Blue Bossa (150bpm) : Backing track 

Cool ! Thanks a lot Ben !!

Wow

Damn that's incredible. I'll never try to write lyrics again LOL

Nice, fits sweet

Yes

Me too!

Is not jazz, is bossanova from brazil!!

@@pongomollyenelagua as a brazillian, i must say that bossa nova, in a nutshell, is samba slowed down with some jazz chords. so yeah, its still jazz

checkmate@@MatheusOliveira-by5tt

That 3/4 of a musician must have a lot of trouble with insurance

Ethan Capello-Venicci Yes I'll probably have one very soon. You can still donate on my website (link in the description of the video). Thanks!

of boggie wonderlands

Old Devil Moon!

Great tune ! Love it so much thanks, for your question, i would say : song for my father 🤪 keep it up ❤

@@gaspardduchatelet7588 loooololllooo

@@gaspardduchatelet7588 p

bass player

Wind synth

Lololol

And what is it?

+Pauly Mack It just means that the chord is repeated

+Pauly Mack's Tracks the percent symbol (%) means repeat the chord in the measure before.

Skip Ijam true that

Paul McDonagh means repetition

Learn it.

such a great backing track to try my new licks on!

is thaat in e flat on piano

+Juan David González lo mismo me pasa a mí , jeje. viva la música

Listen at 1.75 speed

Ben Ferris Hey! Now I’m nervous agn lol

@@mrs.s2168 try playing over it sure helps me! all the best

A R I G A T O U

Ich kiffe auch grade 😘

Sure ! If you quote my channel of course :-)

@@guitareimprovisation Of course, thank you!

Me lmao

I'm a guitar teacher. I'm checking up on you. Well done!😂

Please learn standard notation.

You mean play Gmin7 instead of G7? I think that sits TOO nicely in there. The G7 and the Bb gives it that spice. Avoiding "standard theory" and leaving the comfort zone is the only thing that makes music stand out. I've messed up on studio sessions even live, and other musicians are like "Yeah" what was the chord you played? coz it stood out (even though theoretically didn't fit)

@@hezekiah74 It is using the sharp 9 in my opinion.

With dominants in a minor, most alterations are fair game unless there are specific chord notes in the melody. In the context of a G7 chord, the #9 is A#, and accompanying musicians would know not to play a natural 9. It's fine if there is a B natural being played below with an A# above, as this creates a major7 interval. With an A natural below and an A# above, however, you get that crazy minor9 .

edplaysjazz I use my ear and soul to get interesting textures

i usually play a baug7/g (sometimes without the g in bass) on the Bb then g7b9 when it lands on the Ab. It sounds nice and resolves well. I find the change more fitting than a gm7. You should give it a try.

Sure ! here : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fWx9qZlvmlw.html

@@guitareimprovisation Thanks man! I recenly bought me a jazz guitar and those tutorials might help me a lot to get the best out of it! You know, I've been using only blues-, rock&roll- and let's call 'm do-re-mi-fa-sol-la-si-do-scales for about 35 years, so I hope I can find the patience and courage to dive into some of that one of these days 😁 But even the entry level is helpful, and I like those minor scale for a start to expand my solo skillls. Why have I never learned those?? (''cause I quit my guitar lessons to soon, back when I was a teen.. it will be hard now to teach this old dog (52) new tricks...)

"Half" diminished, not a full diminished 7th, i.e. m7b5, e.g., D-F-Ab-C, not D-F-Ab-Cb(B)

Muito obrigado! A idea tão boa!

Só para acrescentar, o Db pentatônico também vai bem sobre esta progressão.

C'est exactement ça!

It means half-diminished. Also known as Dm7b5. Here's one voicing for it: x5656x

You're right...about the question.

Not a stupid question.

Honey Babou it is the symbol for diminished or in this case half diminished. the actual chord is a D minor 7 flat 5. it is the 2 chord in the key of C minor

I'm from Denmark and DØ translated to english means ''die''

But 1.75

In general this piece is in C minor so Cminor will work most of the time. Over Cm7 I would choose Cdorian. Bar 9 to 12 is a major II-V-I in Db, so there you would go for the Db major scale. Hope that helps! :)

Outline the chord tones of each chord first.

We study years to understand which scales are the best.... lol, you can't ask that in a comment. ( I mean, studying years AFTER being able to play decently). People have written hundreds of books about what scales to use in what context..... if you're looking for a good answer, you will not find it in youtube's comment lol. Buy books about jazz improvisation and study :D

I'll give you just a starter tip. You can really have fun, go out of scale and get that " jazzy " sound especially on the dominant chords. To start with, use diminished scales on the dominant chord. That is HWHWHWHW , or you can also use the dimiished whole tone, which is HWHWWWW.

My advice will probably be considered noobish by some experts here, but my solution so far is the following: For the first 8 measures you basically want to use C minor, since the chords outline I, IV, II, V, I for this scale. The odd one is the fifth measure where the D diminished chord is played. Here you should switch to C harmonic minor. The measures 9-12 are a II, V, I for Db major so you should play that scale. My personal change to this is that I play Db Lydian over this, which is the same as Db major, but has a #4 instead of a regular one. This also has the advantage that it shares more notes with C minor, so it's easier to transition ;). In the last 4 measures it then goes back to C minor where you again play harmonic minor over the D. And then after that it starts from the beginning

Watch this, you'll get answers :-) ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fWx9qZlvmlw.html

Absolument !

@@guitareimprovisation Quelque chose m'échappe 🤔 Pourquoi est ce que le 5 ème degré du 2 5 1 mineur est un accord 7 et pas un mineur 7 ?

@@kennyg8053 C'est mieux! La sensible du 1er degré est le 3ce du 5ème degré M ou 7 qui résout mieux sur le tonique. Ca fait une plus grande resolution. C'est là que dans le classique, ils utilisent la gamme mineure harmonique, vous pouvez également la jouer dans la chanson a cette endrois. I'm very happy that Kenny G has finally started playing jazz!

@@strahinjaristic6544 Merci pour ces explications 🙏 je ne comprends pas très bien encore ce que sont les notes sensibles, est ce que l'on appelle la substitution teutonique ? Ou puis je trouver une leçon détaillé sur ce genre de mouvement

Or Blue bossa (ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-6sr7BXinJMw.html)

@@mooncorp212 No way!? Blue Bossa has a similar backing track to Blue Bossa??!?!

@@isaiahd9947 lol, yeah sure :) hahaha I can be stupid at times :)

You have to write credit and a link. Contact me here to make it easier : www.guitare-improvisation.com/participez_contact.php

Hi ! I saw that you already used my backing tracks on your videos. When you do so, you have to write a link aiming at the backing in the description of your video, according to the Creative Commons licence. Could you please correct this ? If you want to use it to promote yourself as a teaching (and only this) that's fine for me. If you want to donate, you can here : www.guitare-improvisation.com/participez_faire-un-don.php

@@guitareimprovisationI apologize, I will correct that. Thank you

+Bad Jim Dorian mode is always perfect for Bossa, Funk, Jazz and Blues! Try it!

Miguel V Heck yah!

Yes it's Dm7b5, as written in the backing track

Bonjour Tantely, Ça veut dire "Maj7" : tu auras plus d'information sur cette page www.guitare-improvisation.com/les-accords_les-accords-de-jazz.php

Guitare Improvisation Ok. Merci beaucoup

+Stephen Krell offliberty dot com or make a playlist here in youtube

+Stephen Krell google is your friend www.youtube-mp3.org/fr

Hi Allan ! Ø = m7b5 // Δ = Maj7 // % = "same chord"

Guitare Improvisation what would be the fully diminished sign?

Half Diminished, the 0 itself would mean full diminished. As pointed out below 0 with / is a m7b5 chord.

Do Fm6 and DØ consist of the same notes (F Ab C D)? If so, does that make them the same chord? What are the differences?

The sound of the chords is a little bit different even if it's the inversion of the other!

Sure ! You just have to put a link in the description (Creative Commons licence). Thanks !

Sure ! if you write a link in the video description

@@guitareimprovisation Thank you so much!!!!

Los acordes de 6a son simplemente acordes mayores o menores con la sexta, que está siempre un tono por encima de la quinta. Fm6 es un acorde compuesto por Fa Lab Do y Re En el caso de Cm6 lo mismo, Do Mib Sol y La. Yo personalmente te recomendaría sintetizar como sea posible las escalas que usas. Intenta improvisar en do menor, y si quieres con alguna variante de este, y cuando veas las 3a linea con los acordes EbM Ab7 y Db, toca simplemente con la escala de la tónica, es decir Reb Mayor. Estos tres acordes son en verdad un II V I de toda la vida. Todos los demás acordes están relacionados con el do menor antes mencionado. Espero que te haya sido de ayuda Un saludo!