Beautiful, great job. Not liking the comments here, are you all professional opera singers? if so why are you not on the stage/ Gove credit where its due. She is not lazy she is a relaxed singer, which is excellent technique. She sang this beautifully and if you can do better let's see you up there, so till then stop criticizing and saying things you know nothing about.
I really understand what it means being at the stage singing, do you know? Ok, then, why are you talking about her singing, technically speaking? If you know and can describe why you are saying she is technically great. I'm a humble poor Spanish guy who wants to know, why you are saying that she is great technically speaking. Describe why?
J'aime ce tenor heroique , la plenitude et la chaleur de sa voix , quasi baryton . Diction parfaite , tenue des notes et projection puissante Superbe .
Absolutely... opera is dead, and it's dead, because people like you, who don't know what it is, who don't know nothing about music. Mira, voy a hablar en español jeje. No entiendes una mierda de ópera, está mujer, es, a su edad, porque si fuese mayor lo entendería, una mierda como cantante, técnica y musicalmente hablando, como puedes decir que canta o ha cantado bien. Switch to English now, you don't know anything about opera. How can you say that she sings beautiful.
Hermosa interpretación de Anna, llama la atención el vestuario siendo que está opera en su original fue ambientada en la Escocia del siglo XVII ,los trajes van más a juego con el siglo XIX y es un traje de caza de las amazonas de entonces
This is why opera is dead. How can anyone compare Netrebko, with all the ladies you are mentioning. I do admit that you can say... Netrebko is my favourite soprano ever, I do admit that from you, but compared the sopranos you are mentioning with Netrebko....listen,I don't know if you know something about music- which I doubt- but on the days of Callas, Caballé, Sutherland, Tebaldi, Price, etc. This lady, whom you might love, and has nothing to say about this, will be part of the chorus. You like it....nothing to say, but, that's it. Otherwise, explain to me, which are your musical arguments for saying this.
Wow you are my hero, you just talk about the scenography. Not the singing, at least you give an opinion that I might like it or not, but you don't talk about singing. Great for you!!!!!!
Regnava nel silenzio alta la notte e bruna... 깊고 어두운 밤이 고요하게 내리고... Colpia la fonte un pallido raggio di tetra luna... 어둑한 달빛은 창백하게 물 위로 떠올랐지... Quando un sommesso gemito fra l'aure udir si fe'; 낮은 신음 소리가 바람결에 들려오는 것 같더니; ed ecco su quel margin, l'ombra mostrarsi a me. 저기, 저쪽에서 그 그림자(여인의 유령)가 나타났어. 아! Qual di chi parla,muoversi il labbro suo vedea, 그 입술은 무언가 말하려는 듯이 움직였고, e con la mano esanime chiamarmi a sè parea. 생명이 없는 듯한 손이 날 부르는 것 같았어. Stette un momento immobile, poi ratta dileguò. 잠시 고정된 듯 가만히 있더니 어느새 갑자기 사라져 버렸어. E l'onda, pria sì limpida, di sangue rosseggiò. 조금 전까지 맑았던 물이, 빨갛게 피로 물들어 버렸어. Egl’ è luce ai giorni miei, è conforto al mio penar. 그는 내 삶의 빛이요, 내 괴로움의 위로야. Cabalétta Quando rapita in estasi del più concenti ardore, 불같이 타오르는 정열의 황홀함에 사로잡혔을 때, Col favellar del core, mi giura eterna fè. 영원히 사랑하겠노라 진심으로 내게 맹세했지. Gl’affanni miei dimentico, gioia diviene il pianto. 나는 모든 괴로움을 잊어버렸고, 나의 눈물은 기쁨으로 변했어. Parmi che a lui d’accanto, si schiuda il ciel per me. 그이가 곁에 있으면, 하늘이 열리는 것처럼 느껴져.
Netrebko was once asked why she got down on her back and let her hair hang into the orchestra pit during the singing of a famous bel canto aria. The reporter said, "Joan Sutherland never did that." Netrebko's response? "She didn't have to." Enough said.
Avez-vous vu l'opera entiere? C'etait magnifique! Anna etait encore en forme la' et est ma favorite Lucia . Excusez-moi pour vous avoir derange' encore une fois!😂
Tu eres grande jajaja, pero a mí me encanta joder a los que no saben nada y opinan y me lo paso bien jajaja, pero es verdad que no habría ni que opinar, con esta gente, pero soy malo.
@@detectivefiction3701 he is 100% right. Mostly is caused by their ignorance. For example they study only the history of their own country. They took ignorance to another level
Well, not all of them, in Europe we have people that don't know nothing about music. No problem at all, they have just to keep their poor knowledge quiet. Pero como decimos en España, la ignorancia es muy atrevida.
Purtroppo, a me non piace. Per carità non sono un’esperta ma, ascolto opera da più di 30 anni e le mie orecchie funzionano bene e anche i miei occhi. Dunque, posso dire che non segue la partitura e fraseggia come le viene più comodo anziché come detterebbe la musica.
Well, there is much to admire here. I think some of us wish she had not pushed into heavier rep because the voice stiffened and seems to have become much thicker in sound than in the earlier part of her career. Her Aida at the Met was pretty bad-serious intonation problems and excessive vibrato. The music business definitely pushes singers towards heavier parts as they age. It is not always a good idea.
Efectivamente es doloroso y este señor o señora ni nadie tiene que cantar como la Netrebko. Pero si entiendes algo de música, que es obvio que tú no. Es no sólo doloroso, es vergonzoso, que tú defiendas esto y sabes porqué la ópera, y la música en general se está llendo al carajo? Porque personas como tú, critican a otros que saben más que tú. Tu no tienes ni idea de canto, ni de lo que te atreves a criticar. Si, es doloroso, de lo mal que lo canta, esto y muchas cosas más, pero como gente como tú, que no tienes ni idea de música, probablemente vas a la opera a lucir tu...bueno, no digo nada porque a la opera...bueno, si, s lucir tu chaqueta. Como puedes decir que esto no es doloroso. Esto es una mierda colega.
It’s not laziness, it’s physical inability. That is because it’s not her fach, she has no coloratura ability. You either have it or you don’t, it’s the way the chords are formed. She should never be cast in roles such as this. She simply was not born with the coloratura flexibility to carry it out.
Tsunade3Sannin Her technique is her own and doesn't allow her to do much in terms of coloratura and subtle nuances, but her sound and resonance are still lovely and unique, plus you don't keep a career going for 20+ years, touring the world, singing any and everything, if you have an awful technique. It works for her so that's good. If you want to address bad technique, Dessay is a good example of what happens when you really have bad technique - your voice literally breaks, after a few years (vs. Sumi Jo who's been singing like a bird for 30 years, Dessay showed issues "quickly"). Plus at the end of the day Netrebko still sounds better than a lot of these new singers we have out there. Her high notes are (surprisingly) extremely round and pleasant to hear.
Camille Greffe Camille Greffe I do not think you understand very much about operatic technique, the fach system or voice type, or the stylistic aspects of different eras of music. Netrebko should stick to singing Puccini. Her voice is just ill suited to this repertoire period. She clunks and clatters through her slow flourishes which is completely unacceptable for this style of music. It just sounds bad. Sit down and listen to Joan Sutherland, Lucia Pop, or Montserrat Caballé sing this aria. Netrebko just does not have the vocal flexibility to carry it off and it just sounds terrible. It’s got nothing to do with her technique.
Even a non live performance, she cant deal with that. She has no fault at all, she's making money out of it. I font have to go to the big names, Callas, Caballé, Tebaldi, Sutherland, etc. Not on this role ok, just talking. Hear Edita Gruverobå singing this and you will know what im talking about.
That is because it’s not her fach, she has no coloratura ability. You either have it or you don’t, it’s the way the chords are formed. She should never be cast in roles such as this.
Everyone has to respect, someone who put herself or himself in front of an audience. By saying this i also have to say that-and I really don't know way- comparing all the old ones to all the new ones whom just have to listen and learned from the old old ones and they dont or they dont fucking care, because nobody cares about music today, and fucking lean how yo sing. What is she? Is she a messo, a... Well i dont really care. It is a shame, but opera is dead.
People at the MET, how about you pay less attention to the clothes and more attention to who you cast as Lucia? If I had paid 200 dollars for a seat that night, I would have asked for ear plugs and my money back!
@@laurademilio4475 dear Laura, I really don't care if 500.000 or one billion applaud her. This only give me and re-enforced me, the idea of how deep in the sewers the knowledge of excellency, excellency, has gone. Knowing how difficult is to sing, an artist has to respect the audience, and you might have lots of bad nights, but she is a very poor singer. Common...you really know something about opera and singing?
non ha assolutamente niente di lucia!!! ne la voce,ne una buona tecnica,ne il fraseggio,ne il carattere non basta fare le note per cantare......lucia si canta cosi.....ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-EfM3MBSz7LE.html has absolutely nothing lucia !!! nor the voice, nor a good technique, nor the phrasing, nor the character it is not enough to make the notes to sing ...... Lucia sings like that ....
голос глухой, колоратура никакая. верхи с большим напрягом, дыхания не хватает. из лирического сопрано уже вышла, а в драмматическое еще не вошла. неужели европа вся такая глухая? полно ведь лучших голосов.
