APUTURE 600D PRO REVIEW | PRODUCTION BREAKDOWN 

Nice! You’re going to love it! Thank you 🙏🏽

Thank you brother! is the sigma 18-35 good?

Haha I know I’m so annoying

Thank you Martin!

Glad to help! 🙏🏽

You're gonna love it dude!! And thank you brother!!

Let’s go!!! 🙏🏽🙏🏽

Nice! Glad you enjoyed it. I really appreciate that!

So glad you got something out of it!

Yeah I figured that our late haha. Blinded by the liiiight

Much appreciated! Great light for sure and stoked to have my eyes hahaha

Thanks so much! Yeah I would've tried with 300dii through the windows if I had time. I'd imagine you could do it, however you'd have to raise your exposure on your camera and you'd lose the mood and pronounced light beams.

this is the exact reason why im getting this light. Right now i have the forza 300 and the aputure 300D mkII together for daylight interiors without diffusion it can level out the exposure, but it loses output with diffusion. Imagine what i can do with two 600D with diffusion

Glad I could help :)

Yeah I probably should've when that route but this was quick and dirty.

Thanks Brett! I think you'd be find with some gels. I probably should've added a CTO to warm it up a bit, instead I just shot at like 6500k. But no, they light has more than enough output

@@KevinReyesDP Ahh great to hear, thanks again Kevin. Awesome video man!

it should boost it right passed the J 800 and 1.2k and closer to the M18

Sorry for the late reply on this! I actually switched over to IDX micro v mounts which I love for their tiny form factor and dual tap ports. Although, they are all good, never had issues with Core batteries either. Love how they read the remaining battery percentage on the LED screen.

@@KevinReyesDP IDX micro v-mount - I’ll check those out. I was feeling like once you pick a battery eco system your married to it for some time, but that doesn’t appear to be the case. Just tryin to be careful about it either way, they are some spendy beasts..... like everything else in this line of creative expression 🤣 Thanks so much for getting back to me!

Super convenient if you just want some quick atomosphere without the hassle. Can has a decent amount and behaves just like ordinary haze - www.bhphotovideo.com/c/product/1328500-REG/atmosphere_1can_aerosol_haze_spray_for.html

Right on, if enough people start requesting color grades breakdowns I’ll definitively consider! Appreciate it

Thanks so much! I use either aerosol haze in a can or I used my bigger hurricane 2d hazer.

@@KevinReyesDP Thank you very much for your answer ! Never thought about aerosol haze before O__O

Thanks! No, turn off studio mode and save your eyesight :)

@@KevinReyesDP Awesome! Impatiently waiting for mine to arrive.

Nothing special, just screen recording in preview and drawing lines on frame grabs.

Yeah good call!

@@KevinReyesDP and to be clear, I'm saying this in a positive way. Not trying to throw shade (pun intended) anyone who creates a channel and adds to the knowledge is great by default.

@@davida5296 oh totally, these comments are actually my favorite because I get to learn and get better so I appreciate it more than you think 🙏🏽

This is really great feedback! Thank you Tim. I know the light will eventually have a fresnel attachment that will allow you to spot/flood. Do you think something this will allow me to get a "longer/more pure" beam? Would love some practical steps on how you go about creating more pure beam. Color is a great call, thanks again.

@@KevinReyesDP If we are taking this example, no it won't help this significantly - you're raking the beam across the entire back wall, and probably 3/4 of that is softening off. Longer beam is simply to increase the distance from the surface - simply move the light further away. But with distance comes fall off, (hence the comment on exposing a smaller lamp -your light levels now become far far less). If you can't move the lamp back, extending the beam through mirrors works too. This is also a useful technique in getting a beam angle higher if you have physical limitations of a set (in your case a balcony). You can also use the natural cut of a mirror to disguise the soft fall off, this technique is fairly common with smaller lamps replicating this sort of daylight - higher angle through a mirror, letting the hard line of your shadow hit the wall, and disguising the soft roll off into the floor. It changes the spread and the look considerably, but if it's realistic that you are after (as you mentioned) this resembles natural light better - higher and no obvious soft fall off.

@@tfok12 This is valuable feedback, thank you for taking the time. I love the idea of using mirrors with smaller lamps. Good call. I've seen LightBridge's CRLS reflector system and it seems very useful, albeit fairly expensive. Would love to figure out how people are riggings standard mirrors up high. At any rate, your input is appreciated!!

www.bhphotovideo.com/c/search?Ntt=aerosol%20haze&N=0&InitialSearch=yes&sts=ma

No, only 600d as far as I know

Yes, but it’d be smart to add their spotlight mount attachment so you can control the beam angle.

@@KevinReyesDP QUESTION? Does aputure have a phone number? my company wants to buy several of their lights but i cant seem to find their number on their website. i would appreciate the help.

Check out @lukeseerveld channel, he rates it brighter than a j800. Wild.

Appreciate that feedback! Using a powerful light allows me to bring down my ambient levels to introduce more shadows. Using a lamp that was less bright would force me to raise exposure in camera, thus raising the rest of the ambient and lose the mood.