I always read the moment when the old king crumbles as being that he can finally rest now that a worthy warrior has come to take up his sword. His long vigil over, his spirit finally lets go.
Right before this: "It has been surmised that perhaps my lord had been like a cagd animal that had been kept too long. Perhaps, but whatever. Freedom, so long an unremembered dream...was his." LOVE how Akiro talked!
There are a lot of good shots in this movie as well. Some set pieces are a bit underwhelming by today's standards though. But it is a pretty movie with a great score. The bad acting and story are the weak parts. :/
This song captures the awe and amazement on the actor s face as he lifted that great sword and struck off his chains...the centuries of calcification flew away from the blade with a single mighty blow and the old king crumbled to dust.. Conan said CROM in awe... If anybody was ever born to play a role it was Arnold Schwarzenegger to personify Conan the barbarian....
I have heard many, many soundtracks so far.. but few, very few are so eerie, so mysterious, so emotional like this piece. I am always fascinated of how it starts..
I remember when I first watched this film as a kid I thought it was a total B-Movie misfire. Now, I view it as an absolute classic, combining story, music and cast in an unforgettable manner.
When I first watched this movie as a teen I made the same assumption. I was so wrong. This movie is so deep and rich of deep meaning and philosophy. Its a movie about what it means to be a man and how to become a ubermensch!
This is the only soundtrack that wowed me enough to buy it, I mean I have other soundtracks now, but this is the only one I ever sought out and bought. An absolute masterpiece.
@@maggs131 last of the mohicans is nice but nowhere near in the same league as Conan. I'd say Flesh+Blood also by Poledouris is closest mainly because director Paul Verhoeven heard the Conan score and told Poledouris to give him something like that. It also helps that the Flesh+Blood score is of the same era (early 1980s) and it's also set in an adventure setting. Outside of Poledouris work you'd probably be looking at work of Miklos Rozsa's El Cid score example: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-X5ARvP8IuV8.html .
HEAR US O' CROM! The Tale of your mightiest champion hath been defiled! Sing in us Great Crom and teach how we may deliver a tale of Conan, who forged a kingdom by his own hand and shook the pillars of the very Earth! Sing in us Great Crom so that we may tell the tale of Conan the Barbarian in such a way that doth not defile his mighty image!
MrBastilleDay- lol, I heard that line in the movie. It's when Conan was sitting on the table, a messager drop off a scroll to some general n he reads it. Then he says " Ha!!! We won again " he looks around n says " what is the best in life? "
This is the only original version from thé movie ... by Crom ! From 1982 this movie and his soundtrack changed my Life for Ever... i was 7 years old ... many years after i used to remix it into massive drum and bass party ! ... Warrior style for the dansefloor !👁🙏🏽💪🏽
This is one of the 3 tracks that made the movie for me. Riders of Doom, Atlantean sword and Battle of the mounds. They capture the spirit of R.E. Howard's tales to perfection.
I love the metaphor here: uncovering strength that lies hidden in the past but whose effects reach the present. The film's sense of history really gives it an impact seldom felt in other such fantasy films. It really highlights history's continuity and thus the film's kinship with modern times in a grounding way.
This segment underlines the echoes of a once mighty and proud civilisation, now lost forever, the King and his (knights?) the only survivors of "the ocean that drank Atlantis". Steel was already considered more precious than gold and jewells to the Cimmerians, and Conan desperately needed to arm himself which is why he reverently took the Ancient sword from the Atlantean King's skeletal hand. Maybe, in the Hyborean Age, Atlantean steel was highly sought after? The cave is so eerie, with the howls and wails of the wolves outside accentuating the melancholy and the sadness of the Tomb, but what elevates this to the next level, is the score by the late Basil Poledouris. It captures the "feel" and the essence of what I just described, Atlantis gone from the World, lost in antiquity. I agree that the immense, skeletal figure was probably Kull, and that his eternal vigil for a worthy successor to wield his unique sword had finally come to and end, and his spirit could join Crom in the Halls of Valhalla... I think Conan recognised just who was seated on that throne, at the same instant that the skull "bowed" and its crown toppled to the ground. He exclaimed aloud to his God by saying his name, Crom, in the same way we might have said, "Christ!", as an expletive? I love this whole scene, because it makes clear that Conan has honour, in the way that he bows in return, paying homage to the King that was, for passing unto him a great Gift, the strongest and keenest blade ever made.
What happened to us as a species? Why nobody can produce incredible music like this in 2022 ? Music from 40 years ago is so advanced and beautiful and nowadays music is crap?
I never saw the remake and I never will. I made that mistake when I saw Indiana Jones Crystal skull and the new star wars movies. I'm tired of seeing my childhood cheapened in these shitty sequels and remakes.
This kinda remind me of Indiana Jones meeting the last crusader scene.John Williams made a similar soundtrack for that scene.Wow.Great music.!Polydouris,a greek american,was one of the classic ones back 35-40 years ago.
It's my headcannon that the king in the tomb is Kull the Conqueror, whom Robert E. Howard had devised Conan's character from. Kull is an Atlantean king who discovered the Set priest's plot to subjugate kings and men with their mind control and shape shifting powers. Conan uses Kull's sword on his quest to kill Thulsa Doom who has all the same characteristics of a priest of Set in the first Kull adventure, The Shadow Kingdom.
Returning back to these classic films and seeing how the story, acting and music all came together, I seem to think that Hollywood has really lost it's way. Or perhaps we have just developed a different taste. Such is life. We all age and long for the past.
Does anyone know what happened to Subotai? I strike the question because in the "Destroyer" Conan's new partner mentions the camel, but he never witnesses the drunken camel punch. It was Subotai who was there, not the terrible new companion they put in for the sequel.
Only a man will understand the scene with the Dead King. And only a man who will see another one tear up, will nod his head in agreement and silent understanding. It's no coincidence that not a single word is spoken in the tomb, apart from the proper one: CROM, letting silence and music do the work. Manliness at its finest.
great music reading alot of the comments about the new movie..I think it's important to point out the Conan movie is NOT a remake. It's a totally diffrent story, along with a totally diffrent take on the charcter. It's in many ways it's own thing.
