A Study of Titian's Portrait of Ranuccio Farnese

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In this video I make a study of Titian's Portrait of Ranuccio Farnese from the National Gallery of Art U.S.A. using an indirect painting method. The painting took about two weeks to complete including the underpainting. Reproductions I referenced are from Peter Humfrey's book 'Titian' and the NGA website. If you enjoyed this video please consider subscribing to see more like it in the future
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Material used: Oil colors(lead white, yellow ochre, cadmium yellow light, cadmium red light, alizarin crimson, burnt umber, ultramarine blue, ivory black), nylon and bristle brushes, dammar glazing medium, Belgian linen, transfer paper.

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15 сен 2024

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Комментарии : 61

@reference2592 5 месяцев назад

Outstanding. I'm so grateful to see this from start to finish. I've heard the process explained before, but never saw it step by step like this.

@jvballatore 3 месяца назад

Absolutely amazing work! Thank you for the opportunity to watch you paint.

@KpxUrz5745 3 года назад

To me, the main thing this type of video demonstrates is how great the Masters were, in that no one even begins to approach the beauty and complexities of the originals.

@el8638 4 года назад

Amazing! Finally a video that explains Glazing with good visual guidance!

@frankovitchgrimowski4950 4 года назад

I really appreciate the closeup camera work. Thank you ODM.

@burak5601 4 года назад

Wow. Just... wow! I’ve always wondered how old masters made those stunningly realistic artworks and you made me realize that it required a lot patience and hardwork... Thanks!

@olddirtymasters 4 года назад

Thanks Burak:)

@markh7523 3 года назад

Outstanding video and very complete with the close ups, Palette mixing and text.........thank you

@fayee8986 Год назад

I hear you! I feel the same way about it.

@fayee8986 Год назад

Amazing!

@marcaurele3115 3 года назад

Magistrale leçon de peinture ! Bravo ! Voir le travail des détails , les glacis , les transparences qui peu à peu prennent forme est fascinant ! La réalisation de la collerette de dentelle est tout simplement bluffante ! On comprend mieux le travail des maitres anciens et la maîtrise qu'il faut pour être un artiste ! Quand je serai devant un Titien du Louvre , je ne le regarderai plus e la même façon ! Merci pour votre video..

@olddirtymasters 3 года назад

Thank you Marc Aurèle🙏

@TessMArt Год назад

What an accomplishment. I'm stunned. So professional and beautiful. I thank you in awe for your generosity in showing us your mastery, including colors used, mixtures and brushes. ❤

@Takoulis 3 года назад

According to Tome Keating (the forger), Titian did around 30 passes of glazing and achieved the midtones by scumbling the surface of the painting with white and then taking it off with a sponge. However, I believe that your grisaille work is FANTASTIC, definitely much cleaner and the end result is perfect!!! Thank you for sharing!!!!!!!

@martmarriner6793 3 года назад

tom keating cant paint for shit. 30 glazes my arse.

@russev8950 2 года назад

@@martmarriner6793 Its not the first time that I've heard that Titian used a high number of glazes to build up his colours. I'll leave it to you to work out how many you have on your arse.

@martmarriner6793 2 года назад

@@russev8950 sorry russ, we dont glaze our arses in my country. maybe your mistaking your period for oil paint? namaste xxx

@Archetype73 2 года назад

not even close to Titian's...But good....

@Archetype73 2 года назад

Russ has no idea...

@fayee8986 Год назад

Remarkable! I especially enjoy the close-up, very informative! Thank you! Good luck with your artist career.

@nikkiswenson54 3 года назад

Thank you for this video! I learned alot by watching your beautiful work!

@martmarriner6793 3 года назад

love the way you flatten the form and make it look liuke a photo

@Ralphsearsart 3 года назад

Thank you for sharing your expert paint method. Great work

@carpuig 4 года назад

Your videos really motivate and support me to have energy, to overcome something that seems to take too much effort and also worthy of gifted geniuses. You do it and it even seems easy. By watching your work, I learn the technique so that later I can reproduce it. It also allows me to meditate, admire the old masters and you too with your mastery. Muchas gracias!

@skellez83 4 года назад

T-i-z-i-a-n-o hehehe great work as usual. Perhaps the only channel that really tries to replicate the masters’ techniques.

@olddirtymasters 4 года назад

Thanks skellez83!

@FANTASYFOOTBALL-76 3 года назад

I thank you for closeup camera work. very use full for me Thank You very much

@mohsineal7622 2 года назад

Thank you 👍

@TheReeW 3 года назад

Just found your channel and subscribed. I am LOVING it! Can’t wait to see the rest of your videos

@olddirtymasters 3 года назад

Thanks and thank you for subscribing!🙏

@nikkiswenson54 3 года назад

Me too! Just subscribed also!

@ishanjoy 3 года назад

Really your art is expressive... Amazing experience... Thanks a lot.

@olddirtymasters 3 года назад

🙏thank you Jay Chauhan

@suntan8573 3 года назад

EXCELLENT : giving close up !!

@brendaizquierdo5695 3 года назад

He's cute.. Ranuccio the handsome 😍

@jackiwannapaint Год назад

brilliant

@PaintingtheLight 4 года назад

Bravo this is really amazing! Good job!

@olddirtymasters 4 года назад

Thank you:)

@jasonblanton5229 2 года назад

Titian would have done multiple unifying glazing layers (transparent cold over warm), and then scumble (warm opaque). Always remembering the fat over lean rule to minimize cracking over time.

@dundeedolphin 3 года назад

So good.

@Deadlinepainting 4 года назад

Great video

@comunidadbitcoin2050 4 года назад

Fantastic. Thnx

@olddirtymasters 4 года назад

Cheers ComunidadBitcoin:)

@jvballatore 3 месяца назад

Quick question, you started glazing with yellow ochre which is not a transparent color. Why didn’t you use a transparent yellow? Is it because can thin it out so much with your medium or because it’s closer to a color used by Titian?

@olddirtymasters 3 месяца назад

I probably was just trying to keep things simple by using fewer colors honestly. Didn’t occur to me to use another yellow. Would be fun to try a historical palette one day.Thanks for your comments:)

@muratdrawing602 3 года назад

Soo beatifull

@nogueiraeditorial2153 2 года назад

Hello...To much work the spanish painters. Are you tryed Frans Hals? From Brazil greetings!

@duantorruellas716 3 года назад

You forgot the underpainting that goes on over the deadlayer , and then the glazes go on top of that. Also if you glaze the background it's better to start with lighter color because you can always darken slightly with the next glazes over them , but if you go dark with a glaze especially with that fast drying med you're using , you will lose the effect of transparency. That said, your drafting skills are good.