent pedal which creates incredible textural effects, fully MIDI capable, with presets, full stereo........
Glad to hear it H Y P O.....it really kicked my ass for a while.......Honestly, I was hoping that Vlad would correct this in future firmware updates, but nothing so far.......
Breaking Ambient News: A group of famous rock musicians from bands PRISM, LOVERBOY, LEE AARON, TROOPER, CHILLIWACK, HEADPINS, STREETHEART, POWDER BLUES, NICK GILDER and others have been assembled to play their hits at the Hard Rock Show Theatre in Coquitlam on Saturday October 1, 2022. The entire event is orchestrated and conducted by Rocket Norton. A percussion array is part of the stage plot. I haven't confirmed this but I'm told it remains onstage during set changes. The mystery percussionist is Ray Ayotte (pronounced Eh Yacht) sitting in for Maxwell Smart... Right chief!... Now back to some refreshing ambience.
wow......I SO wish I could be there to reconnect with some of the tribe.....(however I've got too much going on and thus, it's not going to happen) but thanks for the info Wags!
Yes, it's pretty cool on a Pan, however - no matter what gear you use, you'd need to have one of those set ups with a few piezo mics (magnetic mount), as a mic is never idea.........Because the Cosmos doesn't have presets, it's not for everyone.....I'd also consider a Microcosm, as it also has a great reverb, presets, and syncs to other gear by MIDI
GAS IS true love.........honestly, I truly love my Cosmos, but the Microcosm and some other pedals are also excellent. Remember, the Cosmos doesn't sync to any other gear, and doesn't have any preset. I'm really into it, but I'm really into what you do, no matter what gear your using. It's always more about the user, than the equipment
@@willswitchcraft Oh, man... I rarely sync any gear to each other, to have an unpredictable response in large soundscapes... you know... ATM I'm experimenting with a DL4 MKii before the Microcosm and a Collider after... wow... so many sounds happen... Soon I'll record some, if I don't get lost while dreaming. HUGS!!!
Does the noise gate have to be fixed every time you turn it on? EDIT: Nevermind, you're right. The v1 manual doesn't cover it. v2 manual does confirm that the setting is wiped when you turn the unit off.
For your purposes, I think I'd stick with the Microcosm........I really love the Cosmos, however it has no presets, and doesn't sync with other gear (no MIDI, no connectivity for that at all).....because of the way you work, my guess is that the Cosmos wouldn't be as useful to you as it is to me...................................
Yes, I've actually built many recording studios over the years. In this space, I do all the recording with digital inputs and headphones, so the acoustic properties are of no concern
