Behringer 2600 - Quick Tips Tutorial 5: Dynamic Envelope and another VCA 

Hello to another "quick tip" (this slowly becomes a running gag) which is a bit longer than quick. This time again i`m talking to myself about the ring modulator, the sample and hold and a special behaviour of the AR envelope. Long, sometimes confused (with a lot of "eemm"s) and maybe a little boring. I warned you. Like it or not, but in any case: Happy patching! More tips: ru-vid.com?list...

Thanks Tom. Love the Barpinger and Schwing stickers!!

really fantastic, wonderful delving into the lower section of the 2600, so many hidden capabilities. thanks so much

Thank your videos are much needed . Your knowledge is crucial to understanding the arp2600 better . Thanks again

Good job explaining about the different A/R rates on the env. generator. Thank you.

You are fantastic you know that !! All these patch explained very nicely , it was what I needed , more analo that can speak ... Keep going

Love the sample rate reduction effect! Still struggling to grasp what will and will not be affected in the S/H module by external clock.. Great videos dude!

This is a great tutorial. Just the right level of detail.

Another great tuto Mr t.noise ! Using modules for what they aren't made for. A ring modulator become a VCA, a flip-flop become a "bit crusher" etc ... That's the pleasure with modular system !

I think it’s a lovely sequence…

😂 your icon.. and I recognized it right away 😂

Like the ringmod gate trick for accents. It's obvious once you understand it (simple math right) and can obviously be pretty handy.

Fantastic ! Thanks very much!

Nicely explained. You show a lot of the different things that can be done with this lovely machine (have one myself). Not all patches are perhaps that interesting soundwise, but still it gives you information and inspiration of what is possible to do. Good job!

Ha! "Barpinger!" Love it!

Much appreciated, thank you!! The end is epic!

Enjoying your newly discovered videos, subscribed! I suppose this means you can use the AR envelope as a kind of a delay, depending on how it’s patched. Going to experiment with this tonight. Great explanations of all these functions, providing pathways for new ideas. Cheers! 👍

Thank you!!!!!!❤❤❤

You rock thanks for this!

Excellent upload, thank you!!

Thanks for sharing. I have a question... I connected my headphones output jack on the Behringer 2600 and the headphones outputs from my Behringer RD 8, RD 9, as well as my TD 3 to the seperate inputs on my Erica Synths Techno System 2 mixer inputs. Then I noticed that my 2600 was not heard. I only could hear all outputs from my others. I experimented with the 2600 and checked out that my headphone volume was fully up to the highest level. I then checked the VCA Slider all the way to the right on the 2600 and that was all the way up. I decided to turn up the VCF Slider on the left of the VCA and finally could hear the 2600 but the Envelope AR or ADSR envelope was now not working. I should also mention that I have my 2600 connected to the Behringer 960 sequencer. The sequencer is synced to the trigger out Accent on my RD 8's rear. The step sequencer of the RD 8 moves each step forward in perfect sync. I have the 960 out going into the Voltage input of the 2600 and output of Voltage on 2600 going into the AR Envelope in order to trigger notes correctly. Why do I only get sound out of the headphone jacks output when either the initial gain next to the 2600 is all the way raised or it's all the way down and then I only get output sound if the VCF slider is all the way up. Again that's a steady output even when all my gear synced up is stopped with no trigger from the sequencer. I like your advice on how I can resolve this. Thank you in advance, Sincerely, Michael

Thank you for the video! Really shows me how little I know about modular/semi modular synthesis routing. Any plans on expanding on the quantizer unit with the 2600?

Hi your videos are so intuitive thanks for the inspiration my question, I’ve thinking of adding the korg sq80 is as powerful as they say? Is it like the Roland MC-4 lots programming imputing lots of numbers? What’s yer take on the sq80?

These videos are perfectly suitable ,,talking with no audio from the synth, audio from the synth that doesen't drown out the speech and a steady pace and a clearly competent presentation. More please. They are much more informative than voiceless demoes that omit the fact that there are a multitude of additional devices in use that leave the listener as clueless as when they start the video. A question.. I read somewhere online that this synth puts out 14 voltsin some places ,,too high for eurorack inputs. Is this correct please??? Can I use my massive collection of eurorack gear INTO this synths for additional external modulation.... Thanks for yr swift reply

Excellent! Thank you. I was looking to see how to make dynamic sequences so your video is exactly what I was looking for. I'd thought about, but not tried, using stacking cable into the AR in socket to combine outputs from a cv source for velocity and the AR envelope. Would you think that this would work to create a dynamic sequence? :-)

Maybe a stupid question, but is it possible with the BARP to create a random envelope with the ADSR section? If you run a sequence and on some steps for example, the attack is short and the next step long? Or is that only possible with an Eurorack type EG with seperate CV Ins for ADSR?

:)