I love how he feels the need to finish the monologue after grabbing the axe and before killing Paul. He speeds up and gets more desperate like he really wants to kill Paul but has a compulsive need to finish the monologue first lol.
@@stargamer7576 Haha! Leading to an alternate and more uplifting ending when Bateman finds his true calling as an impassioned music journalist (yet who still kills people in entertaining ways).
@John Smith he definitely is one he is a New York elite who is all talk and make good promises and ideas of care meanwhile he ruins people and does horrible things and just tell those promises to simply break them so yes that’s basically what a democrat is.
@@mancodelepanto2696 I was thinking the music was probably added in post-production since it would probably mess with getting the audio from the actors.
Instantly. The point of these monologues is how the music has to fit into his trendy yuppie culture but the bands' frontmen still had the ability to carve out their identities. Bateman's totally fake, and you can tell it by his taste and views when it comes to music. His Genesis take shows exactly why.
Loool his psychopathic monologues full of memorized superficial trivia delivered in a falsely profound manner, alongside the way he starts them by asking "do you like (insert)" as if he actually gave a damn about their opinion, and the smirky smile he does while asking it... The movie is hilarious
I bought a copy of that Phil Collins CD for the sole purpose of pulling it out and asking my ex "Do you like Phil Collins?" the first night she slept over. True story.
I love how he completely ignores Elizabeth laughing at his music taste and continues to monologue, as if her opinion doesn’t matter in the slightest. 😂😂😂
@@markrobinson9394 I know why she's laughing, in fact when we was I googled Whitey Houston just to see and it became clear to me that she thinks she's sexier and prettier than Whitney (and quite frankly, I agree with the hooker). You, I, and most likely also Patrick Bateman already knew this. What is he supposed to say though in response to her "opinion"? He's talking about empathy and how it doesn't really exist, and all she's focused on is that she's prettier and sexier. That's already obvious and Bateman was discussing something else entirely. In fact, her ignoring his topic and him ignoring hers proved Bateman's entire premise.
@@zysupra2865 I don’t think her laughing has anything to do with her thinking she’s prettier or sexier. I’d say it partially comes down to race and her feeling of superiority. If you watch throughout the film, none of the characters have any significant interactions with any black people, outside of Patrick stabbing a homeless man. The main characters all seem to be predominantly white and rich, so the the implication is that black music is not appreciated within their social circle. In addition, Whitney represents female empowerment, while Patrick is very much a misogynist. For him to follow her music is somewhat hypocritical on his part, but that’s his character to a tee. Also, it wasn’t a hooker who said it. It was Elizabeth, who appeared to be an acquaintance of Patrick. With her attitude, she very likely runs within the same social circle as Patrick. It took her getting drunk for her to willingly engage in lesbian activity, so she doesn’t appear to be someone whom Patrick has hired.
If only he was born in a different time......he’d have a RU-vid channel where he could drone in and on about corny 80s music. Maybe we wouldn’t have resorted to being a killer..... that is until someone disagreed with him in the comment section.
Look at that clean and concise response, the thickness of it... That off color remark... Oh my god, it even has perfect grammar... Patrick? Is everything alright? You're sweating.
Brett Easton Ellis (the writer of the original book) has mentioned in interviews that he wonders what Bateman might be doing with himself now, and how he'd engage with social media. There's occasionally rumblings of a new novel, too.
Wtf are you talking about? Literally making something from nothing to sound smart. In the book it's clear, with great detail, that he's going to kill him long before this scene. But you could tell from his expression which means more than the 20 pages stating otherwise... wow you must know more than the author AND director. Very impressive 👌🏼
This is still pretty impressive. I never read stuff to memorize like that. It's all the more impressive considering that Bateman probably doesn't even understand the first thing about music taste, and is simply repeating what he read from others with a somewhat convincing facade of passion and refinement. He could have done the same with a quantum physics textbook without learning a thing about quantum physics.
@Crustyprawn 157 I always interpreted it as him not having any emotion and trying to fit in as a yuppie, both because he himself says he's void of emotion and because of how all his opinions are very basic and mainstream (which makes him fit in even more).
I pronounce it as "Jook", and when I hear Americans say "Dook" it just sounds weird, same with "Dual", I pronounce it like "Jool", but Americans pronounce it as "Dool".
"Do you like Wham, van Patten? Their early work seemed very immature to me... Club Tropicana was an undisputed hit of theirs, but I was afraid they would always be unable to take themselves seriously and would stay on the level of medium club hits. But in 1984 they released their second album, Make It Big. By this time George Michael was able to face his demons and confessed to Ridgeley that he was bisexual. That is what makes this album a masterpiece - a sense of liberation is present in all of these songs. Wake Me Up Before You Go-Go...Freedom, Careless Whisper! Not to mention the ensemble cast of musicians present on these songs: Hugh Burns, Deon Estus and a drum machine! I feel that George Michael's heartfelt lyrics revealed to us what we had already known yet helped us to a deeper sense of acceptance, a sort of real liberation if you will! Another Martini, van Patten?"
Do you like Queen? Their early work was a bit too artsy, and, for a lack of a better term, all over the place, even though this proved to be a good thing sometimes, like in "Bohemian Rhapsody", which is undoubtedly the band's masterpiece and possibly the best song to come out of the 70s. It is an amazing song that combines many genres into a 6 minute masterpiece that is ecstasic to listen to. That being said, I believe they became better with the release of "News of the World", which kept the band's talent just as apparent while they went on a more commercial, radio friendly route. The album contained the simple yet extremely memorable tunes "We Will Rock You", and "We Are The Champions", which are the best sports anthems ever written. After that, they hit an even higher peak with "Jazz". This album has many catchy tunes, like "Let Me Entertain You", or "Fat Bottomed Girls", where Brian May speaks about his love for the more curvy type of women. It's masterpiece however is "Don't Stop Me Now". Everything about this song is perfect, it showcases Freddie Mercury's perfect vocals - the very highlight of the band, and piano skills along with Brian May's dynamite solo. It's fast tempo and the lyrics make you feel a sense of invincibility when you listen to it!
Do you like Radiohead Bryce? Their later work was a little too artsy for me but that 2nd album really caught my ear. Their big single with ‘creep’ was a fun little tune about the singer Thom’s anxieties which instills the listener with a sense of triumphant awkwardness. However the outcasty nature really bother me. But when that 2nd album ‘The Bends’ came out they really perfected something there. The tasteful sadness and longing, the acceptance of pain. It really called out to everyone in a way, the feeling of hope within darkness. I think that’s why they really grabbed an audience with their single ‘Fake Plastic Trees’, a phenomenal study of conformity and false faces. Hey Bryce! AAAGH
It isn't really a horror in any way. If we're talking about more drastic or scary ideas then it would be better described as a thriller. Still American Psycho is one of those movies that can fill the role for multiple genres by how you look at it.
He is showing the ladies the CD-case of No Jacket Required by Phil Collins but the song he is playing is actually In Too Deep from the Genesis album Invisible Touch.
Bateman admits he didn't understand the early Genesis albums - too cerebral and intellectual. Then a few sentences later says Invisible Touch adds more meaning to the previous albums. In essence he's contracting himself. How can he say Invisible Touch adds more meaning to previous albums after admitting he didn't even understand the earlier albums? He's merely spouting intellectual-sounding observations without the self-awareness that what he's saying is utter nonsense. The hookers are too dull and stupid to comprehend his senseless words. He's merely massaging his own ego and sense of pseudo-intellectualism on two brainless lot lizards.
The part where he talked about Whitney Houstons song made me cry a bit the last time I watched this movie because he was absolutely correct in his analysis. During that time I was reading books by a professor in Psychology, Nathaniel Branden - Ayn Rands ex husband - who wrote great books on self-esteem. As I listened to what Patrick Bateman was saying, it was resinating and sounding profound so I actually searched up the lyrics to that song and it all made sense and made me appreciate Patrick's accuracy. He really understood and appreciated that song.
but he didn't, in fact he doesn't know a single thing about music and only recites the reviews of chart topping songs. The directors of this film are very brilliant for this and they even included him getting one thing wrong in each of his dialogues to show that everything he's saying is bs.
@@hier3094 but he didn't, in fact he doesn't know a single thing about music and only recites the reviews of chart topping songs. The directors of this film are very brilliant for this and they even included him getting one thing wrong in each of his dialogues to show that everything he's saying is bs.
It’s to emphasize that Paul couldn’t care less if he was screaming at him or having a deep philosophical exchange. Whether he’s too intoxicated or simply uninterested doesn’t matter to Bateman it’s all the same “inferior” way to interact to him. It never fails to make me laugh tho
@@JoseEchoes378 and only deep sentimental dude from nowhere could say stuff like that? Everyone is entitled to their own opinion. No need to judge someone like that.
That's the joke bro. His nonchalance about everything intellectual while dissecting and elaborating on music albums like some sort of philosopher sets the tone of the irony. That's why it's funny.
American Psycho (2000) f'u"l'l M'0'V'l"e -------------------- ☛ t.co/d2bm9BZ76N 今後は気をライブ配信の再編ありがとうです！この日のライブ配信は、かならりやばかったですね！１万人を超える人が見ていたもん（笑）やっぱり人参最高！まさかのカメラ切り忘れでやら1かしたのもドキドキでした,. 💖🖤在整個人類歷史上，強者，富人和具有狡猾特質的人捕食部落，氏族，城鎮，城市和鄉村中的弱者，無`'守和貧窮成員。然而，人類的生存意願迫使那些被拒絕，被剝奪或摧毀的基本需求的人們找到了一種生活方式，並繼續將其DNA融入不斷發展的人類社會。. 說到食物，不要以為那些被拒絕的人只吃垃圾。相反，他們學會了在被忽視的肉類和蔬菜中尋找營養。他們學會了清潔，切塊，調味和慢燉慢燉的野菜和肉類，在食品"""""""'""" √™ Lorsqu'une pilule qui donne aux utilisateurs cinq minutes de super pouvoirs inattendus arrive dans les rues de la Nouvelle-Orléans, un adolescent marchand et un policier local doivent faire équipe avec un ancien soldat pour √faire tomber le groupe responsable de sa fabrication."""**" gggdfgrtertwkjhkjhiuiuuuuuuuuuuuuuuuuufddsfsdakjfhsdjhfasdff
I think that's the point. He never lies to some part of the movie; he's honest to everyone. But at some point the viewer realizes, that almost everything was fake and not real
@@jacektrzmiel8282 It's all real. All of it happened, but the point is that people are so wrapped up in themselves and able to mistake people for others (names mean nothing), that those actions are basically unseen and done with impunity, much to Bateman's chagrin. The scene between Bateman and the real estate agent illustrates this perfectly.
I love that this movie is both really 80s and early 00s at the same time. I specifically bought the Huey Lewis Fore CD just to reference this when a yuppie friend comes over.
He speaks like a narrator in an informercial every time he monologues about his favourite music. Its honestly really funny, especially in the Huey Lewis and The News scene.
I guess we should have known Patrick was not going to kill his secretary bc he didnt start it with " do u like ( insert band or singer ) nobody could have played this role better than bale.
Did you know The Weeknd’s debut mixtape called simply, House of Balloons. Had no number-one singles on it? Did you know that chat? It’s hard to chose a favorite amongst so many great tracks… but the greatest love of all, is one of the best most powerful songs ever written, not about self preservation or dignity, this universal message crosses all boundaries, instills one that it is too late to better ourselves. Since it’s impossible in this world to empathize with others, we can always empathize with ourselves, it’s an important message, crucial really, as beautifully stated on the album
agreed and that is really saying something as Bale has had a pretty great career since this film came out, with some truly top tier performances. but this is him at his best. Its a brilliant acting job, I think one of the best performances in any movie, ever. Up there is Brando and Day Lewis and De Niro at their peak.
I used to talk about music just as passionate as Patrick, I also hate people touching me, if only I was rich and beautiful I could totally be Patrick Bateman female version.
I always took these scenes as Bateman finally getting to talk about something he's passionate about and truly believe in. It's like these are his best moments but the people he opens up to all kinda dismiss and laugh at him.
I think you’re missing the point. Bateman said it himself that nothing about him is real. He is making superficial and agreeable comments on music that was already popular in the 80s. He is attempting to act like a “real” person by making conversation, though in Bateman style it comes off as pretentious and snooty.
@@andrewpereira888 yeah but even in the restaurant he brings up music and it wasn't agree-able. I get your angle that his trying to be normal and failing. But he also kept talking about music once those girls laughed on his face. I don't condone or side with Bateman but when I watched the movie I was begging for the girls to pretend to be interested in the music and his opinion. The only one that was smart enough to do that was his secretary and she did it on accident just cause she's a good person
I listened to the album Sports recently and Patrick is spot on about the clear,crisp sound. And dont even get me started on the brilliant ensemble playing of Banks,Collins and Rutherford.
I know exactly what you mean. I find music tastes to be an intimate part of someone when getting to know them. It’s like exploring them inside and outside. Watching their expressions when they listen to something they enjoy vs. something you enjoy, enjoying the silence you both have while experiencing the music together, and ultimately growing as different people after sharing something so deep. Simply dissecting a song and telling the other person what it means to you is such a great connection
You like The Weeknd? His early work was a little too, RnB for my taste, but when Starboy came out in ‘16 I think he really came into his own, commercially and artistically, the whole album has a clear crisp sound and a new sheen of pop and professionalism that really gives the songs a big boost. He’s been compared to Michael Jackson but I think Abel has a far more bitter, cynical sense of love. In 2020 Abel released this, After Hours, his most accomplished album, I think his undisputed masterpiece is After Hours, a song so catchy most people probably don’t listen to the lyrics, but they should because it’s not just about the insane beat drop and the importance of love, it’s also a personal statement about Abel himself
*Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.*
These reviews are very genius. His acting and word choice comes across as comical, but the reviews themselves accurately resemble his character, for example listening to the lyrics in Hip to be Square and in the third, his hope to better himself and only being able to empathize with himself
It was contemporary pop. All of it. Not very impressive. Just very well written insofar as Bateman's twisted view of what the music was actually about.
These monologues really added of the movie because they feel deeply rehearsed like he wrote the speech ahead of time which he probably did cuz he's a sociopath
@@timotheuspeter734 If you listen to the lyrics especially at the end you realise that the song is mocking the yuppie culture of the 80s. And how the baby boomers abandoned their goals in the 60s to become conservative pro-Reaganites in the 80s.Basically the song is mocking Bateman.
@@florinivan6907 Alright! Thanks for your clarification, that helped me a lot - I realize that I might be too young to understand some of these "undertones", since I don't know the "culture" and socio-economical background of the yuppie "milieu" you are referring to very well. Could you also write a short note on Bateman's interpretation of The greatest love of all?
It still bothers me that they used “In Too Deep” while showing off the album cover to No Jacket Required even though that song was on Invisible Touch...I guess they needed a transition to Sussudio but still...it’s the principle of the thing...it’s principalities!!!
I like the music he listens too. Brings back memories for me in the early 90s as it was presented as soft rock. It also reminds me of Michael from GTA 5 how I think this is exactly the same music he likes. I'm getting carried away. American Psycho I never got when I was younger but as I'm older I finally understand the film. I really like it so much more.
I think that Bateman likes music so much and memorizes so much trivial facts about it is because when he listens/talks about it is that even if for just a moment… he feels sane
“Do you like Radiohead, Paul? Their early stuff wasn’t my kind of thing, it was all a bit too Nirvana-lite if you ask me. But when they brought out their seminal album ‘Kid A’ in 2000, I think they really hit their stride. It’s an album that knowingly strips away the sound and style that made them so popular in the first place. Guitars are replaced with synthesisers, standard rock arrangements are swapped for twitchy experimental electronica inspired by artists such as Aphex Twin. The songs themselves have been broken down into their most basic arrangements at times. Lyrics are cryptic and complex, often being repeated ad nauseam. Take for example the opening track ‘Everything In Its Right Place’, a stunning piece of music that I think personally sums up everything that Radiohead are. Thom Yorke sings in this magical falsetto over a looped, bassy rhythm while eerie piano and keyboard melodies flutter in and out of the track. It’s songs like this that make Kid A such a masterpiece, further exemplified on songs like ‘Idioteque’ and the title track. It’s not only their finest hour, but also one of the most important and influential albums of the 21st century. HEY PAUL- TRY LISTENING TO COLDPLAY NOW YOU FUCKING BASTARD!”
