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Alexandra Karastoyanova-Hermentin «Tarsis» - Rychenberg Competition 

Musikkollegium Winterthur
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Composer: Alexandra Karastoyanova-Hermentin, Austria
Work title: Tarsis
Orchestra: Musikkollegium Winterthur
Direction: Pierre-Alain Monot

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21 окт 2019

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Комментарии : 12   
@desislavapetrova2755
@desislavapetrova2755 3 года назад
Fantastic!Amazing! Very creative!
@oegzm
@oegzm 3 года назад
Splendid work, great orchestration! Congrats!
@machida5114
@machida5114 2 года назад
quite good ...
@anna-maria7761
@anna-maria7761 3 года назад
Very intense piece, full of contrasts, great complex orchestration! I especially like gentle “fairytale-like” moments. Would love to play it in the orchestra.
@xiangzuo9471
@xiangzuo9471 3 года назад
Fantastic orchestration and spiritual describe! Amazing working!
@IvayloDechkoff
@IvayloDechkoff 3 года назад
Very interesting and descriptive piece, full of imagination and featuring interesting soundscapes and rhythmical constructions.
@elefteria88
@elefteria88 3 года назад
OMG what a rubbish
@ekaterinanokkert718
@ekaterinanokkert718 3 года назад
Who are you to judge? I’m a professional classical musician and I find this to be a colorful, interesting and complex piece. You don’t have to like it, but no one asked for your opinion
@elefteria88
@elefteria88 3 года назад
@@ekaterinanokkert718 I'm a professional classical composer myself, so I think I have a little say in it. Basically I'm fed up with that kind of ill - conceived, at all cost "progressive" contemporary stuff like this one above, with no sense of basic musicality whatsoever. As a matter of fact, this piece shows nothing but a clear dead end contemporary music has been stuck at for a long time now. Oh come on, don't tell me you genuinely believe this piece to be "colorful, interesting and complex", as you stated above; assuming this to be your genuine opinion, I'm very interested in based on which qualities of this piece you would claim it to be any good? On contrary, I think you are leaning towards commonly accepted, "mainstream" opinion, and God knows why... Cheers.
@ekaterinanokkert718
@ekaterinanokkert718 3 года назад
@@elefteria88 I’m familiar with the composer’s work in general and have played some of her works myself (pianist). I know her musical language to be very varied and emotional, at least it is to me, as a performer. And yes, I do believe what I say about the piece. The use of playing techniques in the strings for instance, or some of the rhythmic structures. Tastes are different, but deeds are stronger than words. As you say, you are a composer - write your music as you imagine it, get it performed, make your opinions heard in the music you write, not by bashing other people’s work.
@IvayloDechkoff
@IvayloDechkoff 3 года назад
If you think your music is better, you can just present yourself to the competition. You know, opinions are like the butt - everybody has one, but it's not always a good idea to show it publicly.
@IvayloDechkoff
@IvayloDechkoff 3 года назад
Since Grieg, where your compositions seem to be stuck, there were 200 years of music, where lots of things happened - Stravinsky, Hindemith, Berg, Webern, Stockhausen, Ligeti, even Schnittke and Penderecki, so sorry you missed all that.
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