An application of Barry Harris' "6th Diminished Scale"

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Thanks to the great Barry Harris for his brilliant music and teaching! Here's a useful application of his "6th Diminished Scale", aka "scale of chords".
Entire video and .pdf download availalble exclusively on my Patreon page.
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6 сен 2024

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Комментарии : 21

@thingsivelearnedfrombarryh2616 3 года назад

Barry has 4 Scales of chords he talks about. Major 6th diminished, Minor 6th diminished, Dominant 7 diminished, and Dominant 7b5 diminished. Fminor7 (Ab6diminished) Bminor7 (Db6 diminished) Eb7 (Eb7diminished or Eb7b5diminished or Bbminor6 diminished or Eminor6 diminished or A7 diminished etc...) It's not really just about playing the 5 of the chord you're on. That is much too limited. I like your examples. Very pretty.

@ecaepevolhturt 3 года назад

I know about the "minor 6th dim" scale. Take the diminished, "B, D, F and G#" and combine it with a Cmaj6/Amin7 chord, "C, E, G, A" and you get an eight-note scale which is C major (or A minor) with an added G# (sharp 5), "C, D, E, F, G, G#, A, B". Is this correct? If so how do you get a "dominant 7 diminished" scale?

@thingsivelearnedfrombarryh2616 3 года назад

@@ecaepevolhturt Major 6th Diminished =CEGA and DFAbB Minor 6th Diminished= CEbGA and DFAbB Dominant 7th Diminished= CEGBb and DFAbB Dominant 7thb5 Diminished= CEGbBb and DFAbB Each name describes the exact makeup of each scale. Barry is Brilliant.

@ecaepevolhturt 3 года назад

@@thingsivelearnedfrombarryh2616 Thanks for the info! The names are clever. I shall have fun with this although figuring out all of the "chord-scales" and chords within these scales is going to take some time.

@EllieMcEla 3 года назад

do you have a written source on this? i want to add this to wikipedia but it is less reliable to cite on of his workshops, which depends on someone being there/having a recording of his lessons

@ddjjuull 11 месяцев назад

great lesson thanks !

@kelvinwong3779 Год назад

What an awesome video, totally rad

@Jack-fs2im 2 года назад

what a great vid and so helpful.please make another to explain this theory.I think its when I play a chord I can open and close it with its dominant 7th.mmm

@PlayCreatively 2 года назад

thanks

@albrin 3 года назад

superb!

@Jack-fs2im Год назад

brilliant

@GlennSeddonJazzPianoLessons 2 года назад

very cool!

@anilec333 3 года назад

subscribed!

@MrInterestingthings 3 года назад

Thankyou!

@francescomanfredi 3 года назад

We wont more please!

@kwixotic 3 года назад

Kind of creates a "Bach like" effect, doesn't it?

@dr.brianjudedelimaphd743 3 года назад

It’s pure Bach with some Chopin thrown in for good measure

@ogdTo Год назад

You should precise that you consider a X7b9 rootless as your five... And we can't barely see what you play on the piano as your finger cover the next chord as well.

@guitar6schoolofmusic415 3 года назад

Can you use these types of voicings and harmonic ideas to comp while the bass player is playing the original changes?

@thomaswilliams2723 3 года назад

Yep just be mindful of your voicings. Drop 2 works great on guitar, it’s all about just keeping the functional harmony there, and communicating with the bass player. Kinda like comping with a piano player simultaneously in a big band, but it can be beautiful