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Arri Alexa Color Grading for The GH5 | Emotive GHAlex | Davinci Resolve 16 

Story Driven Filmmaking
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Hey guys, I am no coloring grading expert! But, I found a nice color grading workflow that gives me great looking footage for my GH5 and GH5S. In this video, I am going to show you a quick overview of how I use the Emotive GHAlex Color Conversion kit. I recently switched from Premiere CC to Davinci Resolve to edit all of my videos so that is what I will be using to edit the footage in this video.
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#colorgrading #gh5 #ghalex

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26 авг 2024

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Комментарии : 89   
@theoystercave
@theoystercave 3 года назад
Nice work man!!!
@stanleywilliams6136
@stanleywilliams6136 3 года назад
Sub! I've been debating on making the switch from premiere to davinci for a few months now... Thanks for showing me the light
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
Thanks for the sub and I am so glad the video was helpful. Once I made the switch there was no turning back lol.
@stanleywilliams6136
@stanleywilliams6136 3 года назад
@@StoryDrivenFilmmaking plus I read you can still export in adobe premiere settings or something crazy but yeah bro you're content is amazing. Do you have more color grading tutorial? I'm shooting my first wedding in October so I have time to shoot and practice
@MarkBennettCameraCrisis
@MarkBennettCameraCrisis 3 года назад
Watching this video again right now. Thanks for the breakdown!!
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
lol. Thanks! As I mentioned in the comments of your video I really need to make an update to this since the GHAlex kit's most recent update made it much easier to use. I'll probably just make that video for next week.
@MarkBennettCameraCrisis
@MarkBennettCameraCrisis 3 года назад
@@StoryDrivenFilmmaking awesome. Looking forward to it.
@CUBOTRecords
@CUBOTRecords 3 года назад
Really nice wrkflow. But i would give you an advice in working with the filmlook emulations. Before you use these looks, you must transform your image via Color Space Transform in the Output Gamma to Cineon Flim Log. You get only with this methode an consistance and correct filmlook. Try to use your old workflow for the GH5 und embed this step with the CST.
@Svenfrederikson
@Svenfrederikson 4 года назад
RespectGreat Tutorial. I never use the GHalex Luts in Davinci, but now i give it a try.Your footage is looking very good.Thank you
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi, Thank you very much. I would highly recommend the GHAlex Lut!
@ChessBoxin
@ChessBoxin 9 месяцев назад
Nice tutorial on your steps youve taken to make your GHAlex LUT wwork for you! I just came back from japan and shot with my GH5 in Cine-D for 2 weeks! I had a few questions I hope you dont mind answering! 1. After a couple years are you still using the GHAlex LUT? 2. Did you find it worth buying both the Daylight and Tungsten version of the LUTS? 3. Are you doing a lot of tweaks to your footage after applying the Alex LUT? 4. Do you use any noise reduction within Davinci Resolve or 3rd party purchase like Neat Video? 5. I see that you've been upgrading over the years from GH5 to s5 to s5ii. As a hobbyist would you say the upgrade is worth it for someone like me? I'm sort of use to just shooting on my Sigma 18-35 and other primes in manual so I sort of wonder how much I would appreciate the Auto Focus. Obviously these are all tools and it's just a matter of how you use them but I see mix reviews about the autofocus and low light being Good but not great like "sony level". I appreciate the videos! I hope your future weddings are coming out great!
@HamzaAwesoFilmmaker
@HamzaAwesoFilmmaker 4 года назад
This is absolutely amazing 🔥🔥🔥
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Thanks!
@mcgreevs24
@mcgreevs24 3 года назад
Loved this video so much. Great energy and info. Thanks so much for taking the time to share. Subscribed!
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
Hi Martin, thank you!
@bencross4769
@bencross4769 4 года назад
Right. I just found my new favourite guy for tutorials.
@mistapurple
@mistapurple 4 года назад
New sub! This review is so peaceful and full of great tips! Thanks so much, I'm definitely gonna get these Alex Mack luts to improve my grading. Cheers from France :)
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Julien, thank you.
@RandyParsley
@RandyParsley 4 года назад
Interesting. I have that lut, but could never really figure it out. Their instructions were not enough to make things clear for me. I don't use Davinci, so I would be a little lost. Interesting that you applied that to Cine V. That is what I pretty much stick to these days. But I've noticed that Cine V falls apart very easily if you color grade it much. Which brings me to a question I had as I was watching.... I noticed you shot the one clip in VLog 8bit. I have VLog, but know little about it, I had heard that it needed to be shot in 10 bit so as not to fall apart in the grade. You seem to have been able to get very nice results with it though. Thanks for another very interesting video. It will be sad for me when you switch the SH1 (or whatever), Ha!
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Randy, When I first got the GHAlex Lut I was a little confused as well. But after some playing around with it it was pretty simple to use. You know, I considered showing how to do the grades in Premiere CC as well but I didn't want to make the video too long. Basically, in Premiere, you will use adjustment layers instead of the Nodes (You can look at the Nodes in Davinci like Horizontal Adjustment layers. In Premiere the Adjustment layers are Vertical). I love Cine-V, I have used it on a few weddings, but as you mentioned when you mess up it's almost impossible to fix. I shoot about 50 - 60% of my wedding day in 4k at 8bit. So far as long as I have enough light to overexpose my image by one stop the vlog-L holds up pretty well. For my GH5 I try to never go above 1600 ISO and I shoot everything in 4k (In some situations I've had to push it to 2500 ISO though). For my GH5S I'll go all the way to 6400 and it will still look good. I do sometimes have some banding issues but when I do I just lower the levels of my grade. Regarding the S1H, I probably won't be moving to that until the Fall (if my wife lets me lol).
@hzubovi1
@hzubovi1 3 года назад
Beautiful work
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
Thank you.
@artemus80j.4
@artemus80j.4 4 года назад
Wow, it works quite well with 8 bit footage and seems to take reduce that magenta color shifting quite well too whereas your original grading the shifting was pretty obvious.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Yes sir.
@PhilippeOrlando
@PhilippeOrlando 2 года назад
@@StoryDrivenFilmmaking wait, that footage was shot in 8 bit?
@vaidasmiskunas2331
@vaidasmiskunas2331 Год назад
Hi,is it ok to film in cine v,or cineD, or even hlg,709 with gh5? cause i haven't got v-log yet & now a days not sure still worthy to buy it?I also would like to know to film in prores with gh5 combining ninja v without v-log is it possible?
@zyllz2414
@zyllz2414 4 года назад
Awesome video man, helped out alot :)
@secretreleases
@secretreleases 4 года назад
I have one question, at 4:17 what is the purpose of raising all color channels and then bringing down the saturation?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
I have seen several colorist on RU-vid do this in their videos and I also wondered what's the point when you can just create a node boosting saturation. So I did a few experiments on my videos just creating a node to boost saturation, and then doing it this way. From what I see the skin tones react better when doing it this way, and, I feel like you have more control over the vibrance of the image. But I do not claim to be a professional colorist so please do some experimenting on your own with this as well and let me know your findings. I am always looking to improve.
@secretreleases
@secretreleases 4 года назад
@@StoryDrivenFilmmaking thank you for taking the time for this quick and honest answer!
@syanniosian8848
@syanniosian8848 4 года назад
dope as always
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Oscar, Thanks
@Norain1992
@Norain1992 3 года назад
Thanks for the good explanation. 😊 👌 Are you still color grading like this or has your workflow changed meanwhile?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
No problem at all. I still use Davinci and the GHAlex lut however with the new version 4 of the conversion kit (in this video I was using version 3) it is a lot easier to use. You dont have to do as many steps.
@krillansavillan
@krillansavillan 4 года назад
Thanks for sharing your awesome footage and process. Have you played with 10 bit depth? When would you use 10 vice 8?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi, I actually shoot 10bit a lot. But I really wanted to show that you can get a great 8bit image in vlog-l. We do shoot 10bit 60p, however, we have to use our Atomos inferno and Ninja V. These setups are big and can time consuming to set this up so we mainly use our external recorders only for the ceremony and the toasts (so we can be light and quick for everything else). If you check out my GH5 2.6 Autofocus update vid a lot of that footage is 10 bit.
@krillansavillan
@krillansavillan 4 года назад
@@StoryDrivenFilmmaking thanks a bunch! Will do
@praxiscope
@praxiscope 4 года назад
This is a fantastic video, thank you. May I ask how you set up the lights for the red and blue background and your neutral foreground?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Misch, thank you. Regarding my lighting set up. My key light has a soft box on it and is set to 5600k. I have a Lamp with a smart bulb in it set to blue. I also have a light on a c-stand with a red gel on it. That's basically it.
@MatthewBHoth
@MatthewBHoth Год назад
Hey Thomas, any idea why my color curves are SO low? They don't even get up to 5% of the total height of the color curve section. I've tried recording 4k in HLG, Natural, and Cine D and even before adjusting anything the color "mountains" are super tiny Reset all da Vinci settings.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking Год назад
I am so sorry for the late reply. Hopefully you found an answer. But if not can you send me a screenshot via Instagram?
@tech-no-logictech9743
@tech-no-logictech9743 Год назад
Late to the party but could you maybe tell me what song this is in the beginning and on what platform it is available?Thank you. :)
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking Год назад
Sorry for the late reply. I for the life of me could not find the song on my PC but I know it's from MusicBed.com
@jamesharrison4272
@jamesharrison4272 4 года назад
Nice
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
thx
@conamx5728
@conamx5728 4 года назад
your grade looks very good. I'm wondering what result you get if you apply the luma adjustment before Main LUT?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Cona, I need to actually do an updated video as an update to the GHAlex kit is available. Regarding your question, the reason why I personally use the Luma node after the main node is because if ever needed I will add a parallel node to the luma, which I think should always come after the main (IMO). But either way, I've learned that there is actually a easier way to use the GHAlex conversion kit. You can just go 1.) WB Node 2.) Main node 3.) Luma.
@wangmedia
@wangmedia 3 года назад
Hi Thomas, can you share the GHAlex graded clip from the bride prep. I’m testing using Color Space Transform from V-Log to Arri Log to Rec709 and it should’ve been very interesting to see if I can get the same result as with the GHAlex LUT. I don’t know what the GHAlex lut is doing but if it converts it to Arri color space then maybe CST via Arri Log can be an option?
@wangmedia
@wangmedia 3 года назад
ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-PIrGZGux8Zg.html made this a while ago with BMPCC. And have started to the with GH5 and V-Log L
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
Hey Henrik, I can send you some clips (not of my actual clients though). Can you DM me your email address on instagram (@thomasvisionfilms).
@AfoteyAnnum
@AfoteyAnnum 4 года назад
Man... You just shared the cheat code for color grading lol As someone who is still learning the ropes, this is immensely helpful.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hey Afotey, mannnn, who you telling. This GHAlex lut really helped my GH5 color grading. I highly recommended it.
@christopheradedipe8862
@christopheradedipe8862 4 года назад
Hey Thomas! Great video, went and got myself a copy of the GHAlex luts, followed allong but for some reason all my shots come out waaaayyyyy darker than what you seem to be getting? Given different lighting situtions but it just doesnt seem right at all, especially after I add the lutt to nodes 6, any ideas ?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Christopher, Are you over exposing by 1 stop? If so, the other difference may be my GH5 settiings. I was actually talking about this with someone last week. I should have mentioned it in my video. I use Danny Feng's setting's for my cine-v and vlog GH5 and Gh5S profile. You can check out his video here. Hope this helps! ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3XehvSvOFoI.html
@christopheradedipe8862
@christopheradedipe8862 4 года назад
@@StoryDrivenFilmmaking Thanks for the reply brother! Looking much better now that Im exposing correctly! New to cameras but as soon as i turned on my histogram i realised all my shots(inside at least) have been underexpose. Curious question Do you denoise your indoor shots at all? I found that changing my highlights curve creates a lot of noise
@Tobbeturboneger
@Tobbeturboneger 4 года назад
How would you say that the ghalex lut is when shooting in 8-bit compared to the 10-bit? My pc cant handle 10 bit at all.. Nice video man :)
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hey, thanks for checking out the vid. I think it works pretty well. When we are filming the Prep for a wedding my wife for the most part shoots all of her prep b-roll in 4k 60p 8bit. So if you want to take a lot our last two wedding films on the channel all the groom shots are in 4k 8bit.
@Tobbeturboneger
@Tobbeturboneger 4 года назад
@@StoryDrivenFilmmaking Thanks for replying , I will check it out and try testing out for myself soon :)
@TechmediaFilms
@TechmediaFilms 4 года назад
Very interesting. Would you advice color grading using da vinci with fcpx?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi, if your already using FCP X I think you should stick with it. Here is a great video from someone who grades in FCP X. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-rTseQ_ub0SI.html
@TechmediaFilms
@TechmediaFilms 4 года назад
@@StoryDrivenFilmmaking thank you. That guy is amazing. RU-vid has its hidden gems everywhere!
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
I think I found him like 3 weeks ago. He makes the type of videos that makes me want to stop making videos lol. But, seriously, I think that FCPX video really showed off how powerful its color grading can be. I just prefer Premiere and Davinci but any software will do the job.
@BiagioFerreriEventi
@BiagioFerreriEventi 4 года назад
Salve volevo sapere se é possibile utilizzare le lut di edius 9, grazie
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi sorry I have not used Eduis 9 yet.
@ReinhardBiller
@ReinhardBiller 4 года назад
Did you use a Tiffen Black Pro Mist Filter for the second shot, maybe 1/4?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Reinhard, If your talking about the shot of the pool. I was using an ND filter on my Sigma 16mm lens. I just got a Pro Mist filter about 2 weeks ago and haven't gotten a chance to use it yet.
@ReinhardBiller
@ReinhardBiller 4 года назад
@@StoryDrivenFilmmaking No, I'm talking about the reception shot. The ceiling lights at 6:46 looks like you used a Pro Mist filter.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Nope, I was just using the Sigma 16mm f1.4. But now that you mention this I am going to use my Pro Mist at my next wedding this weekend to see the difference it makes. Do you typically leave yours on al day? This will be my first time using one.
@ReinhardBiller
@ReinhardBiller 4 года назад
@@StoryDrivenFilmmaking Cool. Let us know the results. Which one do you have 1/8 or 1/4? I don't have any mist filters so far, but I'm thinking about getting one, they are quite expensive tho.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
I have the 1/4. My wife actually got it for me as a Christmas gift. Its still in the box :-(. I have a wedding this weekend so I'll use it then. I gotta do some more research on the best ways to use it.
@thatsreallyamoon
@thatsreallyamoon 3 года назад
Hmm good video but on the very first clip, I liked the original color grade a lot better haha. The red really makes it for me in that shot. I guess this is also a good time to remind everyone about color tastes; professional color may not be what you like after all, and you might just like "amateur" colors a lot better!
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 3 года назад
Hey Bhagwan, thank you for the comment. If you are referring to the image at 0:13. The original grade was just the V-log L straight out of the camera and then I graded it. But I do agree in a lot of cases color grading preferences differs from artist to artist. I actually really need to update this video as I have been using Version 4 of the Alex Lut and I feel I have really improved in my grading skills since this particular video. Thanks again!
@musa4060
@musa4060 4 года назад
Can we get the log footage to practice?
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi Musa, what particular shots did you want to play with?
@musa4060
@musa4060 4 года назад
ThomasVisionFilmsTV Thanks for the reply! Just any log shot will be highly appreciated 😊
@artnovikovdotru
@artnovikovdotru 4 года назад
I don't understand that comparison. You apply curve adjustments in GHAlex workflow, but not in the original workflow. That's the difference, not the LUT. Why does everyone compares non corrected standard panasonic LUT and Alex's without any corrections? Of course different LUTs will look different because they already incorporate some adjustments like curves, etc, but it doesn't mean they're better. I didn't see how you showed the actual color science of Alex's LUT being better. Only shadows/highlights. But it's a matter of curves play with any LUT.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi, you are actually correct. I have also learned a much better way to use the GHAlex workflow and it would have been nice if I would have put it up again the Panasonic color corrector. There has also been an update to the GHAlex kit. The great thing is I can make an update video in time.
@artnovikovdotru
@artnovikovdotru 4 года назад
@@StoryDrivenFilmmaking Yes please, because I just can't understand the meaning of Alex's LUT. Some proof that I can't achieve the same with Panasonic LUT + a few curve adjustments.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
I gotcha, the point really is to try to make the GH5 look similar to Arri Alexa footage. So a comparison between a GH5 and Arri would be the best test. By the way I love the Panasonic 709 lut for a lot of my shots.
@NicoManansala
@NicoManansala 4 года назад
I like your expression your smile it melts better than your tutorial..you should be a model instead
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
?
@lenufotografiaefilmagem7539
@lenufotografiaefilmagem7539 4 года назад
I can confirm that for GH5s the LUT makes the skin tones too magenta, it doesnt work.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Hi, what software are you using?
@lenufotografiaefilmagem7539
@lenufotografiaefilmagem7539 4 года назад
ThomasVisionFilmsTV Davinci Resolve. I have just spoken with Alex and he said that the LUT is not made for the GH5s but for the GH5, your video title is a misleading to some people, just letting you know.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
@@lenufotografiaefilmagem7539 Hello again, first, I appreciate your comment and I am sorry that you have had trouble with the conversion kit and your GH5S . Now, my title would only be misleading if I wasn't using the conversion kit with my GH5S. I have used the LUT for every GH5S wedding video I have done in the past six months and I feel they look great. Most of the shots in my wedding films and 90% of the shots in this video were all with the GH5S (All the shots in the intro montage are with the GH5S). So I definitely stand by my opinion that this conversion works great with the GH5S. and I do not have the Magenta issue as of yet.
@StoryDrivenFilmmaking
@StoryDrivenFilmmaking 4 года назад
Leno, A thought I just had. I will be making an updated video once version 4 of the conversion kit comes out. Would you mind giving me a little more info on your shooting methods so I can try to recreate the scene in my next video on the GHAlex? Camera (gh5s), lens your using, natural light or artificial light etc...Then if I can recreate your results I can also show people how to select a skin tone and correct (this is really easy to do in Davinci).
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