Anna Netrebko - Wagner: Tristan und Isolde: Mild und Leise (Liebestod)

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In the composer’s opera on the Arthurian tale of Tristan and Isolde, death is explicitly twinned with love, and the guiding themes of this recording come together in a piece whose very name combines the two concepts, the rapturous “Liebestod” (Love- Death), Isolde’s outpouring of love as she sinks lifeless on the body of the dead Tristan. Recording this aria for her latest Album “amata dalle tenebre” was, in the Anna Netrebko's words, “one of the happiest moments for me as a musician. I was flying when I was recording that, blissfully happy, in harmony with the music.” As part of the album project the Italian director Elena Petitti di Roreto shot a series of four music videos and the film “Anna - Stage of Emotions”, immortalizing Netrebko’s performances and translating them to screen in a unique visual language and style. Amata dalle tenebre' is the superstar soprano’s first classical solo album for five years. She recorded her choice of music, spanning some of the most dramatic and impassioned arias in the repertoire, at Milan’s legendary La Scala, with the Orchestra del Teatro alla Scala under La Scala’s Music Director, Riccardo Chailly.
Directed by: Elena Petitti di Roreto
Produced by: Rekorder GmbH
Executive Producer: Werner Klemm
Producer: Marino Coates-Chitty
Anna Netrebko - Wagner: Tristan und Isolde: Mild und Leise (Liebestod)
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5 окт 2024

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Комментарии : 434

@deutschegrammophon 2 года назад

What is your favourite aria composed by Richard Wagner?

@Verbindungs 2 года назад

That's easy, Brünnhilde's Immolation Scene in Götterdämmerung.

@Coolguy-ge3qx 2 года назад

'Liebestod' with no doubt.

@arthur5465 2 года назад

There are so many

@andresfRC 2 года назад

Hard to choose, but would pick "Dich, teure Halle" and Isolde's Liebestod

@MrOWA-gs9bu 2 года назад

Wagner and Aria??😂😂 There exists no „Arias“

@RattusYu 2 года назад

Isolde made me famous. Turandot made me rich. -Birgit Nilsson

@mikaelb7735 11 дней назад

Indeed! And She had a VOICE!!!

@tharold8639 2 года назад

Not at all her turf. Sounds strained. I'll take Nilsson, Flagstad, Traubel, Varnay, the list goes on. True Wagnerians.

@ygorcoelhos 2 года назад

I am sure she doesn't even pretend she is a true Wagnerian dramatic soprano, just like so many others who recorded the Liebestod, including Tebaldi, Sutherland, etc. This recording is undeniably very beautiful and proficient. I am sure she never intended to surpass Nilsson and Flagstad, obviously.

@crazyorganist1609 2 года назад

@@ygorcoelhos this recording isn't beautiful it's horrendous. Sutherland did sing the Liebestod beautifully

@Wotan123456789 2 года назад

@@crazyorganist1609 Both Sutherland and Tebaldi were extraordinary singers that had great instruments and knew how to use it, both incredibly musical. Tebaldi could produce a Wagnerian sound, as her voice was huge. Sutherland's always did rise above an orchestra. This recording is simply mediocre. I am actually surprised that the producer and sound engineer from DG could deliver this average sound; the dynamics between her voice and the orchestra are particularly bad. I used to enjoy Netrebko in roles as Mimi, Adina, Violetta, nowadays all those heavy dramatic soprano roles took a toll in her voice and the wobble gets unbearable to hear to! Sad.

@vhufeosqap 2 года назад

@@crazyorganist1609 they should apologize for offending you so terribly.

@obbie1osias467 4 месяца назад

@@vhufeosqap 🤣🤣🤣

@yummyyum36719 2 года назад

OK then: So Birgit Nilsson was asked how she felt about singers using microphones in the opera house. She said that she was against it because then anyone could sing Isolde. Ladies and gentlemen we now have Birgit Nilsson's concern laid bare. Netrebko once upon a time had a beautiful peaches and cream lyric voice, suitable for Traviata. Violetta should not sing Isolde and Isolde should not sing Violetta. I know this score very very well. Quite frankly there are very unreasonable spots in terms of orchestration wherein Wagner has Isolde singing in the middle or low middle against too much orchestra. Even the biggest voices, Nilsson, Flagstad, Varnay etc are buried here and there. One doesn't really care because the overall effect is so emotional that the composer getting carried away every now and then is understandable. We have Netrebko, who is not exactly known for her marble like low middle, actually sounding "louder" than the above named full dramatic soprano legends in those same spots. That tells me one thing, and one thing only. This is a studio Liebestod done by a singer who cannot sing this music live with an orchestra unless she is heavily amplified. Now others here commented upon her poor intonation, and at times inappropriately bright tone color for the role. Those are problems. They are however secondary to the obvious fraud being committed here. If I were a Wagnerian singer I would be really pissed off by this dreadful and dishonest recording.

@84422112 2 года назад

Thank you for that comment. I, like thousands of others, love this piece and I have listened to several versions, Meier's concert version with Barenboim being my favourite. However, I have virtually no technical knowledge of music. This version, though, did not ring true to me and I could not put my finger on why. It sounded impressive, but not authentic. What you have written, though, makes perfect sense to me. Many of the voices, even the biggest, cannot be clearly heard above the orchestration at certain points, and this is not the case here, I suspect for the reason you have given.

@yummyyum36719 2 года назад

@@84422112 Yep. I have conducted 2 Wagner operas in regional house settings, Tannhauser and Dutchman. Our house singers, the lyric singers, heard just how big those orchestras are in terms of amplitude and said "There's no way our voices could sing over that." The singers who could were also house singers, but HAD the natural size to do the roles. It's unfair to those singers because there is a lot of repertoire that isn't for them due to the size of their voices. That is why they specialize in Wagner, Richard Strauss, Fidelio, or Berg. Un Fil Di Voce is a gift and Netrebko could do it once upon a time. Now she can't but she also has no business doing Wagner. She spoiled her instrument by forcing it to do things she should never have done.

@afrofinka 2 года назад

I felt exactly the same when I listened (to my surprise and then incomprehension) to the 2006 production of Le Nozze di Figaro in Salzburg, Netrebko singing Susanna (!!!) I was hoping frankly a great effort from her to do something different in Mozart than all the Russian operas and belcanto roles she made her reputation with, but her voice was simply too heavy for Mozart. Listening to her Liebestod is like taking sleeping pills. It is so boring that I also wonder why she didn’t leave Wagner for specialists instead of doing off-topic stuff she apparently doesn’t really match.

@crazyorganist1609 2 года назад

Absolutely true

@zachnzxt7203 2 года назад

Joe, this is obviously a studio recording. There's no attempt here to present this as a live unamplified and unedited performance.

@Timbale1234 Год назад

I think everyone here need to remember this is a studio version. Anna Netrebko is a huge singer, but she is NOT a wagnerian soprano. She is absolutely unable to sing this aria at a decent level on live performance. This is a good studio performance like some singer do pop-opera, not a lyric performance

@margaritadubrovina7063 Месяц назад

Right ❤ Jessy Norman!

@indeserto 2 года назад

This is a very sad video. The lady has a lovely voice, and, when she sings in the medium register and quietly (as at the beginning of this extract) the sound is very beautiful. However, anything high and/or loud is a total mess, a ghastly mixture of no text and a wobble one could drive a bus through. When Mme Netrebko was a young woman, singing the light soprano repertoire which is her real voice, there was hope, but now there is just screaming, and DG are making a lot of money and so is the lady herself, thanks to her adoring fans, who know no better. As many others here have said, listen to Nilsson or Flagstad, or Frieda Leider, if you want to hear the right voice-type performing this summit of the soprano literature.

@Wotan123456789 2 года назад

I agree with you! Even today you could hear some sopranos who can sing Isolde beautifully (Catherine Foster, Lise Davidsen).

@crazyorganist1609 Год назад

I have a beautiful recording of her in Betrothal at a monastery by Prokofiev and she was great in it. If only she'd stuck to those kind of roles.

@stupormundi1970 Год назад

Evidentemente, pur amandola profondamente, non riesco a capire fino in fondo la musica di Wagner. Inoltre, non riesco a distinguere una perfetta interpretazione da parte di una cantante da un'altra di minore qualità. Almeno secondo quanto leggo in molti raffinati commenti. So solo che sono profondamente commosso dal modo in cui la Netrebko ha reso la dimensione sublime del Liebestod. So solo che ho trovato il video efficace e intenso. So solo che ringrazio il cielo per l'esistenza stessa di Anna.

@enamouree 4 месяца назад

Je suis absolument d’accord avec votre commentaire, dont je ne changerai pas une seule, virgule Anna❤❤c’est la musique incarnée, chacune de ses cellules vibrent la fréquence du cœur de Wagner

@larsmuller4842 2 года назад

Da fällt einem wirklich nicht mehr dazu ein. In Dresden musste sie die Elsa übrigens mit Teleprompter singen und Bayreuth hat sie Gott sei Dank abgesagt. Ich spare mir hier weitere Kommentare...

@pistol625 2 года назад

muss man sich mal vorstellen… vom prompter „abzusingen“. heutzutage erlauben sie sich alles und nennen es dann musik, ich hoffe es stirbt nicht der tatsächliche sinn von musik aus

@pistol625 2 года назад

@@MarkFarago würde ich im nachhinein betrachtet nicht abstreiten

@Sir.Larselot 2 года назад

Okay, another "Money doesn't stink- production" with Netrebko as Isolde. The video is pretty kitschy in my opinion but each its own.

@Traigame2cervezas 2 года назад

It's just "let's make a covid quarantine tv-ad-looking video with Wagner as a background" PR management needs help

@justanotherguy469 7 месяцев назад

This visually encapsulates, perfectly, what I feel when I listen to this piece. My soul leaves my body, and I am united with the everlasting.

@russellarmstrong2774 Год назад

Anna Netrebko performing the drag queen version of Liebestod. Is this really her aria? I'm not convinced.

@operaticxingenue Год назад

I refuse to feel bad about my German diction anymore after hearing this 😂

@davidtsitskishvili 2 года назад

Just tasteless! Everything but Wagner.

@alexsimpson79 2 года назад

Wagner says , you are full of hatred and are not able to enjoy the beauty. As everyone in your place of stupids

@davidtsitskishvili 2 года назад

@@alexsimpson79 Dear, I know what he said and his opinion, but obviously, you don't have your own.

@Traigame2cervezas 2 года назад

@@alexsimpson79 TBH Wagner was full of hate himself, I doubt he would have enjoyed this interpretation at all.

@mrrkdino 2 года назад

Dreadful performance. No feeling for the line, terrible vibrato. Just listen to Jessye Norman or Margaret Price, not to mention Lotte Lehmann or Frida Leider.

@tequiness061 14 дней назад

And the GREAT Waltrau Meyer. NEVER forget her.

@wikath449 2 года назад

Sorry - Netrebko is a great singer. But this is not her territory. Compare this to Birgit Nilsson, Martha Mödl, Waltraud Meier or even the „only CD- version“ of Margret Price under Carlos Kleiber. Netrebko does not fit into the Wagnerian Shoes.

@kimsanchannel3920 2 года назад

Couldn't agree more.

@joaodiasferreira 2 года назад

I completely agree with you! In my humble opinion, perhaps the best version of the "Liebestod" was performed in 1987, by Jessye Norman, with the orchestra being conducted by the mighty maestro Herbert von Karajan. Superb. Unsurpassed. Nowadays we see Deutsche Grammophon being musically guided by people who do not have a single talent and taste for music, only for money and publicity. Sadly, what a sham...

@wikath449 2 года назад

@@joaodiasferreira very true. Jessye Norman was an exceptional voice anyway. Her Wesendonk Lieder are unsurpassed ( on the same recording with Colin Davis). And not to forget the legendary Kirsten Flagstad (Furtwängler) with her high notes sung by Elisabeth Schwarzkopf. But this is all very much in another league as this meaningless recording.

@wikath449 2 года назад

I forgot to mention Kirsten Flagstad as well. But these Wagner-Voices are lightyears away from this inferior interpretation.

@alexsimpson79 2 года назад

What kind of behemoth shoes are they?! Lol She is great and performance is stunning! Listen again !

@Tweeteketje 2 года назад

She sings quite a lot out of tune....often too high.

@ernstjenni3461 2 года назад

Sorry, sie kann ja Vieles, aber das kann sie nun leider nicht, erinnere an Flagstad, Norman. Diese Schluss t's, fürchterlich. Das Video dazu schrecklich. Schade.

@jungwirthmartin 2 года назад

The queen of Mild and Leise is : Jessye Norman together with Karajan, still the unsurpassed version!!

@dralexandresousa 2 года назад

Christa Ludwig was the only who made almost there.

@ingenieroguzman3806 2 года назад

Absolutely agree! ....

@ygorcoelhos 2 года назад

Not better than Flagstad, Nilsson or others who actually performed the role on stage. Anyway, let's just quit this obsessive need to classify and rank singers in a hierarchy as if only the very best #1 recording or performance mattered. All operas would long be dead if that were true. All performers, not necessarily vying to be the best ever, bring something new and personal to their renditions.

@roccolongo7457 2 года назад

And Waltraud Meyer ❤️

@metacarple 2 года назад

Linda Esther Grey with Reginald Goodall

@inessaarmando4035 2 года назад

Dreadful… What’s wrong with Deutsche Grammophon? Have they lost their ears??

@pistol625 2 года назад

they do, im german… understood maybe 1 word

@albuiononsitrova2874 2 года назад

The whole world lost the sense of hearing.

@narekavakianmusique 2 года назад

Probably they do)))

@alexd5218 Год назад

@@pistol625 moreover, she is an Austrian citizen 🤣

@filthyandgorgeous Год назад

It is clearly for Treb fans ❤

@terryhammond1253 Год назад

Anna sounds like she wasn't quite sure how to place her voice in singing the Liebestod.

@andresfRC 2 года назад

This is a bluff. La Netrebko trying to sing a role too big for her vocal resources, It seems that for DG is more important merchandising than real artistry

@enamouree Год назад

Très bon choix , le cœur parle comme d’habitude avec cette artiste d’exception

@joshuavandyne7334 Год назад

As long as opera has been recorded sopranos who would never sing the role of Isolde because they are not Dramatic Sopranos with the heft either dramatically or vocally to convey the music of Wagner's music dramas and be heard over the large Wagnerian orchestra have recorded the liebstod simply because it is such a gorgeous piece of music. I don't think that Netrebko has any illusions of singing Isolde or Brünhilde, but it is lovely to hear her interpretation of the song as a stand alone.

@MG-fh4ed Год назад

Wagner underlined the importance of " rythm and words linked in a perfect bond" Interesting to see if this soprano will record the complete ópera

@randolphroller3686 2 года назад

What language is she singing in this dreadful video?

@mogmason6920 2 года назад

Sounds like pidgin Gerssian to me.

@willemventer741 Год назад

What I find to be the most shocking fact, is that no one at Deutsche Grammophon even remotely questions the quality of this rendition. DG will put their name to anything these days. Miss you HvK!!!! And so is Thielemann equally as guilty for putting his name to the recording of Strauss´s Four Last Songs by her, also appearing under the DG label. A fucking shame und eine Frechheit!!

@dopolavoro5647 2 года назад

great job director Elena!!!

@michaelbuzanowski207 2 года назад

What is sad is to die without anyone knowing you have lived Tristan makes Isolde immortal Isolde makes Tristan immortal two becoming one so to speak thru love

@ohmy5650 2 года назад

Am not a die-hard fan of Netrebko's but was blown away by this.

@mrlopez-pz7pu Год назад

Blown away by what? She is absolutely dreadful.

@joytoyx 7 месяцев назад

yes

@wordscapes5690 15 дней назад

Then you do not understand Wagner… or singing.

@MercedesTAMARALEMPICKA1234 Год назад

Un aria maravillosa Una música sublime La melodía infinita

@RattusYu 2 года назад

1) Birgit Nilsson 2) Martha Modl 3) Gwyneth Jones 4) Catarina Ligendza 5) Margaret Price 6) Kirsten Flagstad 7) Astrid Varnay 8) Eileen Farell 9) Linda Watson 10) Montserrat Caballe 11) Ingrid Bjoner 12) Franz Liszt

@hermesnoelthefourthway 2 года назад

You left the best one out.......Waltraud Meier. How funny.

@hermesnoelthefourthway 2 года назад

Waltraud Meier's 1995 Bayreuth performance is without any doubt whatsoever the most sublime ever given. It even outs Birgit Nilsson. And, as you know, that's saying something . Meier's Mild und leise is from another universe.

@Itsandy22 2 года назад

And where is Jessye Norman?! Too good for this list I'd hope...

@hermesnoelthefourthway 2 года назад

@@Itsandy22 what kind of Liszt is that?!

@ingenieroguzman3806 2 года назад

Jessye Norman is the best! ...

@crazyorganist1609 2 года назад

This is just hell. Her voice cannot compete with an orchestra this size therefore she amplifies it. Isolde requires a massive voice to soar above the orchestra. Singers like Nilsson and Behrens had this type of voice and so did Dimitrova,. even though she never sang the role only the Liebestod so did Dame Joan Sutherland. Her voice lasted for 40 years because she never sang anything that would jeopardize her career. Sutherland had the voice to sing it of course but chose not. Sutherland, Nilsson, Behrens or Dimitrova never amplify their voices because they were properly trained with impeccable breathing techniques. Netrebko had a beautiful voice in her younger days and now she sounds like a demented witch trying out for an amateur opera company

@elizabethker2663 Год назад

just horrific. What are they thinking. And yes, I can sing it much better than that.

@crazyorganist1609 Год назад

@@elizabethker2663 so could i

@aliegan2109 2 года назад

Anna is a great singer. Is the role for her? No. Isolde is the ultimate role and can only be sung well by a handful of people in the world. But the effort is appreciated. Anna excels in other non-Wagner areas.

@mrlopez-pz7pu Год назад

I cant believe that some of you actually think that THIS is a great performance. Wow.🤮

@arnoldwohler 28 дней назад

Wunderbare Bilder ...

@marlenehartley7742 2 года назад

Is this a joke?

@petchris01 2 года назад

I’m totally blown out by this performance. Anna’s voice, the orchestra, the videography & sound! ⭐️⭐️⭐️⭐️⭐️👏👏👏👏👏

@crazyorganist1609 Год назад

She's heavily amplified. Not suitable for her at all

@mrlopez-pz7pu Год назад

You were blown away by THIS!?!?

@kalterkinderklaubonn3856 Год назад

Exactly today the Mathilde-Wesendonck-Verband exists 10 years. It was founded - mainly because of Mild und Leise. Me too - I´m not a fan of Netrepko - especially because she flirts with the current russian dictator and successor of Stalin. Her voice here is not - mild - it is too loud, too sharp and words - are hardly to understand. But the pictures - are mindblowing, though brutally copied from Lars von Trier "Melancholia" - where von Trier pictures the ouvertuere and final of "Tristan and Isolde". Though - after all: It is the most beautiful of the most beautiful melodies. Thanks - Richard Wagner. Thanks Mathilde Wesendonck which made him feel such unfulfilled love and pain and music.

@celesteaida48 2 года назад

Kidding right?!

@1davidpeter 2 года назад

unfortunately she is out of her depth here.

@1davidpeter 2 года назад

my wife says it's like Katherine Jenkins doing a cover version of the real thing.

@michaeltortora8563 2 года назад

All I could do while listening to the vocal & watching the video is laugh. She’s way out of her league not to mention the wobble. And what language was she singing??? Just Imagine the love duet with her husband----- talk about the death of opera.

@tattiwilli1507 2 года назад

She is Russian . Russian language much softer then German. That why is so much , much better sounds. Germans sound too hard and heavy . Anna ‘s voice is flying .

@Traigame2cervezas 2 года назад

Please don't. Her husband is one of the worst tenors ever, Tristan doesn't deserve this

@ygorcoelhos 2 года назад

No wobble there. You clearly just don't like more pronounced vibrato. A true wobble is a very slow vibrato that varies the pitch. There is no such a thing in this recording of her voicd -- at least not yet.

@Wotan123456789 2 года назад

@@ygorcoelhos You are certainly not listening well, everything above High A has an annoying wobble.

@Wotan123456789 2 года назад

@@tattiwilli1507 She has been benefiting from her Austrian citizenship for the last +20yrs and she cannot even pronounce 5 words in correct German. Her voice as this interpretation is flying LOW, actually is crashing.

@sumiokuge9118 2 года назад

Not so Wagnerian - singing for a concert.

@alanleoneldavid1787 2 года назад

She would sing a good Hugo Wolf

@jdeeside 2 года назад

Oh good God this is just awful, predictably so. I’m off to listen to Jessye Norman’s sublime rendition with Karajan.

@hajoprecht3178 2 года назад

You are so right with that.. Nothing compares ever with Jessye Norman‘s voice , intonation, her powerful piano and above all her feeling for what‘s between the lines of this music… What a loss of never hear her live again..

@flyinghow Год назад

I like Netrebko a lot, and now that she has shifted to singing heavier repertoire the results are often interesting. Here, however, she does not possess the requisite heft, and the scenery is ludicrious.

@jdeatley5939 2 года назад

Beautiful. Thank you for this music.

@enamouree 2 года назад

Excellent

@Traigame2cervezas 2 года назад

Horrible, terrible, insulting and most of all: tacky. What's with the video? The lyrics are about dying of love, the video has nothing to do with it. And Netrebko, everyone already said it, but just c'mon woman, you're just out of your territory. Why dare to go there when you clearly can't.

@ootamanabu 7 месяцев назад

I miss to Jessye Norman und KARAJAN live at 1987 great LIVE

@maijacalcagno 2 года назад

This is criminal.

@grr8048 Год назад

A studio singing and recording is more like a looking at a lady's face with a professional heavy make-up, while a live opera singing is looking at a bare face.

@michaelfrohlichstein6290 2 года назад

I have no words. Wait, I do: aural death, pathetic, horrible, the end of regularly vibrating vocal cords, screech fest. There, I found a few words.

@enamouree 2 года назад

Comme d’habitude je trouve cette chanteuse exceptionnelle de charisme J’apprécie particulièrement sa voix homogène qui vibre dans tout son corps depuis son plus jeune âge jusqu’à maintenant le parcours est un sans-faute j’adore cette vidéo qui montre que le corps peut se déployer dans l’univers guidé par les sons mélodieux accompagner celui qui part et revenir tranquillement dans le réel je trouve brillantissime cette interprétation et cette mise en scène ceci n’a d’égale que son talent d’exception Félicitations merci de nous le faire connaître

@paulovieira7317 11 месяцев назад

My favorite aria by my favorite composer sung by my favorite soprano. PERFECTION!!!

@metacarple Год назад

Why does this exist? Why not let Britney Spears or Madonna have a go as well?

@tonyreadman6340 2 года назад

Wagner is not around to ask about this, but it's an interpretation, so how the hell does anyone know? I bet all the self-appointed experts on this page couldn't get anywhere near this level of singing, so perhaps they should shut up!

@elizabethker2663 Год назад

sorry, some of them can. And some of them really are experts.

@PredatorianStyl Год назад

Great performance! Hope to see her as Isolde one day

@steveaguilar198 2 года назад

Meowing...that's all I hear. Never have been a fan. Her singing is sometimes sloppy

@dudeforcaster8630 2 года назад

Not sometimes, always.

@steveaguilar198 2 года назад

@@dudeforcaster8630 ok. Agreed. : )

@celesteaida48 2 года назад

Anna…please! Don’t

@andrehollmann4063 2 года назад

..wahrlich herrlich!!!...gute Menschen haben guten Ausdruck...da lass ich mich zu gern be-ein-drucken!!!...Großen Dank aus Leipzig!!!

@anastasialick 2 года назад

Schrekliche Aussprache! Man versteht kein Wort! 👎

@fritzbaerbel 2 года назад

Schreckliche Rechtschreibung! Und schreckliche Arroganz! Da wirst du wohl noch 100 Jahre üben müssen.

@anastasialick 2 года назад

@@fritzbaerbel ich kann ja wenigstens noch üben! Frau Netrebko leider nicht mehr. 🤪

@MonsieurLu77 2 года назад

@@fritzbaerbel Was hat es mit Arroganz zu tun, wenn Anastasia die Deutschkenntnisse der Netrebko bemängelt?

@MonsieurLu77 2 года назад

@@anastasialick Es ist nicht nur die Aussprache. Sie hat nun mal kein dramatisches Potential. Hochdramatisch schon gar nicht. Mimi mit Karriereknick singt sich frei....

@gingfreecs_CRYPTNRDS 2 года назад

Very good vocalise with some consonant... i couldnt understand a word out of this, poor standard

@steveaguilar198 2 года назад

Couldn't agree more.

@margaretham5832 2 года назад

This is a sad, sad day for opera. Shame on Deutsche Grammophon.

@celesteaida48 2 года назад

Couldn’t listen to it….😱

@pelaugfi62 2 года назад

Me neither . Utterly awful in all means .

@cristianomouragonzaga5401 2 года назад

Toca o mais profundo da alma, trazendo paz e emoção. Magnífica 👏🏽🎼❤️🎵✨🎶

@llcooljay520 2 года назад

Omg... now I know what it sounds like when I sing this at home for fun. 😳😯🤢 (I am a cis male)

@maryvallettakeith6146 Год назад

🤣

@Dylonely42 10 месяцев назад

cis male ?

@joytoyx 7 месяцев назад

This is amazing !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

@АланСтаровойтов 2 года назад

Brava Anna! 👏🏼👏🏼

@julieklos8256 11 месяцев назад

sry. no isolde inside.

@kenny1424 2 года назад

Terrible... wobbling all over the place. A voice several sizes too small for Wagner.

@mubogo39 2 года назад

run to listen to birgit nilsson, please

@hesiode7560 2 года назад

OK I run !

@jacobtapianieto9655 2 года назад

And Kirsten Flagstad too. Both of them the absolute references yet for the Wagnerian repertoire. I can also add Jesse Norman and Waltraud Meier.

@michelemelchioni533 3 месяца назад

Wagner is amazing! Netrebko is amazing! Regia tv is beautiful. Stop. Thank you.

@Bill-loveless 8 месяцев назад

This is a perfect recording what are you talking about??

@Alexmeister25 Год назад

Isolde und Birgit Nilsson immer... 🙏🏻

@hermesnoelthefourthway 2 года назад

Not the mild und leise I know, for sure. What opera's this from, then?! Hochste lust most definitely not. Bless her

@manueliglesia9404 2 года назад

LARS VON TRIER rewrote WAGNER.

@ianhandley4116 2 года назад

Too true 😂

@luislarrea5907 2 года назад

Bravo!!!!

@rudigeruszkoreit8625 6 месяцев назад

Absolut fantastisch! So möchten wir Wagner erleben und erfahren!❤

@dudeforcaster8630 2 года назад

Wobbly, out of tune and musically inert.

@sarahmonvoisin6688 2 года назад

Magnifique 😭😍

@burnedmyrrh 2 года назад

You were born for opera! Always amazing!

@rpallen3129 3 месяца назад

I really wanted to listen to the entire Liebestod, but the intonation was so off--really inexcusable in a studio recording--that I couldn't make it all the way through.

@AlexanderArsov Год назад

Completely bizarre stuff: vocally and visually. It has really no business existing at all.

@inboxmail2053 Год назад

That dreadful wobble. Poor Tristan having to endure that

@AlanMearns-YesTheRaven 2 года назад

Such a beautiful video! Ignore the delicate dilettantes who are treating this like some kind of soprano-sport and missing the big picture of introducing such powerful music to the masses! You’ve succeeded here in every way DG!! Keep it up 👍🏻

@lilianaponzo7230 Год назад

Maravillosa

@peterjacobo743 2 года назад

el abismo me a mirado de vuelta

@muruganv5164 2 года назад

World best music clasical music my favourite music classical music world best Deutsche Grammo phon mind relaxed heart touching Comment no 2

@christianavalosmendoza1271 Год назад

Sublime...

@luislarrea5907 4 месяца назад

Sería maravilloso que el video tenga subtítulos en español

@tonyreadman6340 2 года назад

No-one knows exactly what Wagner wanted. There will always be those who think they do. All music is open to interpretation and I think Wagner would welcome that. Many people love Anna and enjoy everything she does. That is their right and I bet that those who think they know what Wagner wanted couldn't even hit one note like she does. So, perhaps they ought to shut up and enjoy another singer's work, which is their right.

@MG-fh4ed Год назад

Wagner wrote many essays and Letters about what he wanted. In fact, he essay on the premiere of Tristan und Isolde Is a masterclass . Read and learn. Verdi too. ( Otello Is an example ).

@andrehollmann4063 2 года назад

Das Video wäre vielleicht mit deutschen Untertiteln noch besser zu geniessen...dann gehts richtig rein....

@ESilva-gw9ig 2 года назад

She should stick to Elza if she wants to sing Wagner. Isolde is not for her by no means. Her beautiful lyrical voice is not a wagnerian voice.

@jonathanplatnick9334 2 года назад

Great non-Wagnerians of the past sung this aria, all finding a pathway into the material (Callas in Italiano!, Tebalid, Caballe) Netrebko should indeed sing the opera - but not in an opera house, in an elevator going downnnnnnnnnnnnnnnnn ....

@MarioHernandez-qr4vx Год назад

LEIDER,FLAGSTAD,VARNAY,MOEDL,NILSSON,NORMAN AND NO MORE!

@BellaFirenze 2 года назад

Mein Gott in Himmel! Das ist Scheiße. This is not Wagner, but a cinematic nightmare badly sung. La voce di una mosca che assassina un capolavoro. Нетребко не должна петь эту музыку. Ужасный. Prima la musica, dopo la parola. Ella no puede hacer ninguna de las dos cosas. In case anyone wonders what language she is singing, here is the text: Mild und leise wie er lächelt, wie das Auge hold er öffnet seht ihr's, Freunde? Seht ihr's nicht? Immer lichter wie er leuchtet, stern-umstrahlet hoch sich hebt? Seht ihr's nicht? ertrinken, versinken, unbewusst, höchste Lust!

@selini52 2 года назад

Sie haben recht, leider spricht Frau Netrebko kein Deutsch und das stört mich auch, però non parla neanche italiano e canta bene in Italiano

@BellaFirenze 2 года назад

@@selini52 Netrebko ha perso molte qualità che la sua voce lirica aveva molti anni fa. La sua voce, a questa età, è più cupa e forse più grande. Tuttavia, questa interpretazione della morte di Isotta è orribile.

@ЛюдмилаШилова-у1р 2 года назад

Sie sind so boese...Warum?Das ist nicht gut.

@BellaFirenze 2 года назад

@@ЛюдмилаШилова-у1р I am not angry. I simply do not like the performance. You have your opinion and I have mine. Warmest regards from Florence.

@ЛюдмилаШилова-у1р 2 года назад

@@BellaFirenze Schoene Gruesse aus Russland🙋

@daviddiamond670 2 года назад

perfectly awful performance of the Liebestod

@jimgritton7640 2 года назад

I agree. The video is dreadful too.

@SilvioNobre 2 года назад

Tão maravilhosa! ❤️

@albuiononsitrova2874 2 года назад

Anna, always so connected to fashion. How do they allow her to use such a poorly made dress in a video? The list of 'supposedly' original DG videos keeps the pace, since that disastrous Aida.

@ingeklepitsch1979 2 года назад

Ich schätze Frau Netrebko als ausgrzeichnete Sängerin sehr, aber sie sollte meiner Meinung nach den Bereich des Belcanto und Verismo noch nicht verlassen - die Stimme klingt an manchen Stellen doch sehr angestrengt.

@albuiononsitrova2874 2 года назад

@@ingeklepitsch1979 I agree with you.

@varoprats_erodprati Год назад

I love Anna Netrebko´s performances, and love also Wagner´s music, so thanks for this jewel...

@Rassendhyl100 2 года назад

I enjoy Anna's Isolde. Anna has been also against microphones on the stage. But Anna adjusts to the times. Brigit Nilsson's Isolde is still great and so Jessye Norman's. But not everybody can see it in person at the opera house. And for the last two years, new technologies are saving our social and musical lives. Bravii all opera singers for keeping us going!