I have owned a 440 for almost 2 years, love this mic, I have got nothing but great results using it. It's getting close to time to upgrade my interface, the audient has been one on the top of the list for me. They sounded super clean together. Super useful video for me, thanks!
@@MitchellShelby usually, dynamic microphones are the way to go for podcast. The Rode Podmic or the Audio Technica 2040 are pretty good options at an excellent price.
I have used many audio interfaces over the years and I love the Apogee Ensemble, It's everything you would ever need in a home studio and some what more.Literally 0 latency and I don't need a cloud lifter or any of that crap for my mics.Also you can truly appreciate any microphone with an Apogee Ensemble and a treated booth, and it's going to sound semi professional or better after EQ and post.My go to mic is and will be the blue bird old school version.but after the recent vids and reviews and comments I might have to get me a lewitt.My mic addiction grows.I blame the comment section.
I love my Lewitt 440. It punches way above it's price point imo. It can easily compete with mics costing 2-3x. I use it for VO work where not only does the wonderfully smooth tone come through in every take but the inspired low profile design allows me to get right up on the mic while maintaining clear line of sight to my copy. Nothing more annoying than trying to look around or through a big pop shield while trying to stay on mic.
I've been shopping around for a new mic recently and this mic has been the one that caught my eye the most. After watching a LOT of videos talking about the mic, this video is definitely the most helpful and clear about the mic and what to look for in general. This basically solidified me wanting to get the 440 Pure, so thank you for all the insight on it!
I'm thoroughly enjoying my matching pair of Lewitt LCT 440 PURE Condenser microphones! 😁 Got one on my bottom ENGL 4X12 Cabinet with Celestion Vintage 60 speakers to the left of the cone, (Dark mic) and the other on the matching 4X12 top cab, millimeters off-center of the cone. (Bright mic) 💀🤘
I watched you mix the song featured here in a previous video, I never knew the “percussion” on this track was a zipper and the Audient iD4 mk2 box. That was just cool. Watching how silently the guitar was being played and still picked up so clearly without mic noise, wow.
Hold on, a second. That “Warm Things” song is one if the coolest, most beautiful songs I think I’ve heard. And then, to break the spell, we go back into talking about a mic!
I got one a few days ago. My acoustic guitars already sound better. If it's too bright throw some EQ on it. For the price this mic cannot be beat. So impressed.
You mention something at around 3:00 that maybe the kick mic you were using was "broken", I had an issue recently with some LCT 040 overhead matched mics. I love lewitt mics, i have a 440 pure, and basically use it for everything, but i was disappointed when i had to open up my lct 040 match and reflow some of the solder points and rebend the ground tab to get rid of a 10 db buzz that I had in one of them. Whatever the case, i still am a lewitt fanboi, but maybe your clout can make sure their QC is on point.
Yes I bought the connect 6 budget audio interface 300 dollars its was my first interface and i didnt want to spend to much to get started. The first one i recieved powered up and died, so i sent it back and got another one it worked great at first a week later it started malfunctioning so i sent it back i figured i just had some bad luck so the third one is on the way in the mail i have my fingers crossed
I really like the sound of this Mic. I have a feeling it would do especially well for singing. Love how clear and pristine it sounds. Question is wether you think the Rode NT1 would be a better option? I like how the Rode sounds darker and adds that radio voice sound Rode mics have. But somehow I’m wondering if I like this sound better actually. I also like the designe and everything about this Lewitt mic. Just doubtful if I should get it over the Rode because my voice is naturally best at the lower to mid range registers, sorta like Johnny Cash and I think the Rode accentuates that even more. Which would you choose ?
I use a Rode NT1 alllll the time. I'm a full-time Voice Actor and have done hundreds of gigs with my NT1. Love that mic! But if you are looking for a mic that is fantastic on a deeper singing voice I would actually recommend the Shure KSM32. My singing voice is ridiculously deep and the Shure has a clarity in the low-end I rarely find without adding a Multiband Compressor/EQ. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-UPxFbxFnjEg.html You can always add some EQ to add more Presence if need be. The KSM sounds great with a little boost between 12-20kHz. The KSM32 is sort of a secret weapon mic for baritone and bass singers. Here's Geoff Castellucci using one and it sounds incredible ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-VyCDxVehjxI.html
In this price range, if you like the 'broadcast deep voices' effect, i'd choose an Electro Voice RE 320 as this is exactly what they are made for. Radio and voice-overs.
By the specs, seems like we have another stellar mic under 300$ But how about the Rode NT1? Which one of them will you choose for purposes of voiceover, vocal, acoustic, and electic guitar recoding?
@@adamsteelproducer agree rode nt1 is piece of shit , I spends thousands of $ on acoustic treatment in room and the mic still sounds shit ,super bassy and extremely sibulance and tone still come out like recorded in box or something
@@playonkorg I take it back after comparing and recording with Lewit 440, at2035, rodek2 tube mic and warm audio wa 8000 I realized it’s all hype and waste of money so returned them all and keep my old and loyal Rode nt1 I realized sibilance is there but not as bad alll other mic listed above and lewit is crap I couldn’t mix my vocal even with multiple deessers
Which would you choose between the MXL V67i (the one with two capsules, "bright" and "warm" to choose from, I think you've used it in the past) or this mic for a male baritone voice singer songwriter playing a fairly dark but rich-sounding 1972 mahogany Guild D25 steel string acoustic (primarily strummed), with the occasional bit of female backing vocals and simple hand percussion, connecting to a fairly dark-sounding recording interface (Zoom R16). Thank you!
Thanks for the video, but again... Hundred out of hundred microphone video review that contains singing has some whispering, no one actually sings. Any microphone will sound good this way. Loud parts create all sorts of resonances, amplified sibilants and only then the microphone will show how good the microphone is in room rejection. But the song is very interesting, finally someone who uses some real music and not some crappy modern r&B, hiphop... :)
I own The NT1,Blue bird, a bunch of shure mics, I would go with the NT1 on a quality audio interface. The flat and smooth response is Warmer and pleasant to the ear . especially if you have a loud or rough voice, the Lewitt might make it over bearing.
hey man. im interested on those filtered settings of the mic. eq and compression. it sounds really good. please reply this i need to know those.! thank you
@@adamsteelproducer please do, that would be awesome, do you own a KSM32 by the way? I own a 440 Pure and I would like to hear a vs even if they're totally different mics.
@@adamsteelproducer Too bad, your reviews are great. I own a KSM44 and in comparison it sounds so freaking smooth compared to the Lewitt, but the Lewitt surely compete against it. The KSM32 seems like an awesome deal, but I don't have the chance to try before buying.
what about the 441 flex in comparison to this mic? is it worth another 100 dollars? I will do singing and voice acting and want a mic that catch every detail of my voice and not need to be super close up but able to move my upper body freely when acting out my roles 😊 which mic will be best for such work?! I just ordered an Audient id 14 mll and am trying to figure out which mic I can work professionally with and that will last me for years with a small home studio like this ! Any and all input will be highly appreciated! thanks guys ✌🏻😊
It sounds exactly the same in the regular cardioid pattern. But if you are doing voice acting work, I'd recommend the 441 flex for the extra pickup patterns. Super cardioid is great if you need that big broadcast sound in voice acting.
@@annekedebruyn7797 and what if your room is untreated right now!? is the Shure SM7b the only really good choice for an untreated room or can I use the Flex 441 with that pattern you mention and try to change my room over time? I cannot have a real studio right now, but I could change the room to some extent! what you think?
@@SimplicityForGood An untreated room will always suck no matter what mic. It's just that with the SM7b, its a bit less of an issue. But for professional work where there is a lot of compression, you will still hear it. Don't buy another mic just because your room is bad. If you clearly want the condenser sound, I'd say stick with the sound you want because you will be unhappy with a mic that's literally on the other end of the spectrum and will cost you in the long run. Acoustic treatment doesn't have to cost a fortune either. You can get a pretty decent sound out of a few DIY rockwool panels with some cloth over it and a few moving blankets.
@@annekedebruyn7797 I see! I must look into thar... is my first time to start a studio at home... I will try to do something at home, though is in the middle of the city... But how to best understand the difference in sound of the Lewitt 441 Flex and the Shure SM7b for my nasal baritone voice!? what mic will fit my voice best? For me all this is really new...
@@SimplicityForGood Personally, I prefer lower voices on condensors. They don't sound as harsh so it doesn't need to be tamed. Nasal or not. You may want to rent or test both mics at a local store (some music stores have a way to test mics) to see what fits best for your needs.
I’m obliged to Tick the box that says the video includes marketing since some of the other companies have provided things like stands and cables- but the mic review was not paid for so my statement stands
Why can't YOU understand that the man needs his coffee and is probably doing this as a side hustle? Further more doc, don't be a grumpy pants stiff', we're talking about microphones and recording over here! It's either coffee or wine around my studio and you better keep em both flowin'! and sour puss attitudes kill the magic of creativity, so pull your shiny degree out your ass and lighten up bro.
@@adamsteelproducer He's trying to say that's a shiton of money for the place he lives in. I kinda get it, since the minimum wage in my country is $400/m
I know what he’s trying to say, but throwing around accusations of “privilege” don’t help anyone. My main audience is US and UK, where 300 is a reasonable budget. If that’s not the case for you, you’ll have to interpret it to fit your situation. I have to get the attention of my core audience, and as a result I can’t be all things to all people
