Can’t believe I’ve spent 2 hours getting this pattern off. How time flies when you’re having fun. That chord progression is now stuck in my head. 🤪🤪 Thanks Christian. 👍👏
Thank you Christian. Because of Co Vid I have had lots of time during lockdown. So at New Year I made a resolution to teach myself Blues piano by ear. Your videos are a great help, so simple to follow and three months in, I feel like I'm making progress. Thanks so much
Requests: I would love to do all individual requests. But I get many every week. So all I an do is collect and see which ones come up the most, so that as many of you as possible are happy about my choices. Thank you for your understanding! Christian
I found this tutorial just the right length ... it seems long at 20 minutes, but it covers the material nicely going back and back again from slightly different angles, which helps me learn.
Answer: At least 25 mins minimum! Lessons, not “shorts”! I already have a drawer of shorts. They aren’t XXL, but blues/jazz/pop courses should be! Also: might you do a lesson, if I haven’t found it, confirming how (potentially) easy blues in Eb Ab and Bb can be? (Almost all raised keys?) Maybe a Ray Charles session!
Christian thank you for what you are doing. If you ever get the time and will, please make an advanced version of James Booker's "True". I am buffled as to why his rendition is not as "popular" as it deserves to be.
What a great long tutorial! I'm happy i found this. Pls how do you create long solo? How do you improvise on your chords progression while playing? Pls I'd appreciate your reply.
This video is a bit long to answer your question however it's full of about 2 weeks of study for me with some great riffs to try. I stop half way thru a video sometimes and go to piano even on the shorter videos. Use your good judgement 👍🏻 and thanks again!
I've watched this tutorial maybe 5 times. It is G R E A T ! I have some trouble in theory. If G is the root key of blues minor then the octave should be: G A A# (B) C C# D F G But you include some E and G# elsewhere. The only remaining (forbidden) notes are F# and D# how is this possible? what about circle of fifths etc , and how does it sounds this good
"Forbidden notes" is a concept of classical and jazz theory, and even there they are fluid concepts depending on time and circumstance. But I am afraid only experience and playing and trying will answer the rest. Its anti-intellectual music, and intellectualizing it will fail. What sounds good sounds good, screw theory. ;-)
Christian, your competitors will always remain three drinks behind you. They will serve their stale mouse milk, while the cognoscenti go to Christian's for the true three-martini buzz on the brain. Longer tuts are perfect, just never stop.
@@ChristianFuchsBlues SIZE matters, but I think the really big O is about the rhythm... like you said in one tut; it's all about phrasing, phrasing, more phrasing, then a little more phrasing.
