Free sheet music in the public domain: imslp.simssa.ca/files/imglnks... My Patreon: / paulbarton for those that like to support online creators from as little as 1$ a month
@OfficialBIG_CHEWSE_VRAll good chief, having the mental capacity to watch just 19 minutes of Tarkovsky's work is a decent achievement already and I'm saying this as a fan of his😂
@@laurarhymer9533 Don't take all the hard work, and thousands of hours of practicing that Paul has done, and make it like something "God" gave him. It's disrespectful towards Paul, imo.
@@swety2962 yes - whose nature (if you believe in this possibility, which e.g. Spinoza makes seem really almost indeed 'natural'!) it is - so (indeed inescapably, according to that logic) perhaps 'He' didn't strictly CHOOSE to do anything at all - to play out all the possibilities of everything through eternity; we are just lucky to have coincided, roughly..., with JSB, whose music is in the estimation of those competent to judge, the very nearest imaginable to what 'God' would play for us. Well...
Thank you so much! It's really a pleasure to hear this marvellous piece and simultaneously be granted the chance to see both score and perfect fingering!
So beautiful to hear you playing Bach, which I really love. You bring so much softness in his music. I never bevor heard him played in such a gentle way and I really hope to hear more Bach played by you. Thank you for sharing and greetings from Germany.
Beautiful performance, thanks. I am obsessed by this chorale (both the original organ version and Busoni's piano version). It's way above my current ability, but I will get there one day. Seeing the score and the hands on the keyboard together is very very helpful. Thanks!
me too, I'm obsessed with this choral! I prepared a long playlist with all the versions I could find here on YT, not excluded those for strings, for choir or for saxophones :)
Thanks again, Paul, you always seem to have a video of the most beautiful pieces I'm looking to learn. On this occasion, I wonder if transposing it would work well on the piano. It has such subtle, but increasingly dark, harmonies, which don't seem to ring as I imagine they would on certain stops of the organ, or as they do on guitar. BTW, the link is broken to the imslp.
At 2:50 - 2:51 (right hand, second bar) the second E should be flat, but you played E natural like the first one. Apart this, thank you very much for this wonderful rendition, it's very helpful to watch :)
Good Evening , Paul Barton 🎶 Thank you so very much for sharing this beautiful music with everyone ! Have a great weekend , May God Sorround you with his grace and peace , Take care ! ✝️ 11/6/2020 ✝️
Thanks so much. If you love piano music and feel you need to play it, you absolutely can. When you are passionate about music you can learn any instrument that will enable you to play it.
@@TheRedstonedeluxe yes, that is actually what I am saying. I know there are different opinion's on tempo and how to interpret these pieces, when the are rewritten for piano. But most of details and expressions in the piece should be kept. I remember many years ago when I played through this piece, I choose to play it in a faster tempo to suit the modern piano. It's not the, one or the other tempo choice thing, but he clearly makes a big tempo change at 1.29. There are also parts where the score writes "zehr weich"/very soft, where he flickers his hand making the notes hard. There are many places where I would personally play the notes softer and he plays it harder. He pauses his fermata as if they should be short fermata, but they are also uneven in a weird way. Maybe it is just me. Haven't played the piece for over 20 years.
@@mink1097 2 years on - did you finish learning this amazing piece? I started on it two months ago, devoting about an hour a day to it on top of my other practice. Memorised all but two lines of it (the part with the huge LH chords (from 2:30 in this vid) but so far still very slowly and carefully at MM semiquaver = 66. I am giving myself a year to make it absolutely performance ready.
2:50 E-F-E flat here. But, as Beethoven said, "to play a wrong note is insignificant; to play without passion is inexcusable." And you play with passion.
einen kleinen Patzer haste reingehauen, irgendwo hättest Du n Es spielen müssen wo Du aus Versehen ein E gespielt hast, sonst sehr geil, vor allem mit den Klaviernoten zum Mitlesen, kuhle Sache
This is interesting. Why did Busoni transcribed this from original organ to piano? Couldn't he at least transcribe it for pedal piano? Yes, there is such an instrument. Schumann liked it a lot. Now this is like "let's make ourselves a hard,, unnaturally sounding piece from easy, well suited for organ style piece". I can only assume there was a fashion like this in the sixties. Funny that people can still fall for it. I have mixed feelings about this. Sorry.
I agree with Luca's answer here - and I also agree with you, The piano version misses the depth of the eternal organ tones, to the point that it's not at all the same piece anymore. On the other hand, it gives a little insight in the structure of the real thing.
