Behringer Pro 1 - Sound Demo 2022 (No Talking) 

I agree De-, I well remember the 70s, no information, gear was simply unobtainable, & not just because what did exist was cost prohibitive.

What reverb is this?

I had one then, I had to keep a guitar tuner hooked up to it because it drifted so badly out of tune. Other than that killer bass sounds.

couldn't agree more. and the behringer version sounds incredible

Sold mine and regretted it.

I think the Pro One is the best mono ever made of all time. I don’t think anybody has ever come close. It’s definitely aggressive and very hard to tame so not for everyone, but it’s def for me 😄

A men!

This comment need trumpets in the background!

​@@Liliedugglmao 👍

Thank you! Definitely a great synth 🙌

I feel like I haven't turned my behringer pro 1 past like 2 or 3 on the master volume, max

That’s the very definition of badass.

Holy crap yes definitely

Ive thought the same haha

Thank you very much! Happy to hear that!

There aren't patches

@@endcredit1179 you could see each knob position he chose as a "patch" :-)) so YES

@@endcredit1179 really dumb comment

Great choice V-Cious, of all the Beh clones the Pro-1 is the most versatile. I've had mine 6 months now & absolutely love it, so much so that I'm getting a 2nd next week despite the $50 price rise here in Aust. Something else that's sensational though is the Wasp, if that suits your tastes, superb build quality, & totally unique. I have 3 Wasps, fat outputs coupled through a Beh MX882 then into my guitar rig, sounds huge. BTW the inadvertent re-triggering problem in the 2020s was fixed last year with firmware upgrade V2.0. I'm waiting to see what Beh make of the Oberheims. Enjoy, this is the Golden age of synthesis.

Thank you!

@@DYMTN Are those on board effects? that would just send this over the top for me, if so!

​@@benreigle8104no onboard effects on this one.

Glad you like it :)

Thank you! At the moment this one is my favourite but I might be a bit biased because I always really loved that Pro 1 sound! In terms of production I feel that at least for the genres that I am producing the Pro 1 gets me to the sound in my head a bit faster. The Cat can sometimes need a bit of taming but then also sounds absolutely wonderful!

WhT one did you get im torn between the two

🤙

Danke :)

Thank you very much 🙌

I am certain he used external pedals or DAW for the effects: we hear some reverb and delay that are both missing from the pro-1

LFO is only going to operate on the filter of course, not on pitch of your incoming sound. Yes, you can send whatever you like including polyphonic samples through the filter. It has a super beautiful filter, it sounds just great on anything. You can hear in this demo when he tunes the oscillators to different pitches, the filter really emphasizes harmonics of polyphonic material in a beautiful way.

I have both, the Virus and Pro 1 dont compare. both have their uses. Virus is way above this.

Get yourself the viper vst instead it's like 100$ instead of 1500+ for a virus ti2. I owned both for a few months and they are very close... with the difference that the viper vst doesn't have sync issues and other problems when reopening a project, was a major pain! 95% of the sound (software interface almost the same) for only 100$ without the issues haha

I have both the Pro 1 and the 800. The Pro 1 is definately better for bass and to some degree leads. Pro-800 is probably a better all rounder though, if I had to have just one I'd go for it due to the polyphony and memories. The Pro-800 doesn't sound as ballsy though.

Thank you! Ableton's Delay and Valhalla Vintage Verb!

@@DYMTN any chorus or harmonizer on there or does it just sound that great with the two oscillators? Also subbed! Great video!

@@blushingfrieza Thanks! Only the two oscillators!

8:27 is just a result of closing the filter under a pretty heavy delay 11:03 potentially two tracks, but more likely is that the LFO/Envelope is modulating the arp OSC, and then they have the bass OSC running underneath. The filter movement at the bit is too uniform across the spectrum, so I'd suggest it's all playing live from the 1 unit.

No it has zero patch recall.

He's using Ableton's built in delay, and Valhalla vintage verb

No.

The MPC reverbs can actually sound very good, thanks to all their settings you can tweak and routing you can do. The presets just don't bring out the best of it. Take a reference reverb sound and try to match it with the stock mpc reverb, you'll find you can recreate a lot. Also think outside of the box, use two reverbs on sends, one panned hard left and the other hard right. Or something like that.

@@GTChris Yeah, Presets are weird. In the meantime i got some "decent" results out of it. But it needs much more fiddling than i'm used to. 😅 Thanks for your advice.

Nope

who's even thinking about VSTs if you can create this sonic goodness from a humbly priced monosynth that's got a smaller structure than most analog synths on the market! The VSTs can & will hit some of these sweet spots; this herein is all sweet

@@DaveDaves 100% agree

to be fair, Repro-1 is excellent

Hands on control and true analogue signal path?

I don't understand the hate for the TW. I love it right alongside all the other synths. Limitations are great for creativity.

@@MatthewHyatt in a convoluted way, my point is the same - it's not the instrument but the player who makes it sound good. Some people might rush out and buy a Pro-1 and then be disappointed when they don't sound like DYMTN. Sure, some synths might have more/bigger sweet spots than others (e.g. Model D vs TW) but it's about how you take advantage of them and what sound you're chasing.

There are no presets.

No.

The Pro 1 has a duophonic mode in which you can play two notes at the same time.

Paraphonic @@DYMTN

Thank you very much :)

@@DYMTN did you make pictures of these patches and are the pictures available somehow? i would love to have those 3 patches :-))

No.

More oscillators would give you more flexibility. The two synths don't sound anything alike so which ever one fits your music style best is what you should get I think. The pro one sounds tighter and punchier to me, great for bass and leads.

@@Pulse2AM I have the pro-1 and agree with your assessment on sound characteristics. Thanks for the insights on the extra oscillator, it's much appreciated.

@@thejoshuathomas Since you have a Pro 1 why not get the poly D or a poly VA synth? I personally think Moog's sit in the retro category for sounds though you can program them for modern sounds they still have a certain flavor to me that says retro.

@@Pulse2AM I've been liking what I hear from the Hydrasynth Explorer and the Modal Cobalt, but I'm still on the fence about polys for my tastes overall. Maybe one day I'll pull the trigger, lol.

@@thejoshuathomas I hear yah. I use a Roland, a bunch of samples I made from all the synths I've owned over the years and Analogue Lab. The main sounds I do with my Roland and the filler with the other stuff. With Analogue Lab I have 7000 patches though I lust for more! I know that making a good track/song isn't about what I use but how well I use it. Gear lust is a disease, you can't buy your way to good music, you have to write it.

The Pro 1 does sound great, and it's your manners that are terrible.

I’d say Pro-1 and D are about neck-and-neck.

What about the CAT?