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Alexander Spendiarov | Berceuse, Op.3/2 

Gamma1734
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Spendiarov, Spendiaryan - Armenian and Soviet music composer, conductor, founder of Armenian national symphonic music (1871-1928). In 1890 he went to Moscow and studied for one year in the Natural Sciences faculty of Moscow University, and then in 1894 he graduated from the Law faculty. At the same time he continued his violin classes. In 1896 Alexander Spendiarov went to St. Petersburg to show his compositions to Nikolai Rimsky-Korsakov, who greatly admired his music and encouraged him to turn deeper into his people's folklore. From 1896 to 1900 he took private composition lessons with Rimsky-Korsakov. According to Alexander Glazunov, "Rimsky-Korsakov was perfectly satisfied with the results of Alexander Spendiarov's work and considered him a serious, talented composer with a great flair for composition". In 1916 Spendiarov performed in Tiflis, where he met poet Hovhannes Tumanian and decided to write an opera based on "The Capture of Tmkabert" poem. In 1916 the libretto of Almast opera was ready, and Spendiarov began work on the opera, and finished the opera's vocal score in 1923. He continued his work on the instrumentation right up to his death. Spendiarov died after a short illness in Yerevan in 1928. He is buried in the yard of Yerevan State Opera and ballet Theatre. A death mask of his face and right hand is exhibited in his House Museum. "What he gave us is immortal", said poet Avetik Isahakyan about Spendiarov.
Composer Aram Khatchaturian said of his predecessor, "I am profoundly convinced that Spendiarov and Komitas are the patriarchs of Armenian classical music; they have charted the principal trends in the evolution of Armenian musical art for many decades to come." Spendiarov and Aram Khatchaturian met for the first time in Moscow. Spendiarov appreciated the potential in the young composer. Spendiarov had a brother, Leonid, and three sisters.

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3 окт 2024

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Комментарии : 15   
@JohannaA.5013
@JohannaA.5013 3 месяца назад
I appreciate it when I see Piano pieces where both staffs have two voices. Does it give us a bit more work? Yes. But the more complete harmony is very pleasurable to hear.
@ИринаБорякаева
@ИринаБорякаева Месяц назад
Спасибо. Замечательно! 👏👏💞
@edgarhakobyan9782
@edgarhakobyan9782 3 месяца назад
Thank you Julian. Thanks to you, I discover the great composers of my own nation.
@lluisrafalessole-classical5068
@lluisrafalessole-classical5068 3 месяца назад
Beautiful Song and performance 🎹👏
@ГеоргийДавыдов-л6й
@ГеоргийДавыдов-л6й 3 месяца назад
Спасибо!❤
@mrsnegy6001
@mrsnegy6001 3 месяца назад
Yes, it is a very well-known piece. Hearing it again in your performance (out of the blue, really) , makes it even more beautiful than the memory in my mind. Thanks much.
@PiotrBarcz
@PiotrBarcz 2 месяца назад
Nobody makes the Yamaha CFX VST by Garritan sound quite as good as you do :)
@j.thomas1420
@j.thomas1420 3 месяца назад
A lovely piece...!
@eugenartig6847
@eugenartig6847 3 месяца назад
fantastic. I follow your channel for a long while now und allways get some ideas, what to play next. It's so funny: Just yesterday I remembered this piece, that I played in 2008, and now I can see your interpretation of it. Sweet play by the way :) Keep up that wonderful channel! Nice work!
@ЕленаШаталова-ъ9е
@ЕленаШаталова-ъ9е 3 месяца назад
❤❤❤
@ЕленаШаталова-ъ9е
@ЕленаШаталова-ъ9е 3 месяца назад
Отличное battement fondu для классического тренажа.
@alex_red5219
@alex_red5219 3 месяца назад
I really want to play this. Where can I get sheet music?
@BsktImp
@BsktImp 3 месяца назад
Is it just me, or is this minature ideally suited to violin and piano duet?
@PianoScoreVids
@PianoScoreVids 3 месяца назад
it is!
@BsktImp
@BsktImp 3 месяца назад
@@PianoScoreVids OK. 😥
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