Che splendida voce! Da vita a questa romanza come nessun altro. Sentimento e commozione. Grazie Grande Franco Corelli per queste emozioni che ci dai ogni volta. ❤❤❤❤❤❤❤❤❤❤
i dont mean to be offtopic but does anyone know a method to get back into an Instagram account? I somehow lost the account password. I appreciate any assistance you can give me!
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A great voice of course, but one thing that set Corelli apart from most other great tenors was this; he and the ability, like Callas for example, to imbue the very tone of the voice with emotion. In other words, you can listen to even a single note, and apart from all questions of phrasing, etc., you know the nature of the emotional quality of the music he is singing.
@@susandrakenviller3683 non sono d'accordo FRANCO CORELLI, CHE HO VISTO PIU' VOLTR IN TEATRO, W' STATO UN MERAVIGLIOSO TENORE, UNO DEI GRANDISSIMI|||A TTORE PERFETTO, UOMO STUPENDO!!!!!CHE COSA C'ENTRA LA CA LLAS!!!!CERTAMENTE UN MOSTRO SACRO, MA CORELLI ERA UN TENORE, FARE CONFRONTI NOMN HA SENSO|||||INDIMENTICABILI||||
@@susandrakenviller3683 Callas herself would disagree, Corelli was her favourite tenor. They did few great bel canto projects together. Of course everyone has different taste.
You can either handle the sound of his voice, or you can't. The closest notes to shouts, I have ever heard, in the opera house, were from Corelli in an April '63 Met performance of Adrianna - hardly surprising, in light of the fact that he purposely eschews singing into his mask, thus producing excessively open sounds, on top. Last, but not least, is the sheer corniness & amateurishness of his mannerisms, including glottal catches (slight coughs introducing a note), which I can only describe as tasteless. Why he got away with such nonsense is probably summed up by a reminder to the effect, that opera lovers love loud.
