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@@bobjimbobjim9006 yeah he's going off with all of these albums fully produced by him. Earl Sweatshirt, Boldy James, Larry June (that album is one of my favorites), etc
The orbit concept is a very good one my friend. Thinking about samples as textures is a good tip... that's why I think producers can benefit from sampling punk, new wave and experimental music - the sounds are already interesting to listen 😎👍🏼
Bro, I laughed so hard when you said you had to close the sun video out of fear. I had that exact experience when I saw it the first time. I don’t need to know everything lol.
Tana talk 3 from Benny the Butcher has great examples in Goodnight, Broken Bottles, and Rubber Bands & Weight. Boldly James works with Alc frequently and they have a lot more examples of this in Flight Risk, Speed Demon Freestyle, and Belvedere. Plenty more, just keeping it short.
Subtractive arrangement is a great method if you work with a sampler like an mpc and a daw. You can use a single sequence where you stack all your elements. After bouncing the different tracks you can import them into your daw and extend it to the length of your beat. Now you just need to delete different tracks and add some automations..et voilà
The Clout Dracula instrumental Alchemist conjured is probably my favourite piece. That one literally encompasses all elements you mentioned plus some reversed sample work. Also the infrequent use of 808. P.S. DOPE BEAT!
This video has helped my beat making a lot and has opened my eyes to hole new possibilities. Thank you for explaining this idea so clearly and for making this video so entertaining!🔥🔥🔥🔥🔥🔥🔥🔥🔥
This pretty much describes my SP-404 workflow. Cook up an almost cluttered 8bar loop then strip it down for arrangement. Btw your demo track was ill. Keep up the good work homie 👍
Guys, I apologize if this is a stupid question, but, when it comes to your drums, it's not 'wrong' if it doesn't 'snap" to the grid? As in, be on time? Could I possibly make a drum loop slightly off grid, kinda like without the timing? It's kinda hard to describe, but when you quantize (I hope I'm saying it correctly), everything snaps on the grid and it's on time, but I've seen some videos where producers say it's a secret that not a lot of producers know about, or aren't able to do, when it's not on time, it makes the drums sound more organic, instead of like a robot. lol
@navied you mentioned that 808 were used in many old Wu-Tang beats and I’m wondering aside from “baby I got your money,” which has a clear 808 at the beginning, which Wu-Tang tracks have an 808 layered? I usually think of hi tek layering an 808 on his kick drum, which I read about years ago.
paaji kya aap thoda aur indian music pe videos bana sakte hai kya? An interesting idea maybe sampling RD Burman for a knxwledge or a madlib type flip - would love more analysis about the fusion of Punjabi percussion in a trap or boom bap pattern. Much love from New Delhi
NAVIE D CAN YOU PLEASE GIVE YOUR OWN TAKE ON FUTURE GARAGE SIMILIAR TO LEGENDARY PRODUCER BURIAL ? I WOULD LOVE TO SEE YOU DO THAT SINCE YOUR PRODUCING GAME IS TOP NOTCH
i see a navie d alchemist video and...my simple man comes to surface and i have to click ahah either way ive recently discovered the oxnard water sample and yhea this orbit ideia really its true, you really do your homework Navie!
Thanks Navie 👌 Pls make some videos about how to make beats like Lord Finesse and Big L type beats specially beats like those which were produced for the album "Lifestylez ov da Poor & Dangerous" and the horn technique used in many rap songs from 90's. Thanks