Anamorphic Critical Focus - Anamorphic Cookbook Module 7 Chapter 2

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After getting all our gear ready, it's time to ensure our lenses are as sharp as they can be. Some of the anamorphic look comes from artifacts and blurs, but that's no excuse for under-performing lenses!
00:43 - Welcome to focus hell
02:21 - Focus checking
03:27 - Flange distance and shims
07:03 - Spherical aberration and focus falloff
08:38 - Focus shift
09:54 - On-set quick tips
MODULE 7 IS SPONSORED BY LUMIX
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Опубликовано:

3 окт 2024

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Комментарии : 7

@Cameraonthemove669 3 дня назад

That was excellent

@RealDaveTheFreak 10 дней назад

Watching this, I sincerely do hope you'll be able to get your hands on the new blazar autofocus lenses asap that have just been announced. 🤩

@j.b.7133 10 дней назад

I do hope you're teaching classes in person. I suspect an Ed degree to be honest... BUT as usual very helpful video.

@KamranJawaid 10 дней назад

First like and first comment! (I don't know why a grown ass man like me gets a high from doing this... Probably your content).

@Imhotep397 9 дней назад

One thing I’ve wondered about projector lenses is that if the projector max focus distance is 500ft can you really tell the difference with your eyes the difference between being focused at 500 ft. And infinite? (Or even 250 ft vs. infinite)

@seanfrancis7101 9 дней назад

brother trying to contact you! on anamorphic aspect ratio and desqueeze, how do you manage with different cameras? I shoot komodo & FX3 both with blazar remus in 2:4:1. Looking to get proper overall perfect desqueeze using both cameras on same project timeline!