Bartók - Piano Concerto No. 2, Sz. 95 / Remastered (Century's recording: Géza Anda, Ferenc Fricsay) 

Béla Bartók (1881-1945) The 3 Piano Concertos & Rhapsody by Géza Anda / Ferenc Fricsay. 🎧 Qobuz (Hi-Res) bit.ly/4b5bVFt Tidal (Hi-Res) bit.ly/3tifIu2 🎧 Apple Music (Lossless) apple.co/3Kgad7t Deezer (Hi-Fi) bit.ly/3KbhtzW 🎧 Amazon Music (Hi-Res) amzn.to/3toRSNm Napster (Hi-Fi) bit.ly/4b7aPcg 🎧 Spotify (mp3) spoti.fi/3U2AbC9 RU-vid Music (mp4) bit.ly/3YlNMnk 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本… Click to activate the English subtitles for the presentation (Coming soon) 00:00 Piano Concerto No. 2, Sz. 95, BB. 101 - I. Allegro (Remastered 2021) 09:48 Piano Concerto No. 2, Sz. 95, BB. 101 - II. Adagio, Presto, Adagio (Remastered 2021) 22:05 Piano Concerto No. 2, Sz. 95, BB. 101 - III. Allegro molto (Remastered 2021) Piano: Géza Anda Berlin Radio Symphony Orchestra Conductor: Ferenc Fricsay Recorded in 1959, at Berlin New mastering in 2021 by AB for CMRR ❤ Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr This Concerto, which is considered one of the most important of the first half of the 20th century, is a pivotal work in the musician's production. If the percussive style of the First Concerto is still present and gives the work a great vigor of expression, the technical mastery has increased and the formal perfection announces the last creations. As in the Fourth String Quartet, the form is based on the arch structure: the extreme movements are built (with the exception of one motif) around the same thematic material, while the central part serves as a keystone. Following the example of the baroque concerto, the composer seeks a balance of sound between the soloist and the orchestra. But above all, through the omnipresence of contrapuntal writing and the driving character of rhythm, he places himself under the rule of Bach. Although the piano technique is hardly different from the works of 1926, the presence of Beethoven can be felt in many places behind certain third movements, the obstinate hammering of repeated notes and the astonishing orchestral palette of the keyboard. Despite this dual affiliation, the work remains fundamentally Bartókian in its inspiration and pays a heavy tribute to the scales, rhythms and melodic inflections of folklore. A variety of thematic material and a colorful orchestration make this score more directly accessible to the public. Click to activate the English subtitles for the presentation (00:00-02:12) Bartók - For Children Complete, Gyerekeknek Sz.42 / New Mastering (Century's recording : Géza Anda): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-zTd-WwVkmnA.html

This Concerto, which is considered one of the most important of the first half of the 20th century, is a pivotal work in the musician's production. If the percussive style of the First Concerto is still present and gives the work a great vigor of expression, the technical mastery has increased and the formal perfection announces the last creations. As in the Fourth String Quartet, the form is based on the arch structure: the extreme movements are built (with the exception of one motif) around the same thematic material, while the central part serves as a keystone. Following the example of the baroque concerto, the composer seeks a balance of sound between the soloist and the orchestra. But above all, through the omnipresence of contrapuntal writing and the driving character of rhythm, he places himself under the rule of Bach. Although the piano technique is hardly different from the works of 1926, the presence of Beethoven can be felt in many places behind certain third movements, the obstinate hammering of repeated notes and the astonishing orchestral palette of the keyboard. Despite this dual affiliation, the work remains fundamentally Bartókian in its inspiration and pays a heavy tribute to the scales, rhythms and melodic inflections of folklore. A variety of thematic material and a colorful orchestration make this score more directly accessible to the public. Click to activate the English subtitles for the presentation (00:00-02:12) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

This is one of the most complicated piano concertos, Andras Schiff said it left the keyboard covered in blood while playing it and even Steven Kovachevich said it was the most difficult piece he had ever played and almost left him paralyzed, It's CRAZY, but I still enjoy the piece, the level of professionalism that a pianist like Géza Anda together with the brilliant direction of Ferenc Fricsay make this piece brilliant, a contrast that I hear with the previous concerto is that here the strings are finally integrated, although it began as the first concerto with a group of winds and percussion.

Amazing music - strength, power, expression!!! BRAVO!!! Thank you from the bottom of my heart!!!

Fricsay & Anda, now that is the right way to play Bartok and Hungarian music!

I love anda very much.

🕊🌟🕊 ABSOLUTELY BEAUTIFUL 🙏💜🙏 💜🎵💜

An adventurer who knew his Beethoven and had no fear. Stupendous!

Without doubt, a reference recording. Thanks for share it.

Thank you for uploading this!

favorite piano concert

the sound at 9:51 really amazes me how ahead of its time is

Anda egy zseni volt!

Gostei.

SUBLIME!!

9:48 to Bela Bartok ... how is it even possible to write down such a music .. ? ? This is really no more music, ... this is more ...... far more of this