Padre Antonio Soler - Fandango Monika Foryś - harpsichord Tomas Celis Sanchez - percussion instruments "NEW HORIZONS" Old and contemporary music in cracovian palaces. Palace of Bishop Erazm Ciolek. Live recording X.2015. DTS Studio.
This performance is fabulous, and the dislikes are due to people who, in addition to understanding little about music, cling to a fossil tradition, the enemy of even the slightest change.
Really a great performance I remember a piece of Soler was added in between African dance music and we went on dancing on Soler's music played by a harpsichord.
Antonio Soler fue alumno de Domenico Scarlatti quién vivió en España y escribió el primer Fandango para clavicémbalo. Era lógico que el alumno escribiera su obra maestra para el mismo instrumento. Antonio Soler fue el compositor español más importante de la segunda mitad del siglo XVIII. Protagoniza junto a Luigi Boccherini el origen del nacionalismo musical español. ¡Hermosa obra magistral!
Mr. Tomas Celis congratulations for your mastering and performance on this instrument. Miss. Monika, you are an angel playing your instrument... Thank you very much.
At first I could not figure out why that guy was standing there. Is he coaching her? Is he going to sing? I have the sheet music and there is NO vocal part. WTF? Then he started paying the castanets! Yeaaah! Perfect addition. Raised in the southwest near the Mexico border. I love castanets!!! Great combo. Great performances from both artists. Thanks for sharing! Delightful with the castanets!!
Vaya marcha la del Padre Antonio Soler y que sorpresa cuando han comenzado a brincar las castañuelas macho y hembra. Bravo por ambos músicos, brillantes. ¡Y que vivan los fandangos!
Desde las Islas Canarias - España, les doy las gracias por vuestro grandiosa composición, es un arte para los oídos del alma, me recuerda a la aquélla, mi Venezuela natal...
Have always been enchanted by this work which is infused with so much life and happiness. A delight. Congratulations to the performers for a splendid rendition!
Ősi gyökerünkhöz tartozik a fandangó, nekünk magyaroknak. Régi mulasztásomat pótolom, az összegyűlt hálámmal, mikor ezért az előadásért, adózom. Köszönöm ezerszer.
Bocherini y Soler enriquecedora manera de entender lo flamenco y la musicca clasica..Bella y armoniosa fusión.Bravo por los interpretes y la musica inspirada en la esencia española.
Wow! Monika, your playing is simply brilliant.... This thing is incredibly difficult and that explains why I had never heard anyone play it. Bravo!!!!!
Those left-hand eighth-note jumps after 3:15 and 3:30 are amazing. The piece seems to have been written for three hands, but Monika handles it with just two.
@@marianneoelund2940 If I recall correctly, this piece is one of a set composed for two keyboards. When I saw the very beginning of the video I thought, "What? Only one harpsichord?"
C'est bien difficile faire l'accordance de les castagnettes avec l'harpsichord, mais ils l'ont fait précisément. La piece est difficile, mais Mlle. Foryś l'a bien fait, avec changements de tempo et de longueres des notes expressifs; Mr. Celis Sanchez suivait attentivement. C'etait étonnante!
Yes, castanets are a serious percussion instrument, I learned from this video. As are the piano and the clavichord. I admire the performer's accuracy and precision in accompanying this piece.
@@darthphantom273 you don’t have to be so belittling. I read over the percussion part of your comment. Yours is a strange comment anyway. I guess pianos don’t figure in your world either but you didn’t mention the category of stringed instruments they belong in either. Typically you are just another rude American who does not formulate well.
@@comtaar2245 The harpsichord works with a trigger system that plucks the strings. That's why it can't really produce dynamics. If you're calling a harpsichord precussion, you need to call a guitar percussion. Music student from Portugal btw.
Wooa so difficult to get these two instruments together. This is fabulous! Grandiose musicians and interpretation. I feel so happy when listening to this wonderful Duo. Thank you so much. A musician.
Eternel grandiose la musique baroque { 1580-1850 } Soler Campra Delalande Charpentier Lully Couperin Bach Vivaldi Haendel Telemann Purcell Monteverdi Pergolesi Rameau Scarlatti Albinoni Allegri Schutz Caldara Mouret Marais Corelli Praetorius Leclair Du Mont Pachelbel Geminiani Frescobaldi Biber Buxtehude Carissimi Zelenka Patino Carerols Torelli Tartini Mondoville Muffat Rebel Sainte-Colombe Fiocco Cesti Marazzoli Legrenzi Ribayaz Sanz Hasse et tant d'autres merci RU-vid pour ses moments de musique baroque qui reste ÉTERNEL.
Une pure merveille, c'est un travail de joallier de la part des deux artistes, c'est du cristal. C'est la meilleure interprétation que j'ai trouvée de cette oeuvre monumentale de A. Soler
Busca al pionero peruano Rafael Puyana al clave, en los años 70, cuando casi nadie sabía ni lo que era el instrumento. Su interpretación es probablemente la mejor de todas. Para tocar el fandango en su aire hay que ser hijo de las Españas, no importa de qué lado del mar.
Absolutely spectacular!...........thank you!.........you may know the fandango was Simon Bolivar´s favorite dance, and it is still alive and kicking in mesoamerica, specially in yucatàn.
Un prêtre - Padre Soler qui donne envie de danser.... Un vrai fandango avec les castagnettes .... C'est superbe Vive le baroque et comme dit Simone Kermes dans baroque , il y a ROCK Voir la jazzy interpretation de jean Rondeau et l'eblouissante performance de Scott Ross
!!!That was simply marvellous¡¡¡ You performed excellent even in the most challenging passages, I've played that fandango on the piano and I know giving a good interpretation it's not an easy task. The syncronization with the castanets was also remarkable. P.D. You are astonishingly beautiful. Keep up the good work.
