The max size in my opinion should be 28". Anything bigger might result the plastic holder to start cracking. Glow ParaPop 28"- Amazon - amzn.to/3rmdMjg
I just saw this. Light dome is super huge and heavy. The plastic mount will crack over time. The 120D was a heavy metal mount. These lights here seems to be all plastic.
ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ib7wwIBBV6s.html This is their new unit ( bi color). A new power brick but you will see what happens later in the video.
Good look bro, I appreciate this because I just started shopping for continuous lights I think I prefer 100 D even though moving the firmware update is a gripe. I'm still shopping bro I appreciate the video PEACE!
Hi! I was wondering the 60d can handle 90 cm ( 35 inches) softbox? I will receive my light tomorrow. Thanks in advance! Great review btw! New subscriber here!
Woah. 35 inch? You are pushing it. I would say no but you can prove me wrong. I was told there is a ton of plastic components and in the long run it may slowly crack.
@@erum.m It will fit no problem. Long term use, you will be the tester. In my opinion, not recommended but its your turn to prove me wrong and help the community here with your long term experience. Its a plastic mount.
I’m looking to get the 60d to start making films. After having it for so long how do you feel about the fan noise? I love amaran, but I I’m worried about fan noise being too audible in my films.
Depends on how close your mic is. Also in davinci, there is a voice isolation that works very well. It can remove back ground noise. If you are still worried, get the 100D. my entire channel is still running on 2 100D.
Hi, I've heard other RU-vidrs complain about how hard it is to fit the 60d back into the box. What are your experiences with both lights to get them back into their boxes?
@@asfilmspl 60D will do it no problem but I would go with the 100D for future proofing but 60D should be fine. With my 100D I am only using 30% brightness most of the time.
I ordered one for myself on aliexpress on December 26. My seller (New Photography store) does not ship the goods. And he says that he will send it now, and that you need to wait. I do not recommend using this seller
Чтобы вы понимали как работает АлиЭкспресс, достигая низких цен и "бесплатной" доставки - они часто собирают разные заказы в одну кучу и отправляют сразу оптом. В районы откуда много заказов - получается отправлять часто. Где заказы пореже - копят подольше. Этим пользуются почти все крупные магазины, так что вряд ли ваш продавец уж настолько плохой только из-за того, что работает в тренде с рынком, конкурируя с такими же ушлыми :)
Thanks for the detailed review on the lights. I’m thinking of picking up a 60d or a 60x. What focal length (mm) are you filming on your front facing camera for this video?
Oooohhhh very nice comparison 👌 I am searching for a small size compact light to be on the go run and gun. Do you thing this 60d can light a couple 5-7 meters away? I will using two lights
This may be your option when your running and gunning. I recently light a house about 15 meters away. Worked crazy good. Just make sure you check the system after 1 hour. Mines got very warm and its winter time now. Maybe summer might be different story.
@@theCameraVille warm....? 🤔 Oh man this is bad I am shooting in greece and of course summer. I shot weddings with 42 C that's 107 f. When this doesn't shout down I am OK. You lit a house 15 meters away!!! 😮😮😮🤯 I thought it hasn't such an out put. You could du a video. There aren't videos out there with real life examples... Every one shows lightning situation in a room, small space youtube studio (me included 😂) thanks for answering I appreciate it
@@theCameraVille I really liked your white studio setup in this video. The white background has a bright spot halo behind where you sit as a result of the two 28inch soft boxes you use. I noticed you have a vertical led light direct behind you (between your back and the wall). What exactly is the purpose of that light? Is it lighting up the wall to give the bright Hall effect around you? Is it lighting the wall or your back? What brand light is that?
@@djc24 amzn.to/36joIal I have a method to my own madness. I'm still figuring things out. The back light is to keep the scene interesting/diffuse when I move left and right. The light basically is softening up my scene when it appears. I have a pro black mist filter on my lens so once light touches it, my set looks diffuse. I am erasing off all the sharp digital look and keeping the scene interesting.
I don't want to have to buy a mobile phone to use a light. I wont do it. Mobile phones are... of no importance to me. LOL buying a 1200$ phone to use a 120$ light... go away now.
100D. However if you are running and gunning a lot, I usually take the 60D because its light and compact. I light an entire scene on a roof with just the 60D and it was very useful while a 100D would require a ton of attachments.
