Alfredo Cassano | ANIMATION ANALYSIS PT.1

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New year, new playlist! "Animation Analysis" forms part of what will be a broader playlist titled "Learn with SPA". In this case, artists from our Studio will analyse and explain animation shots. We hope you enjoy it!
#TheSPAStudios #AnimationAnalysis #AlfredoCassano #2DAnimation
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Welcome to the Official RU-vid channel for The SPA Studios (Sergio Pablos Animation), a Madrid-based Feature Animation Studio. You may know us from our work on films such as “Despicable Me”, “Smallfoot”, “Rio”, or most recently “Klaus”, Netflix’s first original Feature film, which was entirely conceived and produced at SPA Studios and received 7 Annie Awards and 1 BAFTA Award, as well as a nomination from The 2020 Academy Awards for Best Animated Film, among many others.
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Опубликовано:

25 июн 2024

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Комментарии : 38

@marcobucci Год назад

Great! Would love more vids like this.

@Aldi-xp5iz Год назад

I've watched Alfredo's showreel a bunch of times already. and here is such a gift, you are the best, my friends. waiting for more videos!

@alfredocassano3194 Год назад

Thank you so much!

@chr0mat1q16 Год назад

Very useful, thanks!

@alfredocassano3194 Год назад

thank you!

@crepaulcog5849 Год назад

Amazing ! Thanks.

@alfredocassano3194 Год назад

thank you!

@Brick-productions Год назад

As an animator wanting to do more 2D animation, this was super cool and inspiring to see! Thank you! :)

@alfredocassano3194 Год назад

Thanks! Keep up!

@danielescali8960 Год назад

mitico Alfredo !!!

@alfredocassano3194 Год назад

ciao caro, grazie :)

@TsubasaAnimations Год назад

Very valuable tips! Thank you for sharing

@alfredocassano3194 Год назад

thank you!

@eliasrayas Год назад

guys THANK YOU for posting this stuff even for such a small crowd! I learn so much and i love the work that's still being put out from this movie.

@paolagrando5079 Год назад

Grazie Alfredo 😊

@alfredocassano3194 Год назад

a te :)

@MrAlejo58 Год назад

I love animation like this.

@alfredocassano3194 Год назад

thanks Alexey!

@MrPaulOfield Год назад

Amazing. Im telling you. I NEED to do this. Ive thinking about animation for years but couldnt find the right time. This yt channel is exactly what I needed.

@joshuaadeoye Год назад

Thank you for doing this! Did you use timing charts while you were working on Klaus?

@alfredocassano3194 Год назад

Hi Joshua, yes. Timing charts are important for the animator as both "note to self" to describe what's happening between drawings, and also for the following department where the "gaps" are filled.

@joshuaadeoye Год назад

@@alfredocassano3194 Thanks for answering!🙏🏾🙏🏾✨

@jamesloymartin Год назад

As someone learning from home, this stuff is gold. Thanks for sharing!

@_Purple_Thoughts_ Год назад

This is so cool!

@user-iq4zi1ih7e Год назад

спасибо большое! действительно люблю ваши обьяснения. так помогают в работе просто огонь

@alfredocassano3194 Год назад

Thank you so much!

@kazzerrole Год назад

The idea of drawing just the circles to find a good timing for the character first thing is literally a life saver!! ive redone several frames a lot just to get timing down pat lol What software is this being shown in?

@alfredocassano3194 Год назад

that's right. There is a phase in which you only want to focus on motion, on the "choreography" of moving things. Then, on top of that, you can do a new pass thinking about the drawings, of course keeping into account how the motion will affect them.

@eileenhuang5282 Год назад

Question: why did you decide to change the last pose in your animation from what was in the storyboard? would love to hear your thought process about why that pose wasn't as effective. Thanks :)

@alfredocassano3194 Год назад

Hey Eileen!! Great to find you here, hope you are doing well :) the last pose in the board was great too, but there are millions of ways to convey emotions and feelings and I felt I needed to try something different. One can as well stick to the board, but unless the director clearly specifies that a pose needs to stay, animators are free to reinterpret the boards if the change goes in the right direction. What is the right direction? That is always a bet, that's why we show a rough first.

@eileenhuang5282 Год назад

@@alfredocassano3194 cool that makes sense! I'm doing well thanks and hope you are too!

@Ruldolphmaker Год назад

Just an insight but: Sometimes in storyboards, poses work more as visual shorthand than they make a natural pose. Espicially once you see the movement. This is because acting choices should showcase some real thought from the character. Are they making a choice because the board demands it, or because the CHARACTER would be thinking it? This applies to subtle choices like Eye direction, blinking, finger movement, and head sway. Other than that though, Sometimes different artists have a different vision for how a character may act in a certain scenario. A storyboard artist for example may have one set of ideas in mind, whereas the animator moving between poses may feel something different might work just as well or better. Obviously different ideas and changes are communicated beforehand. I love your work Mr. Cassano. Was very very informative to see your process.

@alfredocassano3194 Год назад

@@Ruldolphmaker absolutely true