A Medley of The Animals - 1964 VOX Continental V301J 

I also love 60s-70s music despite not being old xD

Err…it was Alan Price, not Ellen Price.

This is it !

Thank you so much my friend!

Thank you so much, Chris! I’ve watched your videos for quite a while and your performances and quality of recordings are fantastic!

Thank you!

Thank you, Charles!

Thank you so much my friend!

Thank you so much man!! I had no idea there was a whole community out there looking to hear this music!

@@LiamEnea it's still very popular, my friend... even here in Brazil! You did a great job... congratulations!!!

That’s awesome, Tom! I’m glad!

Thank you so much man!!

Thank you for checking it out!!

@@LiamEnea Cheers!

Thank you so much man! I love your playing, Alan Price just does a lot of blues riffs that sound complicated but are easier than they look lolol

@@LiamEnea No problem man and yeah that figures

Stu Pendous Music Thank you! The Vox is an English model.

Thank you so much, Thomas! I’m working on miming to a track of the recording, but if you go to my video “The Animals - 1960s Covers,” my full cover of the song is on there!

Thank you so much, man! On every song, the 16’ drawbar is fully extended. The 8’ drawbar is usually at 6, and the 4’ drawbar is either closed or at 2. The IV drawbar, however, I adjust based on the song, as it most influences the organ’s shrill tone. For example, on “House” or “Misunderstood,” the IV drawbar is at a 6. But for “Bring It on Home to Me,” and “We Gotta Get Out of this Place” the drawbar is pushed in, with the 4’ at half way. For the sine and sawtooth waves, I usually keep the sine fully way extended and adjust the sawtooth as an internal volume based on the amp I’m running through. I think the airy motif of The Animals’s sound on a Vox Continental, along with The Doors, is keeping the 4’ drawbar closed or barely open. On the tube amp, a Fender Super Champ X2, I mic’d it with a single dynamic microphone to the mid-ring of the cone on a low volume (3), with treble and bass at ten. This amp, unfortunately, does not go to eleven. Lol. The organ is running clean into the amp and I placed no effects on it. All the reverb heard in this recording is artificial; I mixed it in Audacity. The built-in DAW reverb I used had the “Stereo” feature tuned to 100% along with “Room Size” at 85% and a host of other high settings to help give the relatively tinny organ this larger sound. I’m so glad you enjoyed this!!

@@LiamEnea Thank-you,thank-you for taking the time to give all this detail. It's priceless info. Most people seem to set their Connies with all drawbars full out. I've been watching your other videos. You have a real feel for the Vox. I hope you keep playing.

Transistor organ sir!

Ah man, I wish I did that one! I am thinking about making a part two to this video and will include that!!

Hey man, I set the organ to: 16’ - Fully extended 8’ - 6 4’ - 2 IV - 3

@@LiamEnea Thanks a lot.

Hi! I would evaluate it at about four times that amount depending on condition. These are really cool instruments!

@@LiamEnea thanks. Where can I see the price of the organ on the internet? Because it is very rare and I can't find it. Does the price start at least 1500 €?

And Di I would look on Reverb.com or eBay! That sounds like the right price, but I would go higher. Can you make a demonstration video for RU-vid?

And Di I would look on eBay or Reverb!

$2,000 for a good one. The one he is playing does have a few lower notes with out full throated sound. Needs repair of transistors. There is a guy in PA that can fix that.