Augmented Chords MADNESS: What You Can Do With Augmented Chords

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Warning: this is not really a video for beginners.
I am of course explaining everything in the easiest possible way... but in this case the subject matter is a bit more complex than usual.
In this video we go beyond 'standard' music theory (assuming that there is such a thing) and we see a few crazy things that we can do with augmented chords.
Let me lay down all the cards here: some of you are going to love the sounds we see in this video.
And some of you are going to hate them.
And that's ok!
Music theory is also made to discover exciting new sounds - even when you then discover that some of these sounds we are using today were used by Liszt ;-)
So if you are ready for some augmented chord madness... watch the video.
If you like this video, share, like, comment & don't forget to subscribe for more content!
Need help with music theory for guitar? Check out these FREE resources: www.musictheoryforguitar.com/...
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30 авг 2020

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Комментарии : 183

@What-the-meow-meow 3 года назад

Also for anyone wanting more cool info. If you flatten any one note in a diminished chord (diminished 7th chords sound better) it will turn into a type of 7 chord, with the root of the chord being the note you flattened :3

@Bronco541 3 года назад

Augmented chords are like the magic portal at the center of the circle of fitfhs

@kanvolu 3 года назад

I loved two things in this video: 1) How you didn't care about Enharmonics. 2) THE AUGMENTED MADNESS

@EclecticEssentric 3 года назад

Often, the obvious is only obvious once it has been explained just how obvious it is. Thank you for making me realize more of the obvious. I really appreciate it.

@binface9 3 года назад

Thank you Timmy for putting this more eloquently than I could

@xblinketx 3 года назад

Mindblowing. This is one of these videos I need to watch a few times, take some notes, grab an instrument and play around with this concept.

@chiju 3 года назад

Another Monday, another mind-blowing music lesson.

@melvis-channel 3 года назад

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fmbV_aWLwlQ.html

@lighterwaves5659 Год назад

the info on this channel is ridiculous 🙌🏾🙌🏾🙌🏾🙌🏾

@ricardoparra888 3 года назад

Most channels teach the same techniques and resources, but man, you take it to another dimension, I always loved the sound of Aug chords, but until now I didn't have a good idea of how to use them besides cliches. THANK YOU!!!!

@ashamael 3 года назад

I've always been intrigued by augmented chords but never really worked at understanding how to use them. This video just made it *click* for me!!! Top notch material as usual, man!!

@gerardocorrea9559 3 года назад

This video is mind blowing. Lots and lots of musical ideas just come to my mind. Another sleepless night full of experiments with aug chords. Thanks for your valuable videos.

@tommytam100 3 года назад

This is so powerful, yet so simple to understand. Thanks to your great explanation.

@ArtinSinger 3 года назад

Although when it’s late in the night and I am very tired, it’s physically impossible to miss your lessons, because they are so good that it’s a must to watch 😇 Thanks again so much 🙏

@joex9865 Год назад

My harmony knowledge just took some giant steps

@sholland42 Год назад

I love dissonance, the more the better, as long as it eventually resolves. Thanks Tomasso, your content is as good as it gets.

@scottmckenna9164 2 года назад

This man knows his music theory

@ulfsvensson9710 3 года назад

Love your conclution, what´s the meaning of knowing theory if not to use it!!

@AlDunbar 3 года назад

... or sometimes abuse it...

@kevinmedvedocky165 3 года назад

This is a good and extensive lesson on augmented chords.

@edwardv4546 3 года назад

Whoa. Had no clue these were just as interesting as diminished chords. Thank you!

@michaeleaster1815 3 года назад

I appreciate the continuity between this video and the first one! Thanks for the great lessons

@enterrupt 3 года назад

Another beautiful demonstration of the power of symmetry. This was a video the world needed!

@saptaksoctave8068 3 года назад

Wowwwww.... You are such a genius! You won't believe me, but I was thinking about u today... And thinking when u are going to upload a new video! And here u are!

@mykhelderian 3 года назад

Wow. What a powerful piece of theory!! Not fully digestible in one sitting. with so much to feed on. Excellent presentation. Such a rich piece of music used in your opening example. Would have liked to have heard more. Thanks for this gem.

@andrewrwhitfield 3 года назад

You have a real talent for explaining clearly and concisely. Thank you for sharing this with us along with such a wealth of knowledge on music theory.

@binface9 3 года назад

8:31 what stood out for me here is that it could be taken as an interesting take on the 1-4-5 progression (or 5-1-4) in F major

@philipkarovski281 3 года назад

Thank you so much for these lessons! You make these hard musical ideas very easy to understand and even better you show us how they are aplicable in real musical situations. Can't wait to try this

@playguitar2476 3 года назад

This was awesome! I got so inspired watching this, thank you! I need to take your course it would really help me.

@qf6894 3 года назад

Lovely familiar 'classic sounding' progressions. Would be great to take this for a walk down bebop road for some funky advanced jazz augmentations.

@dennisferrell3662 3 года назад

Wow, what an ear-opener for an old folkie! Thank you.

@jeanlucchapelon 3 года назад

Very good! Clear ;full of possibilities ! Thanks

@MrPedroCarneiro 3 года назад

Really and really and really thank you. I will take weeks or months to absorb that ... thanks for the explanation and for the passion of telling this important theory. See you in the next video. Really thanks for this one. 👍

@jeremiahlyleseditor437 3 года назад

Great Technique Tommaso Another great video

@aidanoconnor4881 Год назад

Genius. Thanks for all the time you put into these videos :)

@VinnyODowd 2 года назад

Fantastic! The spiderweb diagram really made it crystal clear! Thank you!

@jcgofredo2239 3 года назад

This cleared up months of my confusion about Augmented chord theory. Thank you.

@michealrotimi7921 2 года назад

Beautiful tutorial!

@putusude6736 3 года назад

Thanks a lot for your generous sharing the knowledge.🙏

@srdjanbabic8561 3 года назад

I LOVE THIS VIDEO. Thank you for this.

@abrahamjohnson2018 2 года назад

wow! now i understand the concepts

@andreimansan 3 года назад

Very nice! I really liked the chord progressions.

@dkelley9661 3 года назад

Beautiful. Not too dissonant indeed. Thanks for the great teaching

@popatyourecords 3 года назад

Good stuff my friend

@wulfenii64 3 года назад

This was very enlightening. That you very much.

@freeman5885 3 года назад

Very cool composition!

@jcavazos8 3 года назад

I have been playing guitar for quite a few years by ear, and decided to try the piano. I was looking for an understanding of chords as I had never bothered to learn theory. Your videos have been very helpful as I have learned the theory and has helped improve my guitar playing and have transferred it to the piano as well. Thanks

@waynewhite6930 3 года назад

This is beautiful stuff!

@christophervolas7523 3 года назад

really dig your theory explanations really break it down to simple

@luism.rivera3464 3 года назад

Loved your video. Though, you missed Bb+ after F+ to create total madness! Guess it didn't fit in the screen... . Outstanding job!

@5966ramesh 2 года назад

Amazing video. Amazing teacher. Beautifully explained. Thank you brother.

@pieza43 3 года назад

Increíble video maestro!

@WillzUQ 3 года назад

Beautiful music!!! Beautiful video!!! Gorgeous Options!!!

@EarleMonroe 3 года назад

This was great, especially for me to learn that any of the notes just one half step away makes a new major or minor chord. I accidentally put an augmented chord on a track when I was moving the midi notes and made the 5th sharp. I liked the sound of it, but then again I like a lot of things that other people find dissonant.

@mikitomita8524 2 года назад

Amazing!

@vili8025 3 года назад

Very good teaching!

@OzzieWozzieOriginal 3 года назад

next song i gonna compose, gonna insert a few augmented

@Chai_K Год назад

Thank you very much! 😊🙏

@AMB666 3 года назад

What about you teach us some of your awesome orchestration?! Great job man! Really loved it.

@farfetchedtangmo7474 3 года назад

Regardless of their musical utility, I like them mostly for their emotional content. Brilliant video on the former, and I believe once players/composers get that sound in the soul, they'll find other uses. Sometimes an augmented chord can just stand there nakedly augmenting.

@666cordyceps666 3 года назад

AWESOME!

@resb1714 3 года назад

Absolutely fabulous lesson ... also mind altering as well! Thank you for this 😎🙏!!!

@resb1714 3 года назад

... or mind augmenting 🤣🤘!!!

@MusicTheoryForGuitar 3 года назад

HAHAH :)

@intrinsic524 3 года назад

thank you for chord video i need this guiar theory

@FlashyLight 3 года назад

Awesome video

@monsieurmitosis 3 года назад

This lesson really “augmented” my musical knowledge

@waiteck05 3 года назад

Grazie mille mi stai aiutando tantissimo a capirci qualcosa della musica anche se sono solo all'inizio. Su il pollicione 👍

@matthewhennessey5967 3 года назад

Our uke player wrote a song with 2 Aug chords in a song (just cause he thought they sounded good....They sounded great). This is pretty applicable (as a bass player). Thank you!

@pjaunez 3 года назад

Bravo!

@digikaininja5 2 года назад

Let me see if you really read our comments and I say this with respect. I enjoy your way of explaining in your distinguished accent. Kindly do 2 videos. Both Meshuggah type tonalities using diminished and augmented scale. Don't worry about 6/7/8 down tuned guitars or the gear, I just want to know if we have a dissonant scale such as the above, how do we make a chord progression into motif - verse 1 - pre chorus -1 -chorus 1-verse 2- chorus 2- verse 3-chorus 3 - chorus 4 or just verse-chorus also will do. Thanx in advance.

@future62 3 года назад

I was going to say this would have been so much better with the "bridge" note between each chord for voice leading, but that sounds like a good homework assignment..... great vid as always, what a time to learn music theory.

@cds572 3 года назад

Thank you.

@TheBaconWizard 3 года назад

Nice, thank you :)

@stan_likes_single_coils 3 года назад

Mind - - > blown! 😁

@musicskillzbymarkvartok 3 года назад

Tomasso! This is incredible! All my respect to you for making these lessons for the public! Grazie mille! Question though: how would this whole method change with coming in with 4 voicings such as Cmaj7, Dm7, Em7 etc...

@MusicTheoryForGuitar 3 года назад

Thanks! It would not change much, you can always add a 7 or a maj7 to the augmented chords (or double the root), then it's just the standard voice leading between 7th chords.

@matydavus1078 3 года назад

You are right

@achangberiame 3 года назад

Very nice corporation in thank you very much sir teaching

@jw6588 3 месяца назад

Give me an augmented chord, straight no chaser baby

@joelstephenson8017 3 года назад

Magical

@drunkass77 3 года назад

This is awesome. The one thing I'm not quite getting is the C+ to Db chord. I need to figure that part out

@MusicTheoryForGuitar 3 года назад

C+ = Ab+ and Ab is the V to Db.

@drunkass77 3 года назад

@@MusicTheoryForGuitar thanks for responding, i looked up the augmented modulation video you linked with this video and it explained it well. This is a really great lesson. I've been trying to improve my use of augmented chords and these videos have been very helpful👍

@Hoyawolfgang 3 года назад

Thank you for the wonderful brain aching work out and for opening up the realm of possibility for the augmented chord- bravo for your work! Question... is your use of double and single ended arrows deliberate? Put another way, do the single ended arrows mean the chords would only move in one direction? Hope this makes sense 🙂

@gordonwolf9336 3 года назад

I love the piece at the beginning. Do you have the whole work available?

@armandogiordano1226 3 года назад

Love your channel, deep and simple teaching at the same time, I' m checking it all out. The piece at the beginning was marvellous, what sound library did you use for it? Also what notation program? Thank you in advance and greetings from Italy.

@MusicTheoryForGuitar 3 года назад

Thank you! The software is Staffpad, the samples are Berlin Orchestra.

@oldrockhopper3652 3 года назад

So C+, E+ and G#+ are all inversions of each other since they are symmetrical. This would then mean there are only four distinct augmented chords if you ignore all the inversions: C+, C#+, D+ and D#+. Great video showing how useful they are to modulate keys or just create some cool chord progressions.

@MusicTheoryForGuitar 3 года назад

Yup, there are only 4 of them.

@AlDunbar 3 года назад

@@MusicTheoryForGuitar and, similarly, only three different diminished chords, assuming its seventh is always included.

@gwalla 3 года назад

He doesn't show it in the video but if you add in the fourth augmented triad the whole chain forms a loop.

@ShaharHarshuv 3 года назад

10:12 - Just curious, am I the only one who watches this channel a lot but isn't a guitar player? I feel like 90% of the videos are applicable to any musician.

@MusicTheoryForGuitar 3 года назад

You are most definitely not the only one ;-)

@carbonmonoxide5052 3 года назад

This is basically a description Neo-Remanian theory based on augmented chords (check it out if you’re unfamiliar). Really cool stuff, love your composition at the beginning!

@TedBoyRomarino 3 года назад

Is this se same line of thinking of Pat Martino? I heard something about him starting his harmonic reasonings from the augmented triad

@DaveBessell 3 года назад

In some ways the Tonnetz is easier to understand and has more possibilities than the way this is presented here. Still a cool video though.

@gwalla 3 года назад

He's pretty much describing the Cube Dance diagram (though he doesn't complete the loop with the fourth augmented triad)

@TedBoyRomarino 3 года назад

The idea of flattening one note and getting a major chord reminded me of diminished tetrad, which leads you to 4 different dominant chords flattening one note... This property of augmented chords is new to me, and I'll try to make some experiments here... Cheers, Tommaso... Great explanation, as always

@TedBoyRomarino 3 года назад

I thought diminished chords were gates to other dimensions... Today I discovered another gate with this wonderful lesson

@AlDunbar 3 года назад

... or sharpening one note to get a minir sixth!

@kylethreeshots2571 3 года назад

@@AlDunbar Like this aeo maj7 = Harmonic min dor maj7 = melodic min phry maj7 = Harmonic min b2 ( lyd #6 = the N6 chord derive ) Mix maj7 = Ionian Loc Maj7 = Harmonic min b2, b5 Loc b4 = vii of Melodic min phy b4 = III of Harmonic MAJOR aeo b4 = shiet I just made up dor b4 = more stuff I made created. in a nutshell....the b4 is enharmonic to Maj3.. anything with b6 ( 1, b4, b6 = augmented intervals) The MAGIC is altering a min chord to an augmented chord. it's not hard...phygian dominant can also be made augmented These are just modes from the other scale... Im simply going to raise the b7 into a maj7 aeo b2 aeo #4 aeo b5......dor b2.....dor #4...dor b5 Aeo....................................dor Harmonic min Melodic min Harmonic min b2 melodic min b2 Harmonic min b5 melodic min b5 Harmonic min #4 melodic min #4 Harmonic min b2, b5 melodic min b2 , b5 Just SHIFTING ONE NOTE

@kylethreeshots2571 3 года назад

@@AlDunbar it helps if you know some theory or apply some of the lessons from this channel example the N6 chord after the MAJOR's tonic From C Major..it's the Db...chord Ive personally also use it after the relative min ( Bb chord) And after the Dominant ( Ab chord) the three modes i use as a GUIDE are In a nutshell...you can make WHATEVER is celver chord.lol Lyd #6 Harmonic min b2 lyd #5, #6 melodic min b2 lyd #2, #6 double harmonic min but lets just keep it simple from C MAJOR in D min chord The N6 chord.... Db/C#..aug it could be C# loc b4 or C# loc b4 bb7 to D Harmonic/melo or C# phy b4 to A Harmonic MAJOR or C# phy dom to F# Harmonic min but Im going to do this...becuase Im in C MAJOR/A min C Maj C# aug F# min B min E7 into A min C Maj F min Ab maj G7 into C MAJOR Bb maj7 F Maj G aug F # min G# min C# min D7 E7 A min You can play N6 after ANY major or min chord. such as after the F# min ( dorian to C#min/E MaJOR. I simply play it again after C# as D7 E7 into A min... I could had easily play the D as D augment to B min then E7 into A min

@Yupppi Год назад

Great point about rhythm and context. Every time a theory youtuber shows a chord that's not very basic or a bit more interesting progression, I think to myself "wow that's very, very ugly, who would ever want to use that". Then they show multiple examples of very well known and beautiful songs where those are used. If you do augmentation for the fifth in minor chord, does it just become a 6 chord and sound beautiful if you do it for example on i chord?

@fretnesbutke3233 2 года назад

What..no Debussy?! Seriously, there's scads of examples of augmented/whole tone passages in the music of the French Impressionist composer par excellence,Claude Debussy. I confess to being a fanatic,but he was a rare gem. I encourage young maestros-to-be to give a good,attentive listen to the following list. Try finding the scores and try reading along,too. Public and especially college libraries may have them. - Nocturnes for Orchestra - Images for Pianoforte - Prelude For the Afternoon of a Faun - La Mer ..and many others..

@be7th 3 года назад

12 Minor Chords. 12 Major Chords. 4 augmented chords. By choosing to only go *Diatonic+n*(Augmented+Diatonic)* where the augmented has to contain 2 notes of the previous chords (leaving only one choice per chord), We have *2*11^n* chord progressions possible. OoO

@michaelcraig9449 3 года назад

Hey is it possible you could show this stuff on guitar, that way we can learn how to apply and play all this stuff a lot better.Thanks. .

@quinnrehkemper1213 3 года назад

My brain rn, my god man😂

@Strravigor 3 года назад

You forget to say that C + = E+ = G#+ that s why you can resolve on all those chords

@Gogogamer123 3 года назад

More Madness!

@bigtimebugarpicker 9 месяцев назад

when you went from C to C+ to Dflat to G, wasn't that the same as a tritone sub on the V7 chord with the Dflat? and it works for the same reason.

@stonethemason12 3 года назад

Just here to learn about a chord i thought sounded cool.

@JakeSpeed1000 3 года назад

Very interesting but it got over my head towards the end.

@muchnoeizdelie4694 3 года назад

👌✨

@kristiankumpumaki8701 3 года назад

What notation software are you using? Great video!

@MusicTheoryForGuitar 3 года назад

It's called StaffPad. Thanks!

@jobent3436 3 года назад

moving a note half step into endlessly chord progressions

@ergraham Год назад

C - C+ - Ab - Fm - C could be treated as negative harmony, correct? The negative equivalent of I - I+ - iii - V (I - +I - bVI - iv)

@MusicTheoryForGuitar Год назад

Yes

@anirudhsilai5790 3 года назад

You can also resolve a 7 b5 chord to an augmented chord, a double tritone substitution

@MusicTheoryForGuitar 3 года назад

Interesting. Can you make me an example?

@anirudhsilai5790 3 года назад

@@MusicTheoryForGuitar For instance, F#7b5 could resolve to G+. The F# and C resolve to G and B while the A# and E resolve to B and D# as though you're in B major. It works because the 7 b5 chord has 2 pairs of tritones. After that the G+ could resolve to something like E or Em.

@MusicTheoryForGuitar 3 года назад

Cool. I like it. Thanks!

@onethousandtwonortheast8848 3 года назад

Which of your courses has a focus on voice leading for jazz tunes? Want to learn the guitar while focusing on smooth voice leading so I can know all the cool Changes for jazz stuff. From there I can adopt that knowledge to anything I play. Thanks. I’m looking forward to learning from your course.

@MusicTheoryForGuitar 3 года назад

The course you want is Complete Chord Mastery. www.musictheoryforguitar.com/chords-and-harmony-guitar-lessons.html Please direct all course questions to tommaso@musictheoryforguitar.com

@onethousandtwonortheast8848 3 года назад

@@MusicTheoryForGuitar thanks very much. I’m a professional pianist and I want to learn the guitar. I’m hoping this is the beat way to do so. My guitar technique is good. I’ve spent a year developing it. Now I’m ready for learning the guitar fretboard etc.

@paolovolante 3 года назад

This is a GREAT video! Thanks... I would LOVE an extension of it taking into account 4 voices chords (7th). It seems to me that this works only for triads. Is there a way to extend it to 4 notes chords?

@MusicTheoryForGuitar 3 года назад

It can be extended. You use the same voice leading tricks that are used to lead triads and tetrads (4-notes chords) into each other.

@AlDunbar 3 года назад

@@MusicTheoryForGuitar of course the top note is then an octave of the root. Also a bit awkward to play on strings D, G, B, and E.

@gwalla 3 года назад

Taking sevenths into account gets tricky. It's not too hard to connect seventh chords to each other but things get weird when you want to connect sevenths and triads. I have seen one attempt at mapping out the connections by using triads with doublings (so there are always four notes in a chord). The resulting map (the "extended 4-cube trio") is a lot less elegant though, it's sort of a spiderweb thing with some distorted mesh in the middle that kind of reminds me of the final boss from Star Fox.