Arnold Schönberg - Complete Piano Works (1894-1931) [Score-Video]

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Arnold Schönberg - Complete Piano Works (1894-1931)
Chen Pi-Hsien, piano
Drei Klavierstücke (1894)
00:00 - I. Andantino
01:56 - II. Andante grazioso
04:35 - III. Presto
Drei Klavierstücke, Op. 11 (1909)
07:24 - Op. 11 No. 1: Mäßig
11:33 - Op. 11 No. 2: Sehr langsam
18:39 - Op. 11 No. 3: Bewegt
Sechs kleine Klavierstücke, Op. 19 (1911)
21:17 - Op. 19 No. 1: Leicht, zart
22:45 - Op. 19 No. 2: Langsam
23:49 - Op. 19 No. 3: Sehr langsame Viertel
24:57 - Op. 19 No. 4: Rasch, aber leicht
25:21 - Op. 19 No. 5: Etwas rasch
25:55 - Op. 19 No. 6: Sehr langsam
Fünf Klavierstücke, Op. 23 (1920-1923)
27:39 - Op. 23 No. 1: Sehr langsam (1920)
29:22 - Op. 23 No. 2: Sehr rasch (1920)
30:50 - Op. 23 No. 3: Langsam (1923)
33:22 - Op. 23 No. 4: Schwungvoll (1923)
35:07 - Op. 23 No. 5: Walzer (1923)
Suite für Klavier, Op. 25 (1921-1923)
37:32 - Op. 25 No. 1: Präladium (1921)
38:26 - Op. 25 No. 2: Gavotte (1923)
39:35 - Op. 25 No. 3: Musette (1923)
41:49 - Op. 25 No. 4: ntermezzo (1921)
45:36 - Op. 25 No. 5: Menuett mit Trio (1923)
49:04 - Op. 25 No. 6: Gigue (1923)
Klavierstücke, Op. 33a (1928-1929)
51:40 - Op. 33a: Mäßig
Klavierstücke, Op. 33a (1931)
53:37 - Op. 33b: Mäßig

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12 июл 2024

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Комментарии : 67

@CatkhosruShapurrjiFurabji 4 месяца назад

The first set of pieces reminds me of Brahms.

@hawkbirdtree3660 4 месяца назад

Funny you say that because Brahms was the inspiration for Schoenberg’s adoption of atonality; not Wagner

@CatkhosruShapurrjiFurabji 4 месяца назад

@@hawkbirdtree3660 it's interesting to think that one could cultivate a novel harmonic language from a fairly conservative composer who was inspired by Classical Germanic music-writing.

@Piflaser 4 месяца назад

Or Reger, he was a great fan of.

@monteverdi1567 3 месяца назад

Schoenberg did write an essay entitled Brahms The Progressive. And at a glance even his most “advanced” (atonal) scores have a Brahmsian appearance (not sound, of course).

@bennyksmusicalworld 4 месяца назад

Very interesting how he notated the first piece that could easily be notated as 3/8 in 2/4. Edit: I just listened to the whole thing again, and I now realise the whole piece can’t just be rewritten in 3/8; truly interesting metric modulations here and there.

@Pianodud 4 месяца назад

clear that he was influenced by Brahms.

@calebhu6383 3 месяца назад

Right except Brahms would have written it in 3/8 and then changed the time signatures when appropriate

@Adeodatus100 2 месяца назад

Beautiful. It's actually Schoenberg's post-romantic / free atonal work I find most difficult to appreciate. Once he goes full twelve-tone, I think he's a genius.

@maestroclassico5801 4 месяца назад

Wow....the early pieces are nice on the ears. Webern's early music is too.

@KingstonCzajkowski 4 месяца назад

The later ones are too, at least to my ears.

@maestroclassico5801 3 месяца назад

@@KingstonCzajkowski I don't hate them as badly as I did when I was younger

@MiScusi69 4 месяца назад

His early pieces are sooooo beautiful!

@patrickgrandin497 3 месяца назад

Oui, vous avez raison. Quel dommage qu'il n'ait pas continué dans la même veine. Par euphémisme, je dirais que je suis moins sensible aux pièces qui ont suivi. En fait, je n'aime pas du tout, cela me rapelle la "musique" que mon chat faisait quand il montait sur le piano...

@Tizohip 3 месяца назад

@@patrickgrandin497 wtf you. Say 😮

@Tizohip Месяц назад

Only the early pieces? ahahahaaa

@dpmalfatti 3 месяца назад

Started (never finished) learning Opus 11 many years ago. Very beautiful and haunting piece and played so well here.

@SuonoReale 3 месяца назад

It's totally worth playing, even if sight-playing!

@robhaskins 4 месяца назад

This is a treasure to have on RU-vid. Thank you. And what a pianist! Have just listened through the first of the op. 11 pieces-the phrasing, the variations in tempo, the incredible articulation. I cannot wait to hear the rest.

@Ivan_1791 4 месяца назад

Wow, I wasn't expecting the first one.

@Verschlungen 4 месяца назад

Delicious. Thank you!!

@giorgiociomei5030 4 месяца назад

Un' ottima esecuzione ❤️

@williambunter3311 4 месяца назад

Gorgeous!

@Tizohip 3 месяца назад

Very good and fantastic pieces.

@dkant4511 3 месяца назад

Op 25 is the best example of this stuff. It's clear and concise. Gould gets a ton of expression out of it also. Everyone misses the mark except Gould actually

@yuehchopin 4 месяца назад

danke

@alexisdanielvaneskeheian2127 4 месяца назад

Muchas gracias por compartir!!!!!!

@FreeTheJambon 3 месяца назад

Wasnt big on Schoenberg until I assisted to a masterclass/class about op 19. There are definitely some beautiful moments in this. Then again I'm still not big on him but at least I like op11 and 19 now. Lol

@user-hz5jf7ck7z 4 месяца назад

Una obra maravillosa.

@Labratas123 4 месяца назад

Bravooooooooooooo

@johannesvonedelmann 3 месяца назад

❤️🎼♥️🎹❤️

@musicboiscores 4 месяца назад

BASED

@tortillaacrobata 3 месяца назад

BASED

@Navegonauta 3 месяца назад

Alguien podría hablar sobre la dedicatoria del I. Andanino?

@machida5114 4 месяца назад

sodelicious...........................................

@Scriabinfan593 4 месяца назад

It's amazing seeing the progression. Thanks for the upload.

@RYUKARYOTE 3 месяца назад

FUCK YEAH

@fredericfrancoischopin6971 4 месяца назад

Nice compliation. I wish it wasn't records of the just one performer, i would like to see gould, gieseking or vedernikov etc

@CatkhosruShapurrjiFurabji 4 месяца назад

Atonal moment

@timothywilliams1359 4 месяца назад

His best piano work is actually his concerto in C.

@user-tf1kn6kw9u 4 месяца назад

I primi tre brani piacevoli(1894).Ma dopo cos'è ha preso un ictus? Poveretto roba inascoltabile spacciata per evoluzione musicale.

@thomasbarnich2004 4 месяца назад

😭

@shark_username 4 месяца назад

AtonalFun

@igordrm 4 месяца назад

That's why Schönberg went atonal... What else were to be written with harmonic tonality? How could an artist find his own idiom within the tonal alphabet? He had the necessary authority to undergo his musical adventures, since he mastered everything in music until then. He were highly esteemed by Mahler and Strauss, and taken by the public as their successors on german music tradition, but he must have felt something like "everything I conceive in this system was already done or, at least, resembles someone's else work".

@bennyksmusicalworld 4 месяца назад

I think composers like Arvo Pärt, John Adams, and Philip Glass found the answer to “what else were to be written with harmonic tonality?” Many of their works are well within the boundary of tonality, and yet I find them stunningly original. Schönberg’s music is original in an entirely different way.

@igordrm 4 месяца назад

@@bennyksmusicalworld Take note that you mentioned composers of after the mid 20th century, and they didn't expanded the tonal realm at all. I think that Jazz was the real next step for tonality. After so much noise was made since Schönberg, I think it was natural that the pendulum started to shift. But those tonal composers, some referred to as "minimalists", coexisted with still a lot of more or less noisy stuff, like Stockhausen, Xenakis, Beat Furrer, John Cage. Now we live in a wonderful time when everything can be music, to the point where we could not use the term "music" but "art of sounds". I thank all those composers, specially including the most unappealing to the ears, because they went to a path thank, thank goodness, we don't need to go to.

@m.a.g.3920 4 месяца назад

Not true, the modal possibilities are infinite, mixing modes like Debussy or Coltrane.

@m.a.g.3920 4 месяца назад

@@bennyksmusicalworldTerry Riley, LaMonte Young, Steve Reich or Charlemagne Palestine are much more interesting than Glass!

@igordrm 4 месяца назад

@@m.a.g.3920 Well, modes are the musical raw material of plainchant and renaissance, and they have been on the repertoire ever since. Anyways, modes are tonal. They have a tonal center and dominant pitches.

@Lircking 4 месяца назад

damn the second set literally gives me a fever and instant depression

@blergbormfp8264 3 месяца назад

"My music isn't revolutionary, just badly played..." -Schönberg ❤

@teebeedahbow 4 месяца назад

urgh

@pianotext 4 месяца назад

The earlier stuff is cheesy romanticism. From 1903 on it gets better.

@giorgiolecchi6921 3 месяца назад

Schonberg ha sbagliato completamente il modo di scrivere la partitura. La prima nota da un ottavo andava chiaramente scritta in levare. 😛Solo così gli accenti potrebbero avere un senso.

@davidhawkins2207 4 месяца назад

His early music is beautiful! The later 12 tone stuff does nothing for me. In fact I find it ugly and boring.

@lionelmenguina658 6 дней назад

Me too

@lorenzocianti6603 4 месяца назад

Schönebergian early style is wonderful, the rest is unlistenable.

@Qazwdx111 4 месяца назад

For me his early style is just some generic piano piece

@dlarstein 3 месяца назад

I have listened and studied Schoenberg for over 50 years and always come to the same conclusion. He was a bad composer. He was all head, with a heart that could only express itself through the filter of his intellect. Like Czerny, Burgemuller, and Hummel he was too much captured by the spirit of his time and the pedantry of his technical innovations to allow for the creation of something with more eternal appeal. After 100 years the fad of pantonality has died a thousand times, and Schoenberg is revealed, not as a great innovator, but simply as a mediocrity, a bad composer. 56:43