Arto Lindsay - Prize - 1999 (full album) 0:00 Ondina 4:01 The Prize 7:59 Pode Ficar 12:12 Prefeelings 17:05 Modos 21:22 Ex-Prequiça 25:59 Unsure 29:31 Resemblances 34:04 O Nome Dela 37:59 Tone 42:19 Interior Life 46:30 E Ai Esqueço
Arto Lindsay is unreal, a weird and fascinating mixture of brasilian and portuguese folk, chamber music and psychedelic rock. Would give a pound to understand all the lyrics.
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00:00 Ondina 04:01 The Prize 07:59 Pode Ficar 12:12 Prefeelings 17:05 Modos 21:22 Ex-Prequiça 25:59 Unsure 29:31 Resemblances 34:04 O Nome Dela 37:59 Tone 42:19 Interior Life 46:30 E Ai Esqueço
Muy bonito, exquisita textura musical, buen vehículo para escapar del silencio pero aún el silencio se mantiene en la obra de alguna forma inexplicable.
When Golden Palominos went country and Arto Lindsay went Brazilian, I thought we would never hear Arto's freakish spazz anymore. But this satisfied my sensors.
There is a bunch of musicians that are full Brazilian and freakish jazzy. Actually, I think that Brazilian extremely rich miscellaneous musicality is perfect for spazzy jazzy. Just listen to Airto Moreira, Flora Purim, Hermeto Pascoal, Bianca Gismonti, Lula Côrtes & Zé Ramalho - Paêbirú album, Metá Metá, and enjoy :)
@@gabrielarabeschini6708 Actually, you are extremely correct. Love me some Airto and Flora Purim! But I think I might have been thinking of Arto's added New York no-punk subway of rocknroll anger slashing through it all. I've never heard that amount of self-hating frustration and violence coming from Airto. The music you listed is wonderful, well-adjusted, amazing, and horribly beautiful.
I've just recently discovered Arto's music and this sounds like a very interesting phase to hear in a musician work. I hope I can dig more into his music.
@@gabrielarabeschini6708Arto and Airto!! 😅 Coincidentally listened to Hermeto Pascoal's first album for the first time yesterday, then found a CD of Arto's 'Prize' at a thrift store in rural Minnesota that afternoon.
