Sehr guter Test. Vielen Dank. (Wenn man die Hallfahne bis zum wirklich völligen Verschwinden ausklingen lässt, bevor man weiterredet, wäre noch hilfreich, da viele PlugIns in diesem allerletzten Mikrobereich "abhacken" wegen noise.) Aber Deinen Vergleich mit dem Original-Hall finde ich genial und vielsagend. 👍
VSL hat für MIR Pro 3D fast 3000 Impulsantworten im Teldex-Saal aufgenommen, damit man jedes Instrument frei im Raum platzieren kann. Dieses „Multi-Impulse-Response“-Hall-Plugin ist aber auch wesentlich teurer, dafür jedoch noch einen Schritt weiter.
When I use Template, I send it as send on many channels. Even if I turn off the Source fader and make the send 100%, it does not give the same result as when I use it in Insert. Have you experienced this?
@@SOUNTH11composingdesign When using Insert, the Source setting is on, when using send, source is off and 100% send is very different. Decca, A-B, Surround mics are in the same position. We have discussed this a lot on the forum, but there are some people who think there is a big difference between the two usages. He mentioned that new updates are coming and this is now fixed. It's a great plugin and I definitely need it a lot when used with different libraries. For some epic percussion, only the close mics are too weak, the epicness and the grandeur are lost, so you have to activate the original room mic a little bit, but especially when matching strings and woodwinds, the close mic is necessary. That's why I would like send to be the same as insert :) Maybe I'm doing something wrong... Would your preference be to only activate close mics when using with different libraries? Or would you also include some Decca or Room mics in the libraries themselves?
