I got extremely lucky, and found a Sony TC-D5M at a Hamfest for only $5. It was completely dead, but I found a transistor on the main power board that was bad, and replacing that got it back up and running again. A few new belts, and it now works absolutely perfectly.
@@Blackadder75 You could ask the same about old cars and computers. I think 99% of it is all about nostalgia I recently bought a couple of 8 tracks because when they were popular one like the Weltron 2001 I now have, would have been about ten years pocket money for me.
@@Blackadder75 My 9 year old son loves recording the audio tracks from RU-vid videos onto cassette tape, with my Tascam 122. He then plays them back in a walkman sport with headphones that he was given a few years back.
It's funny to think that during my days in commercial radio back in the nineties and noughties, we were armed with "broadcast quality" equipment to take out into the field, sometimes costing thousands. We'd never consider consumer brands, let alone bargain brands like Radioshack. Fast forward to 2023 and TV and radio news is full of low-fi, stuttering Skype/Zoom/Teams connections via the contributor's webcam and shaky, incomprehensible content submitted by the audience. To my ageing ears and by today's standards, this is surprisingly impressive!
I have reflected on this phenomenon my self. The Iphone quality has become a new de-facto broadcast-netcast standard , and has opened the door to all sorts of crappy equipment.
Even though you have many videos like this, for some reason this one really reminded me of the hours I have spent in front of a stereo watching the reels turn around, and watching for the leader tape when you were hoping to fit a whole song in! I could literally smell that tape being opened as well! 😄
Lovely review. I'm super annoyed with the prices of broken equipment on ebay theses days. Gladly you can still find great deals like this when you go for the smaller brand or no name stuff. I recently got a nice stereo cassette player for 25 bucks in a second hand store, that wasn't working. All i had to do was to solder one cable back on. Works like a charm.
@@bentbilliard don't worry, I don;t buy it, not if it's $100, or $10 or $1 , I don't need old electronics. (I did buy a few retro 80s and 90s computers though) I guess for the same reason as people buy audio stuff.. I just don't get the appeal of tapes, they are inconvenient in all aspects of use. I don't see the appeal, unlike classic cars or that old nintendo.. that is fun to drive or fun to play, but what is fun about a tape deck?
@@Blackadder75 There is something tactile about tapes and an analog experience that you can't get with digital audio. Also it is part of a great history and it's super interesting to learn about it. Old Audio equipment is a marvel of technology and on top of that very reliable and easy to repair. It's all about having fun and maybe learning something. That's all.
Many years ago I had the opportunity to get my hands on a Marantz version of the Sony TC-D5 that somebody didn't want. Unfortunately my efforts to repair it backfired since it didn't just have bad belts but also some other major electronic issues, despite being in good cosmetic condition. I've always wanted one, but their prices used are ludicrous. With all that being said, this Realistic did quite well. Maybe I should've bought one of these instead of the Marantz! BTW, that production music tape is pretty groovy and screams the '70s. Glad to see you uploaded it in its entirety over on your other channel.
A Marantz PMD-420/430 is also a nice deck that usually costs less than the TC-D5. And these big recorders are easier to fix than any walkman size unit. Those sometimes require desoldering to get to the belt(s), have rotten SMD electrolytic capacitors, broken center gears (Sony WM-DD/WM-2 style mechs). And big recorders keep their head azimuth alignment better.
Blast from the past video for me. I had one of the minisette-9 I used to record lectures in community college in 1986. I also had one of the black amplifiers he used for it's phono input. I used mine to drive my computer speakers.
Surprising for being stereo, how poor the frequency response is... Raises the question, what would be better: stereo with 125 to 8,000 Hz or mono with 50 to 13,000 Hz ?
Sadly one of the thrift stores I went to almost every week has closed and is going to be replaced by an Aldi supermarket. Also two Goodwill stores in my area closed at the beginning of the COVID pandemic and never re-opened (one has since been replaced with a Dollar Tree).
In all fairness, the tc-d5 can be used as a serious cassette deck, being pretty much equivalent to a decent 'full size' component cassette deck. Which makes it a very desirable portable device, but also complete overkill for many use cases where that portability is the most important 'feature'. I wonder.. somehow this recorder reminds me of Sanyo.
I feel like the auto level makes sense for what this is supposed to be: convenient yet better than just a convenience-based unit. If it had manual input controls, I would want it to have the auto as an option with a switch.
11:25 this is flat out false information that could cause problems depending on the recorder, it'll by far lead to more noise too, a microphone input and a line level input have different circuits expecting different outputs, an adapter does not 'give you line level inputs' that's why mixers have line inputs and mic inputs
I miss Radio Shack and all the other electronics stores. But since everything has been integrated into a 6" smartphone.....the demand for physical media is very small. I'm glad to have had the privilege to live in times when there were no cell phones or computers......very different times.
At least foldable screens are contributing to a mini renaissance in cell phone design. I've been enjoying the benefits of inexpensive smart phones, for a while, but I might have to splurge on the modern Moto Razr, someday. Although, I'll miss the LG Voyager style horizontal clamshells, with full size thumb keyboards.
Surprisingly there's a few RadioShack still around or at least there were. They all moved out of the way from my general within 2 hours of me distance. We stopped at one and they said that they were not a corporate store they were a I can't think of the word they were a private store. And that they were able to stay in business. I was carrying around two iPhones because I paid for apps that were no longer functional on the new one and I needed a back up phone. Well goodbye 4G and apparently the 4S didn't support VOLTE. So I decided to get one of those fancy candy bar phones that everybody's been talking about.... a Nokia it's amazing I can go two+ days without plugging the thing in. It's not quite as nice as the Motorolas I had in the day. I feel for the last few generations they're not gonna know finding something to watch that they wouldn't normally watch because there was nothing on and they were flipping through channels. And as Mr. LTT says why do you need records I can stream everything that's great until the music industry goes through what the TV and movie industry is doing right now we're everybody wants a piece of the pie so they're taking things off of other streaming services. I'll be over here with my CDs cassettes and MP3s that play on everything.
"the demand for physical media is very small" Good. When I started listening to my own music is was deep into the CD era and I used to carry around my CD player, a handful of CDs, a pack of batteries and i'd have to decide before I left the house what I wanted to listen to. These days I still buy CDs but I have my entire collection on my phone as FLAC files, my phone is rechargeable and easily lasts a full day of playing music, my headphones are also rechargeable and last around 35 hours on a full charge. However there's a lot of people who aren't buying physical media and that's good for the environment, less plastic tape, less plastic cassette housings, less plastic used to make tape decks, CD players, camcorders, VHS tapes and a whole host of things. Only those who really need or want a high end video camera or physical media are buying them and that's really good.
@@Martipar the only downside to that is we're using a lot more precious materials and mined materials in phones that have to be replaced every year (slightly exaggerated). Compared to plastic which we could've melted down and reused and ferrous metal tape. This reminds me of the last LTT video I watched we're Linus was talking about buying speakers and streaming music versus the person they were doing a tech upgrade for having records and a record player. I don't get why if there's so little to a small demand for physical media that those Sony cassette players were in the 500 to 800 to 1000$ range on eBay, I wanted a good cassette recorder (before they disappeared) since I never had one as I always got stuck with cheapies that didn't even record or hand me downs which weren't that good. Was trying to figure out what I wanted and I just barely managed to snag a Sony for 550$ youch! and then the prices went up. I have a handful of cassettes and occasionally need to convert or want to record. Otherwise I have transitioned to CDs as my storage format and 192 MP3s that can be arranged and played on all of my devices. And now that I have a car with a decent CD player I have actually listened to CDs in the car it's so weird. Transitioning away from physical media I'm OK with that other than there's a big push to have no physical objects anymore. which is sort of like worrying that the sky is gonna fall in jumping in the Grand Canyon. We're Society bordering on levels and healthy obsession. Sure it's OK to have a few things but nothing at all...
@@imark7777777 "Compared to plastic which we could've melted down and reused and ferrous metal tape." The tape is not recyclable, i highly doubt most tapes made it into recycling bins at all and most people own one phone while people often owned at least 10 tapes.
I think the reported frequency response is for the built-in condenser mics. The direct turntable hookup sounded great for me playing this through my home stereo.
The permanent magnet erase head will not make the recording much noisier. It's DC bias and the ALC what makes a lot of noise, but fortunately this one has AC bias. The only problem with the permanent magnet erase head is that the erasing efficiency can be low, so if you re-record a cassette which was recorded at high levels before, the previous recording might still be audible in the background of the new recording. This is especially true with Type-II tapes. Don't forget that an AC erase head can consume a lot of power, IIRC between 0.5-1W, or up to 2W with Chrome tape, and that is a lot for a portable tape recorder operated from a few AA batteries. It would decrease the battery life drastically.
It's more complicated. I found that most noisy recording gives the combination of permanet magnet erase head and AC bias. It gives such low frequency background noise, sounding like a huge waterfall or something. I am not sure what happens there exactly. The tape "erased" solely by permanent magnet isn't particularly noisy, but once the tape in this magnetically saturated state, is touched by recording head with AC biased signal, it starts to be such noisy.
@@StackOverflow80 Yes, this totally makes sense, if the permanent magnet erase head leaves the tape saturated in one direction, the AC bias + recorded signal will not be able to null that out, and it will create a mess. But that is a garbage erase head, if it leaves the tape saturated. I have some Panasonic and Sony boomboxes with permanent magnet erase head and AC bias, and they make good recordings. The permanent magnet erase head should be a double-gapped one, which magetises the tape twice in alternate directions, leaving it in a neutral state instead of saturated. If you have a recorder with such bad erase head, but it has AC bias, you should try getting a better erase head for it.
@@mrnmrn1 Ok, that's interesting. I have some Panasonic boombox from 90s and its specs says "erase head: multipole magnet". Would it be this kind of head? Its recording is noisy though (brown background noise)
@@StackOverflow80 Yes, probably that multipole magnet erase head is what you want. My childhood boombox was a Panasonic RX-1650, it is mono, but makes OK recordings with its permanent magnet erase head. It is a bit noisy, but not that low frequency rumbling that you talk about, just hiss, most of it caused by the ALC probably. I have only experienced that low frequency rumble with DC biased tape recorders, and some dictaphones. I have a Panasonic recording auto reverse "Walkman", in which the permenent magnet erase head is super tiny due to the two pinch rollers taking up the space, and I think it has AC bias, that is the only model which I can recall producing that low frequency rumble while having AC bias. I also had a Hitachi TRK-3D8 boombox with PM erase head, it made good recordings. Unfortunately I don't have any of my mix tapes I recorded on it, so I can't confirm how noisy it was, and I don't have the boombox either, although I want to buy one. The one I had was already butchered when my father bought it for me to play with when I was about 8, its side panels were smashed and it was overall worn out, FM radio out of alignment, and only one half of the deck worked, the other side had a broken gear, every control had very bad contacts due to wear (contact cleaning did not help for more than a few days), volume sliders were scratchy, and eventually the input selector switch burnt due to bad contacts. I used it for about 5 years than after the switch failed I parted it out in about 2002, I still have the board, the transformer and the speakers from it. I reused its transformer in a Vinix VPC-7714 boombox, its midrange speakers in a cheasy LEVIS boombox with built in LED lightshow behind the speaker grills, and I installed its woofer into an old two-way enclosure which I found on the street with a missing woofer, I used that for 10+ years attached to my TV.
@@mrnmrn1 Yes, some of the recorders with permanent magnet erase heads were noisier, some of them less. So maybe it has something to do with the type of magnet used. However, better boomboxes and stereos used AC erase till the end of cassette era, so I think the multipole magnet didn't really solved it. If I removed permanent magnet head from AC bias boombox and recorded onto clean tape, the recording became very competent in terms of noise and distortion. Permanent magnet boomboxes had to hold recording level low, some -4dB i guess, to not to get distorted. With AC erase head, I could go higher with recording level without percievable distortion. The trend of permanent magnet erase heads irritated me a lot, as they creeped even into more expensive boomboxes during 90s. Permanent magnet in $250 Panasonic boombox with radio and CD in 1996, wtf?
Sounds better than it seems, stereo playback certainly helps a lot. For a budget machine, it’s actually pretty decent! Like you said, that permanent erase head isn’t ideal, but otherwise it’s still an interesting unit. Also cool that you got it with the case!
I still have the Minisette 11 I bought new in 1982 or 1983. It lived in my college backpack to record classes and playback Rush tapes as I walked from class to class. Later, it served as the cassette deck in my home stereo after a drunken friend dumped a beer in my Technics deck!
Hi vwestlife I’m 13 and currently collecting cassette tapes I really enjoyed the recommendations you’ve been giving me I’ve been watching ever since I was five years old big fan!
Got an AIWA AD-F800 which must be like a holy grail cassette recorder. Literally the pinnacle of semi-pro cassette recorders. My FIRST stereo cassette deck (which I also still have) was the Realistic SCT-12. Was/still is an incredible quality unit for its price ($80) in 1980... Probably the last time I used either. Looking for a SONY DAT 670 Tape Recoder? Love your channel, fellow New Jerseyan...
To put that 8khz frequency response in perspective, the Victor Orthophonic mechanical reproducer introduced in 1929 has 10khz of frequency response. The erase head doesn't really matter with new tapes. You can always erase your tapes in a different machine. The AC bias is nice too. DC bias would categorically disqualify it. But the wow and flutter and frequency response are deal breakers IMHO. In the form factor, this is a suitable replacement, but not in any other way.
Not bad for a portable cassette recorder made by Realistic. What's more, I would love for the new decks to have the same manufacturing quality as this recorder.
I bought the mono version, the Minisette 9, last year in Brussels. Beautifully made device, I think by Sanyo, as the majority of the components in mine are that brand. My machine was apparently well loved by its previous owners, because the head is quite worn and it had a faulty speed controller. When I did get it to play normally, I found it makes pretty decent recordings for what it is. The auto level recording is good enough to handle a direct connection between the mic input (the only one it has) and the headphone output of a laptop.
The other issue is that the TCD-5 have a rubber idler tire that is bonded to the underside of the pinch roller idler wheel, and there exists no replacement for it. The only solution to getting them repaired is to remove it and send it to someone to have retooled on a lathe. You have to know how to remove the thing and put it back by yourself and you have to find someone who can glue a new tire to the idler and turn it down to the correct size. Absolutely all of them use that tire, and they are all getting slippery. They still "work," but a lot of tapes which offer slightly more resistance will either trip the mechanism and shut it off, or (if you're less lucky) they eat your tape :(
I have a sony tc-D5M model dat hase new snaars and idler it was e pain to get but the deck sounds so good now and the left and raide volume meters to record tapes on to is after 2 uurs of corekting bact to 1on1 Bdw sorry if my engels is bad im ducht
@@enriquewaisfisz7261 np. there's a guy in the US who can do the pinch idler for like 50 bucks. i'll get around to having mine done at some point, but for now i have other decks i can use if there's a problem with a specific tape. i only use it in my kitchen anyway
Thank you, I enjoyed the video, good overall coverage of the unit with real-world examples. My favorite part was when you demonstrated the turntable and pointed out the amplifier. I looked over at my nightstand where my own _Optimus_ SA-155 was recently put into use to play white noise overnight to help me sleep. It looks just like yours except yours says _Realistic_ instead. 🙂👍
Excellent video, I love this style of tape machine. Do you have a Realistic CTR68? This is kind of famous for being Hannibal Lecter's tape recorder in Silence of the Lambs! I'm not sure that's too well known a fact - they ground off the brand name for the close-up shots of it.
13:24 I'd say this Realistic 11 was the answer to Sony's Walkabout series and their TCS series since they had somewhat similar roles in terms of being a recorder/replayer. Also several of their WM-series like their WM-R2 for similar purposes.
This is a very nice looking sleek machine. Too wobbly for slow piano (unless it is your test record, maybe you should have used a digital source), but works for pop stuff. I wonder who made it for Radioshack.
At least it looked way way easier to take apart and replace those belts than the Panasonic unit Techmoan tried to do in a video a few weeks ago. That looked like a total nightmare .
I agree! That device was cryptic by design. I’ve had a few tape decks that were poorly designed for service but nothing compared to that Panasonic. On the other hand, this Realistic cassette recorder looks to be well built and designed to be serviceable
I worked at RS at the time, I remember VERY WELL selling one of these! An (acoustic guitar playing) street "busker" wanted something a bit easier to lug around for recording himself than a "boombox". (Carrying a guitar case and a 1980s boombox was a PITA if using public transportation.) Of course, any number of small cassette recorder models would have worked, But he NEEDED stereo! When I showed him THIS exact model, he was THRILLED Boy, THIS was a quick sale! He loved the little sucker! (Bought some Ni-Cds and a pair of inexpensive mics too). 👍👍 Today, a Tascam DR-05X and a mini tripod would be just the ticket for that use case.
I always hate having to take apart the old tape to perform a repair. Complicated belt system. I like how well built the mechanism is made, lots of metal there.
Unfortunately the quality of the recording, the professional features and the quality of the tape mechanism is far from the TDC5. I’ve got an old TDC5 myself- it’s a marvel. I didn’t realize they where that expensive! Not worth 4000$ though!
Nice video, as usual. It sounds really good, as a playback machine. The recording quality is an interesting reminder of how far prosumer equipment has evolved. Whatever you are using to record your typical dialogue sounds considerably better than the Minisette-11, even when you used external microphones. Then again, it's a 40 year old device. I wonder if its recordings would have been any better, when it was new?
I have A Tascam DR-05X and It's amazing for it's price. It has built-in mics, external mic or "line" inputs as well as "line" out, And being digital it's a CD quality recorder that fits in a pocket and runs on 2 "AA" batteries. It's amazing how far consumer audio has gone! I also have a Tascam DP-006. It's the digital equivalent of the old Tascam "Portastudio" multi track cassette mixer/recorders - But it's the size of a paperback novel!
4:27 Dutch! Anyway, it ages well, looks nice! When I saw the mechanism I always wonder why manufacturers made so many different transport mechanisms. Different control layout, different belts, different gears and so on. I got the feeling that they use students (internship) with assignment to design a new mechanism 😄 It is so strange to take the effort again and again to design a new mechanism. Does somebody know the real reason why manufacturers invented the wheel again and again for each model they produced? There are so many different transport mechanism, really insane.
This was before Tanashin introduced their TN-21 mechanism in 1986 which pretty much became the universal industry standard of low-cost cassette recorders.
Usually either to avoid someone else’s patented method or to reduce costs or slightly improve some aspects. Japanese manufacturers were highly competitive and wanted to make their own unique design also. There are probably more reasons. Exchange rates and labour costs were different also, more money could be invested into r&d.
I love that this thing has Tape selector, built in stereo mic and runs on AA batteries. Something i wish the Sony TC-D5 would too but sadly it runs on 2 D-Cell batteries, which are harder to come by. This Minisette-11 would have been awesome for concert bootleg recordings back then :3 If you ever need a translation for the manual, i could translate the german part of it if you want.
You can buy plastic D-cell to AA-cell adapters. Basically they're tubes that AA cells slide into that makes them the same diameter as D-cell. Coincidentally, I shot a video of them yesterday but it won't be on RU-vid for a few weeks. Conclusion is, by EBL brand ones (Amazon or eBay), not 3D printed ones.
For having a relatively low frequency response of 125 to 8khz and no Dolby I think it sounds pretty damn good. In fact the tape hiss was barely audible in the quieter parts on that first tape.
That's the benefit of recorders with automatic recording volume. It will always set the the optimum for each tape formula so you would get the best out of the limited dynamic range.
You forget how beautiful tapes were with the case and separate labels, I loved opening them with their cellophane wrapping . I always had TDK ad as they were best compromise .
I didn't like stereo equipment with individual left/right volume controls, I always found them fiddly to use. But just now I've thought of a good use for a tape recorder with individual left/right volume controls. It's good for playing my Teddy Ruxpin cassettes in because I can wind down the right channel and not have to listen to the buzzing whirring sound of the PPM control data on the cassettes. If you play a Teddy Ruxpin tape deck in a regular cassette player, you'll hear a noise that sounds a bit like a petrol driven lawnmower.
@The Vinyl Disguise Yeah well that can happen, they could be damaged somewhat easily. I'd like to think my nieces know better than to feed their Teddy Ruxpin.
I actually own one of these! I like to collect them to use since I enjoy the novelty and security of recording on cassette. Mine is a bit broken and makes a screeching noise 9 times out of 10 when you hit play, but when it works it certainly works! I was very very impressed by the built-in microphone's ability to compensate for loud audio. No joke, I've taken it to full on rock concerts and even when its right next to the PA speakers it handles it like a champ!
I've been keeping my eye out for a Minisette 11, but I keep seeing the Minisette 9 (mono). Today, I found a GE 3-5361A which is almost IDENTICAL to the Minisette 9. They have to have been made by the same company. So perhaps there's a GE equivalent to the 11, too?
Thrift stores aren’t what they used to be. I remember scoring some awesome deals…Receivers, tape decks, turntables for 5-10 bucks. Cassettes 25-50 cents. Records 50 cents. You can still get some deals but because of the internet the thrift stores are wiser to market values. Just like most things…they were better in the past. BTW…cool cassette recorder!!!
It's so funny back in the day 70s/80s(I am old) many people looked down at Radio Shack stuff and now days some of those same people are willing too pay big bucks for the very same stuff now. It's so hard to well made personal/home electricians now.
Back in the day I had numerous Battery of the Month Club cards. I knew one of the managers, and they were ok with me using a few cards at the same time. I don't recall ever buying AA's for my Sony Walkman. Memories.🔋🎧
Marantz PMD430 is great it's my go to portable just because it's much easier to work on - even if it breaks in the field and you can find it for a decent price. Sony has esoteric non-obtanium parts needed if broken in many cases. The wow and flutter specs speed ect are certainly better on the Sony - if the sony is working but not so much better tha most will notice.. I don't know if the Sony has DBX.. the Marantz does and it really helps with field recordings clarifying some distant sounds ect.
Under the circumstances, a Realistic alternative to an expensive Sony! The Minisette-11 seems a decent example of a portable stereo recorder. BTW, back in college, I worked with the Sony - it *was* (is, if you find, and can afford, a working one) a very nice tape recorder. *An apt choice of subject,* too, as I had a *"Dang, I miss Radio Shack"* moment this weekend. Was visiting my brother who lives some 100's of miles away, and brought a Teac CD recorder for a dubbing project we wanted to do. Brought a pair of headphones, too, to monitor the recording as we worked.... only they are modern headphones with the 1/8" (3.5mm) jack, and the CD recorder has a 1/4" phones socket. There were a Target and a Walgreens within a couple blocks, but neither carried a 1/8" to 1/4" adapter - too old school. (I could get all the ear buds and Bluetooth stuff I wanted at both places.) Back in the '80s, there would've been a Radio Shack prolly 10 minutes away, and we would have easily solved our problem! (We did eventually come up with a workaround.)
Paid 50 bucks for mine ship, took me a little bit to find one in decent conditions, you see the minisette 9 everywhere online (maybe a video on that ?) it is amazing what this little thing can do i have if in my gaming pc desk is perfect size for it. I would love to find the Sony holy grails but trift store have been clean out here.
nice review & repair/replace vid VW, to my ears the sound quality was very good, but I imagine these are extremely rare, especially in the super clean condition yours was in. Radio Shack was such a great resource back in the 70s/80s. It's too bad they did not adapt to the times. It's refreshing to see how they didn't lie about frequency response back then as opposed to now where everything is rated 20-20000HZ
Idk if you get asked these kind of questions often, but how would you go about fixing these older devices? Are you that familiar with the circuitry, or do you rely on a schematic? Many of these I'm sure are very delicate given their age and the amount of wear over the years.
Most of the problems you'll experience with old tape recorders are mechanical, not electronic -- worn out belts and a dirty record/playback switch, just as I showed.
I had a cassette recorder similar to this once. It was made by either Panasonic or Philips I forget which. It took normal cassettes. I thought there were other brands in existence that used mini cassettes when I saw the title of this video.
I think the ridiculously high price for the Sony TC-D5's are due to the Techmoan effect. The guy does great videos, no doubt, but anything he touches turns into an overpriced "holy grail" that suddendly everyone wants. The same thing happened with the MZ-RH1 Minidisc player, which had modest prices on Ebay but after Techmoan covered it, the prices went sky-high.
Hi VWestlife, nice cassette recorder and I have a Walkman that has a faulty radio to tape switch. Play around with it a little bit and it works. Hope to see the next update (video)
These cassette decks were very popular with churches. They would frequently get "split track" cassettes that had the instrumentation on one channel, and the singing vocals on the other. While practicing to sing a song, both the music and the vocal track would be played, but during performance, the recorded vocal track would be turned down. On a large mixing console, this was easy, but for practicing in the music room, This little cassette deck fit the bill, because it would play left (instrumentation) or right (vocal singing) out the monaural speaker, depending on where the VOL L and VOL R controls were places.
Over here in the UK Realistic hi fi receivers are so well sought after there are none left to purchase. I assume that if it's made in Japan for Realistic it's going to be a desirable product. Is that what people in America feel too? I think that machine looks fantastic and , of course, I want one. Great product and great upload Thank you.
I hate when thrift store employees take time to research items just so they can charge an inflated price on something that's really only worth a fraction of its estimated value. I've seen expensive items get tossed in the trash just because it didn't sell. Sometimes I think garage sales are the new thrift stores and thrift stores are turning into ebay.
@@Blackadder75 That's a very good question, as all thrift stores are not the same. Some locations do lower prices after many weeks. Others send items that don't sell off to liquidation facilities that end up in huge bins where people rummage through to buy it all busted up for $1. Bigger retail stores like 'Savers' have an incentive on making money. They employ hundreds of people and have to pay everyone every week. From their perspective its logical what they do but its a pinch on us consumers. They also throw out tons and tons of garbage every month that people donate because its too broken beyond repair. Just imagine all the hidden treasures they tossed because it simply wouldn't turn on.
@@Blackadder75 Forgot to mention the inflation today contributing to it all. Now is a bad time looking for a bargain. If you had a time machine I would say 2002-2010 was some golden years for thrift deals.Today everyone is constantly price checking items with their smartphones looking to make cash online. Back then that wasn't an issue.
@@fartking2845 yeah, we (in europe) have that kind of thrift stores here too, but many are professional, yet on some kind of non profit system, meaning they have like 25% paid staff and 75% volunteers who get some kind of social security income from the government and do the work not for money but to learn skills or just for social contacts. Some of these people will later move on to regular jobs, some will not. Anyway, these people often don't know what they throw away.... It can be a bit sad indeed.
An impressive "cheap" portable tape player. Sound is very good - tho, muffled due to the limited high frequency response. Still - like a lot of Radio Shack products of that era, a very respectable device. (my first stereo system was all Radio Shack components - purchased in 1979 and got me through all my college years too). Thanks again for another great video.
Great to see you've satisfied this quest. So wonderful seeing the Radioshack/Tandy branding. Supertape, Stereo-Mate, Minisette, Enercell, truly magical. That first Stereo-Mate on that page of the catalogue was the one I lusted after for a long time. Ended up with a different model Sanyo later on in 1984.. But that page in particular was a well worn favourite. I managed to get a nice Sony WM-D6C, albeit with the click of death a while ago, but still a stunning piece of portable cassette recording technology.
That's its recording capability. , so the tape recorded on this device and played on a different machine, will still be limited to this devices recording ability on playback, on any other equipment as well.
