Spannende Aufführung dieses technisch anspruchsvollen Meisterwerks mit milden Töne aller Holzbläser, brillanten Töne aller Metallbläser und, vor allem, seidigen Töne aller Streicher. Der geniale Maestro drigiert das ausgezeichnete Orchester im inspirierenden Tempo mit völlig effektiver Dynamik. Einfach atemberaubend!
That was not the best interpretation of that work and maybe the audience felt that too. There were many places where the tempi were not right. At about 2:40 for example there is not a sufficient sense of urgency.
6 лет назад
Sleepy audience, thats a shame... i really liked this performance!
36:10 I'm mildly triggered bc they're not doing the sul ponticello Also, 36:38 last desk viola inside player is faking ;) ALSO, that applause was weak af
@@operapiccola das ist ein Missverständnis fürchte ich. Ich wollte natürlich sagen, er hätte schüler/Innen und hat Bartok Musik unterrichtet, nicht ihn natürlich /hatte
@@victoriaplc8923 hahahaha Sarah laber doch nicht du machst Physik Abi und ICH bin die die Musikabi macht. LG deine Freundin und Musiknebensitzerin Jana.
Re: audience response: it's simply an elderly audience, so they're simply too tired or depressed to whoop and shout, and isn't there a mild procreative crisis in Europe? How many young people were there in the audience? Another reason, of course, is that the young have gone thoroughly pop and rap. Nothing wrong with that. But in terms of cultural reproduction, how will this classic music be carried forward into the future? i was happy to see fairly young musicians in the orchestra, at least. If you want to ponder these matters, you may want to go over to the Future Symphony Institute website at www.futuresymphony.org/ , founded, among many others, by the British philosopher Sir Roger Scruton.
The inspiring concluding paragraph of the "about" section of Future Symphony Institute: For the new renaissance to take hold, Western art music must do more than survive in the cloisters and towers of our conservatories and grandest orchestras. We envision a world of active and flourishing amateur, community, youth, and professional orchestras where the joyful practice of playing acoustic instruments and the inspired legacy of classical music find themselves again at the aesthetic center of community and family life. We envision a world in which classical music and its principles are unquestionably as important a part of any school curriculum as reading, writing, and arithmetic. And in this world we envision, as already in our own, the music forever renews itself by renewing our spirits, our imaginations, and our moral sensibilities. It shapes us even as we shape a phrase or a line in song. A renaissance for classical music means a renaissance for humanity.
