Mitschnitt des Konzerts am 14.11.2021 in der Himmelfahrtskirche München Sendling. Dirigat: Clayton Bowman. Ton: Johannes Then. 00:00 Titel 00:11 Kyrie 06:57 Gloria 12:54 Credo 22:24 Sanctus 25:35 Benedictus 31:17 Agnus Dei
Are the differences between the versions only a matter of orchestration or were passages rewritten/added/removed? I imagine the earlier version is better. Most of Bruckner's revisions were a waste of time (8th Symphony excepted).
@@nickbamber268 The only currently available recording of the 1866 version is a concert performance by Hans-Christoph Rademann with the RIAS Choir (23 June 2013), a recording of which is saved in the Bruckner archive (CD - Charter Oak COR-1904). The 1882 version is 26 bars longer. The approximately 150 differences among the two versions are described in detail at the end of the score of the 1882 version. The differences concern both phrasing and accompaniment, mainly during the Credo and the Benedictus. Most of these changes are barely audible without comparing the scores of the two versions. However, some changes are more obvious, as other phrasing and instrumentation of the middle section of the Credo, as e.g. the postlude of "et sepultus est" by the woodwinds instead of the brass, and three additional "sanctus" by the female voices in unison in the middle section of the Sanctus.
@@anbruck1 My pocket score published by Philharmonia is of the 1866 version and edited by Josef Voss. I will have to do some work and compare this recording with my score. Thanks for the information.
