Basic Arpeggio Deep Dive For Jazz Trombonists! 

Yeah - it's helpful for trombonists to understand that we should be using the position that follows the direction of the phrase instead of just what we "usually should be using." It certainly helps to make one's performance more fluid and vocal rather than the "oompah-oompah" style that you can put yourself into by playing only "traditional" positions.

the 4th for D and f make improvsing in the common keys so much easier for those fast phrases, its vital for Jazz trombone I gotta say

Alternate positions are our friend.

A great experience I'm sure, Conrad is such an inspiration! It has taken some getting use to (and still does), but being able to play some of the arpeggios further out on the slide makes the movements so much smoother.

You're welcome. 😊 Yeah, bits of them could definitely be used as is!

My pleasure! 😊

That’s a cool song, and using a B7 adds another flavor to the minor blues. I have actually never played it (I love Horace’s recording though) but I think I would treat that chord like it was a “regular” Abm7 and just replace the note bb with an a.

Nice, thank you! 😊

Thanks! 😊

Método musical para trambone tenor arban como fazer para estudar pelo RU-vid

da primeira lição até a 60

​@@DanielKJohanssonTrombonecomo fazer para estudar trambone tenor como método arban como referência como estudar os licaos pelo RU-vid

da primeira lição até a 60

It’s such an important building block in jazz improvisation, and for me it’s also a great flexibility exercise.

I'm finding it's useful in becoming familiar with starting phrases on chord notes other than the tonic. This is essential for improvising but difficult to jump into. The seventh is a stepping stone to the upper chord structures too - it's a gateway! 😃 Cascading seventh chords are like a tune in themselves, you get a feeling for how and why a lot of songs work. Going through all 12 keys, or (ahem) at least some of them, gives an insight into how they are related, with interval patterns overlapping and repeating. Apart from that, what has this exercise ever done for us?@@DanielKJohanssonTrombone

It's a Bach 7C "Megatone". I've tried other mouthpieces but I always come back to this one. I know others that don't like it though.

I'm sorry, I don't speak Spanish (and I haven't used Arban's exercises much at all if that's what you're asking).

Link en la descripción del video! 🎶

In this video it's a Bach 7C, but I have since then switched to the Yamaha Nils Landgren mouthpiece!

Yamaha Silent Brass from the 90's.