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Alan Moore Uses BATMAN to Transition SWAMP THING from HORROR to SCI-FI

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Опубликовано:

26 авг 2024

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Комментарии : 21

@PPP-dr8ng 10 месяцев назад

I absolutely love this arc of Swamp Thing, I would definitely say this is the better part of Moore's run

@patrickphillips1720 10 месяцев назад

Chester Williams is based on Chester Hackenbush, Bryan Talbot's psychadelic adventurer from Brainstorm Comix, one of the British Undergrounds, published in 1975. Talbot sent a copy to Marvel comics for a laugh, and actually got a fan letter back from Stan Lee. They both do look like Steve Bissette, though.

@fasbinder62 10 месяцев назад

ah, beat me to it. ^ this

@anotherbooktubechannel 10 месяцев назад

The medicinal tuber issue is before this one, issue #43 - Windfall. That is also the first issue in which the Chester character appears.

@toddblackwood129 10 месяцев назад

I absolutely LOVE the blink and you’ll miss it cameo by Lex Luthor in this story. In only a few panels Moore establishes why a mere mortal is Superman’s deadliest enemy: a mad scientist who has zero qualms with making deadly weapons for the highest bidder and is clearly ten steps ahead of everyone else on earth, especially the Man Of Steel. I never ever liked the evil head of a corporation version of Luthor, which to me always came across as just a watered down and derivative version of Miller’s Kingpin. Luthor deserves better!

@Seth0067 10 месяцев назад

Thanks for this - one of the greatest comics ever, IMO.

@drdoomsfanclub 10 месяцев назад

Completely agree!!!!

@bradfrederick1135 10 месяцев назад

I wish Marvel would release a b&w collection of the Warrior mag Marvelman stories.

@johnhicks1919 10 месяцев назад

we need to discuss how the batmobile is just the thing from tarkus by ELP

@ryan.6547 10 месяцев назад

Have you reached out to Totleben for a shoot interview? He's responsive to email and I believe recently was part of a CGC facilitator signing.

@Morchunkis 10 месяцев назад

This is my favorite comic issue of all time

@biggybg98 10 месяцев назад

I know schedules and craziness and sometimes the artist hates lookin at his old work but it would be cool af if you guys could get Bissette or Veitch to read along their best work like you did with da Eastman/Laird and Gibbons videos. Just for da freakin archive of it.

@flytetime7637 10 месяцев назад

Can you take a look at Big Numbers by Moore and Sienkiewicz?

@jacksonvega7751 5 месяцев назад

I borrowed Alan Moore’s entire Swampthing run from my local library in Blackburn uk, I should’ve just kept them because after I took them back, a few months later I went to borrow them again and I found out that 3/4s of em got borrowed n nicked. I was pretty gutted, the Batman story was so great along with the deadman, Constantine stuff. It was all brilliant

@johnhunt6555 10 месяцев назад

Yanick Paquette, a pretty fantastic artist in his own right, had some Totleben like marks during his run and the recent Mike Perkins Swamp thing is pretty awesome for vegetation.

@allydrawsthings 10 месяцев назад

yooooo chocolate Bonkers were my jam!

@robertcarey45 10 месяцев назад

Good video. I have a question, are you going to do an episode on the issue of Swamp Thing, where Abby Arcane is sent to hell?

@Beanophilus 10 месяцев назад

You guys said the art isn't like anything else in comics at the time. How about Frank Thorne's Red Sonja? Weird that it's a guy from such a different generation.

@themasterbaetor3719 10 месяцев назад

4:46 LMFAO

@MalditoMendoza 10 месяцев назад

Personally, I kinda wish it would've ended here in retrospect. Even though there is some interesting issues to come, and you can see some sort of overlap with what Moore did with Manhattan in Mars, I think after this is when the run starts losing momentum. It's a shame it kinda ends with a whimper rather than with a bang.

@fasbinder62 10 месяцев назад

yeah, it definitely peaked here for me, still what an amazing journey up to this issue.