Ann Hamilton creates site-specific, multimedia installations that are simultaneously immersive and ephemeral. Combining the sounds of mechanization with the motorized release of sheets of translucent white paper, which gently descend from the ceiling, “at hand” (2001) speaks to the decline of manual labor in the wake of technological innovation. Though the paper accrues on the gallery floor in a sculptural “drift,” the effect of the installation remains one of loss and absence; the paper is blank, the movement is random, and the hand of the artist remains invisible.
Interview and documentation recorded on January 28, 2018
20 окт 2024