Dear Jane I went through all (or many) of your tutorials and I have to admit that your commitment to help all of us is admirable and commendable. Thank you so much for the amount of dedication.
Beethoven was a genius! I will respect him, and wait for when I get to Level 7 and have the hands to play this with the right emotion and right technic.
+Christopher M good job with the nocturne, that is a difficult one. I agree that this Beethoven movement is one of his most beautiful. Enjoy learning it!
Va mulțumim inca odata de profesionalismul si maiestria d voastra in a le pianului si pt că împărtăși ti si cu noi nestiutorii,pt ca avem mare nevoie...
Janet in minute 12.02 Why you Play notes together with the last triplete in the measure I think you should play note per note separetely like: E - C - E - D It’ s a. Polyrhythm Can you explain it ? Thank you
Hello, I've been using your tutorials since I started playing the piano 3 years ago. you're a great inspiration for me as I struggle reading complicated music sheets and I have to thank you for this. I'd like to ask you if you ever thaught about making a tutorial for the piano transcription of the 1st movement of the winter piece by Vivaldi. I'd really love to learn this piece and would be so grateful if you could help me and many other people learn this beautiful piece. thank you from France.
Jane please I ve been finding out but all versión i got they are different like yours Could you show us your own version please? Write the link i mean Thank you so much
Dear Jane please in minute 10.35 Can you explain why you play (right hand) the last note (Eb) of the last triplet, together with C then Db Isn’t a case of Poly rhythm? Eg Eb - C - Eb - D Why G eighth dotted takes up to the first two notes of the second triplet ?? Thank you