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Beyond Tragedy: How Masterworks Unite Calm-Inducing Mandalas, Opposites and "Divine Comedy" 

Cave of Apelles
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What are the key factors of masterworks such as The Flaying of Marsyas by Titian? David Molesky, Sebastian Salvo, and Jan-Ove Tuv sit down to talk about myths, perspective on life, archetypes, eternity and more.
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Chapter markers:
00:00 Titian's Flaying of Marsyas: two stories in one
05:10 "Long looking" and movies that go inwards
09:56 Masterpieces are calming like Mandalas
17:01 Repetitions and the comfort of archetypes
20:16 Collectivity & individuality, sky & earth
27:40 David successfully identifying as an elk
30:13 Strive, but do not strain
40:26 Making timeless patterns in your brain
44:13 Recognizing your own talent in another painter
49:09 Creation myths and Greek sculptures: a unity of opposites
59:16 Continuing work on paintings owned by collectors
1:02:30 Every masterpiece is a sign and easy to read
1:05:26 The eternal, human face or inside jokes
1:11:27 "Divine comedy": a level up from tragedy?
1:19:20 Uniting laughter and sorrow
This episode featured David Molesky, Sebastian Salvo & Jan-Ove Tuv and was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
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11 июл 2024

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Комментарии : 2   
@PinturaYdibujoENVIVO
@PinturaYdibujoENVIVO Год назад
Nice discussion , but I feel you should bring other guests with totally different points of view. In the spirit of the Greeks and Roman who allowed other ideas to the table to be discussed.., not the same rethoric over and over
@PinturaYdibujoENVIVO
@PinturaYdibujoENVIVO 7 месяцев назад
should you or any other group of artists tell others what to do in their own art? @@tejasnair3399
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