Тёмный

A Guided Tour of Arnold Schoenberg's 2nd String Quartet in F♯ minor, Opus 10 (1908) 

David Goza
Подписаться 3,4 тыс.
Просмотров 1,1 тыс.
50% 1

This gorgeous composition is a product of 1908, a fateful year in the composer's life. The music reflects the composer's state of mind perfectly, and may perhaps on that basis alone qualify as a specimen of Expressionism. To the four-member ensemble, Schoenberg added a soprano voice, singing poems from Stefan George's "Der siebente Ring," published a year earlier. Schoenberg appears to be taking his leave of quite a lot in this quartet, and I will leave it to you to discover what I mean by that.
This recording is by the Arditti Quartet, with soprano Dawn Upshaw.
You may find it useful to read some commentaries that deal with Schoenberg's personal circumstances at the time of this work's composition. Start here: www.jstor.org/...
and here: brentanoquartet....

Опубликовано:

 

8 сен 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 10   
@David_Goza
@David_Goza Год назад
Here's a link to my complete Arnold Schoenberg playlist: ru-vid.com/group/PLRxr3feFPHKBXJngGPH4nn43P1lPnDe4U
@mikesimpson3207
@mikesimpson3207 Год назад
This might be the best thing Schoenberg ever wrote. One of the most powerful portraits of misery I've ever come across in music. I love this recording so much. I have the 2-disc set of all four quartets by the Arditti Quartet, and I've never heard any one else nail the 2nd this well.
@David_Goza
@David_Goza Год назад
I agree wholeheartedly with everything you said!
@Johnwilkinsonofficial
@Johnwilkinsonofficial 6 месяцев назад
this is a beautiful style of video the way you give the score with accompanying guidance interspersed with spoken analysis. please continue this necessary work.
@David_Goza
@David_Goza 6 месяцев назад
I'm glad you enjoy it!
@henryng0725
@henryng0725 Год назад
So beautiful here and what a masterpiece here! I think the handling of materials here is more mature here than in no.1 Quartet as there’s not even an abrupt passage for me! Every passage is reasonable and effective here. Rather than a traditional emphasis on the first movement as in no.1, here the emphasis is put in mov.4 as the trend after Beethoven and it’s very successful here. An Ariosto in mov.1 (function as in the first mov. 1 of Beethoven’s op.131?), Dance of Fury in mov.2 with motive rhythmic motive from no 1 quartet quoted, also in D minor, Lament in the 3rd mov and a chase of transcendence not through the usual tonal path but with post tonal harmony from another planet an finally the key of transcendence, F sharp major is achieved beautifully though with uncertainty. There’s no need of key signature here: 20th century is not a century of beauty and transcendence but materialism and nihilism. Thanks for your video as always! I would never enjoy beauty of this masterpiece without your video! Henry
@David_Goza
@David_Goza Год назад
//There’s no need of key signature here: 20th century is not a century of beauty and transcendence but materialism and nihilism.// That's a stunning insight!
@saltech3444
@saltech3444 Год назад
Hi David - if the 4th movement is actually to be parsed in sonata form, is the exposition inside what you here call the "prologue"? Or does the sonata form only start when the vocals begin.
@David_Goza
@David_Goza Год назад
I understand the sonata plan to begin with the first vocal entrance, which places the other significant inflection points at the upbeat to measure 52 (a rondo-like touch) and the return at measure 100. Although this places what I have called the "prologue" outside the unfolding of the plan, some of its material does recur during the development, as we might expect.
@saltech3444
@saltech3444 Год назад
The end of the "Augustin" movement sounds suspiciously like Moussorgsky. :-D