Oh, also - when doing this (because most guitar tracks are double-tracked), make sure you choose either the left or right guitar track, mono it and THEN proceed with the tone matching algorithm for a MUCH more accurate match. You're welcome. :)
Great tutorial. I've had an Axe FX II XL for 10 years but I've only used it about 10 times to date. Your video encouraged me to try this tutorial. Thank you
My fucking Man!!! I just brought the axe, for years I have never been able to get good tone due to the right equipment. I saved up for over 6 months to purchase it. just did everything you showed me & for the first time my playing matched my favourite band Tool. Thank you so much for the video & god bless the Axe
@@TheChristianRiv ANd it works..just created the sawtooth synths for Marmalade and S&M (Rhianna)....played a synth block along with the isolated main synth voice...pressed MATCH...undid bypass and almost peed my pants...lol...and I'm using a II ML XL....
wow, that was amazing. I've been doing something like this for a few years now, albeit manually, by taking a frequency spectrum analysis of a guitar tone, which gave me a printout of the levels of each frequency present, then I'd - slowly - try to dial in something similar... it takes awhile, but it works. This is SOOO much cooler! hahaha
Impressive. Very impressive! To the naysayers that ding the Fractal, it also may come down to every player sounding different than the guitar player on tape. No two guitar players will sound exactly the same and thus you can micro-analyze the difference and blame it on the equipment. You get 10 different esperienced musicians to blind test and you'll get an overwhelming positive consensus. The guitar player emulating the riff is awesome and the tone match is awesome. Thumbs up and rock on!
If it wasn't for you guys posting your input I would be lost From a 30 year guitar player from me to you Thank you .. This is a great device and when I first turned it on I was expecting a miracle of my rhythm sounds and lead tones and it was a shock that panic set in thinking this was a hopeless task. I closed it up...regrouped and realized that I would have to tweet a preset to make it my own. So far reading taking it slow and tweaking its all coming together. Thank guys oh one thing as I am going to post videos it would help a person that likes a sound but want to know how you did it instead of playing it for 2minutes instead of showing you advanced skill in making the patch... We all know you will be a master soloist but a tutorial is a tutorial not a 2 minutes watch me play overall you guys are great and once again thank you for taking your time to show the world the ins and outs
I absolutely agree...it does somewhat reduce the importance of the long process of dialing in a tone. That being said, the telephone also reduced the important of writing letters to people about everything going on in your life. That's just kinda the nature of technological innovation.
Hey. Thanks for the great tutorials you've been doing. Really helpful on getting my hands and mind around my awesome Axe Fx II. With the MFC-101 foot massager, my Mesa Boogie, GT-10, and Boss pedals are looking pretty lonely and neglected. Like having many wives. Life is good.
Search for the video Peaches in Regalia on the Axe-Fx II. The guy plays through probably thirty patch switches live during the song. No gaps or clicks or anything in effects because of spillover. There's a very, very small gap in the amp sound if it's a different amp model, like with all other midi switchers.
From my understanding the TMA block IS the cab block. I would think its like loading a custom IR like you can do with the regular Axe FX. I wonder if you can save the TMA as a custom IR that someone could load up in the AFX standard/ultra?
i just did that tone match, im blown away. i fear that people with mixing skills will be unused soon haha let`s see..... thanks for the tutorial, was really helpful!
that was like the coolest thing i've ever seen. i appreciate you explaining it succinctly. i'll be getting my axe II this week and I already feel I can use the feature based on this video. would it have mattered if you left the delay on while you were doing the tone matching "local"?
I actually did this demo without knowing that I needed to switch from LR SUM to either L or R on the reference tone. Therefore, there is phase cancellation that changes the tone. The default in later firmware is to select L so that there is no phase cancellation.
Austin Scott i don’t know how but I messed around with my spider iv settings and got basically an EXACT match to the intro to One. Had been trying to nail that tone for years and one day I just fucked around a bit more and did it. Don’t really have the money to buy a system like this unfortunately
To make precise copies of tones you like. Not something I'll you for my own recordings and live playing, but excellent for cover bands and for getting exact tones for SoloAWeek episodes.
Great video, I'm totally new to messing with the tone matching. I can't figure out to how to work reaper. Any way you can post a video on how to isolate tracks or how to do the tone matching with out isolated tracks?
So is it up to you to dial in the effects like delay, chorus, reverb ect? Or if you have those effect blocks in the chain will the fractal throw them in as well? I've been having alot of fun with this, there's alot of isolated tracks on youtube, and if you know a spot in the song where it's guitar only, that's what you want to try grabbing.
Thanx for bringing that video to my attention. Even though he certainly does switch around alot, the playing only occassionally continues through preset switches. But, in those cases, the Axe FX does seem rather fast; even taking into accound that spillover (and background music) may patch things up a bit. (still, a dedicated example with bone-dry axe-fx only, would be appreciated).
Cool guy. Thank you! I'm getting my Axe FX II this week! Can't wait to hit the learning curve running. Anybody know where I can get the MFC 101 labels somewhere in the US? Thanks!
Thanks for doing this vid,its an immense help.Would it be possible for you to do a tutorial on mimic or amp matching using a sine sweep? Many ppl believe that's a much more accurate way to tone match an amp.
Hey dude, sorry I don't know your name :( but I was in awe watching this video. I knew the axefx2 had a tone matching feature but I had no clue how to get it to work. This video definitely shed some light in that regard. however I've a question; if I were to tone match from a song (with drums, bass, guitars and vocals etc etc) how would this affect the impulse? Do you recommend doing this?
so basically this tone matching is an impulse modeller module..it'd be awesome if you can export the actual wav impulse this way everyone can use the tone matched cab lol
So do you actually have to play THE riff or can you just noodle? In other words for the captured tone to be matched to your playing do you have to play the exact riff that was originally played into the tone match block or can you just play anything and still get that result?
Thanks for all the effort, still very helpful although the interface has changed slightly in 4 years :) I just tried to first capture the sound of my old Marshall, then i tried to tone match it. After finding a suitable amp model in the axe-fx and tweaking for a while, the result is quite satisfying compared to the captured tone. But the captured tone itself is not as good as what I really hear thru my marshall... So I'd better work more on mic'ing it in the first place... Thanks Again!
Just a little FYI. Majority of all petrucci's solos are done on a mark iic+ in the studio. Might get a little closer if you use the c+ sim. I know he uses the iv live so its probably minor.
First off, awsome playing & Tutorial video.. ;- ) Do you know if this is something Fractal Audio Systems had been planning to do at a later date when the FX II was released to the public or is it a response to the The Kemper Profiling Amplifier..99 % of the time Companies are never keen on giving the consumer something for free ..The Kemper has a sound match capture & it kind of seems like Kemper forced Fractal's hand on giving this out..Thanks
these things might very well replace actual amplifiers in the future. Not only because of their versatility and tone, but the simplicity of setting them up live (through PA). Gotta invest in one haha.
No. The tone matched replaced the cab because it is an EQ that simulates the sound of the cab and the EQ sound of the amplifier. You could hear what the amp sounded like alone.
Kemper didn't force anything. Fractal users requested this, so they implemented it. It is MUCH more powerful than Kemper's technology since the tone match is paired with hyper-accurate pre and power amp modeling. That means you can actually change the tone accurately once you capture it, unlike the Kemper which gives you a snapshot that you can't change without compromising the tone.
I know that the AxFx ll is a superior product to the kemper hands down, so it wasn't meant to be an under handed question or a slight to fractal .You seem to have a lot of knowledge about the product & the company is why i asked..I know that it is hard to detect tone through text ( Kemper didn't force anything. ) I complimented your playing skills & thought the videos step by step guide is the best on youtube along with asking a question,with no intention to offend .Thank you for the information
This is just one feature dude. Personally, I'm not all about "ripping from my heroes," but for SoloAWeek, where I offer free lessons to people who want them, it is about copying the tones as closely as possible. And a lot of people consider playing covers and sounding as close as possible to the original the most fun thing about guitar. To each his own. And you don't need a real amp to "find your own vibe." I use the Axe-Fx for my original stuff. It is definitely my own vibe.
I make my living now doing covers in casinos...they pay real money, as in you can make a living....unlike bars...downside..THEY pay the big money THEY call the tune..literally. POP and TOP 40 or no gigs...so, I do have to cover numerous different genres and guitar sounds as well as, I play the majority of the lead synth parts as well. The other thing required for doing casinos...tracks..they want what you hear on the radio and they will never bring you back if it isn't....
This is a great technological innovation, but I feel sad for tone-heads. It's fun spending hours on end tweaking your amp, pedals and speakers and to then be able to play it out and get complimented on it. Some of my favourite bands use this unit and it does amazing things, but I don't think I'll ever be able to swap my tubes, speakers and pedals for it, personally.
