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Brahms - Violin Sonata No.1 in G Major Op.78 "Regensonate" (Lisa Batiashvili, Pierre-Laurent Aimard) 

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From the Kuhmo Chamber Music Festival in Finland.
Johannes Brahms - Violin Sonata No. 1 in G Major, Op. 78, "Regensonate"
Johannes Brahms - Sonate für Violine und Klavier Nr. 1 in G-Dur, Opus 78, "Regensonate"
Piano - Pierre-Laurent Aimard
Violin - Elisabeth Batiashvili
0:00 Entrance
00:33 - I. Vivace ma non-troppo
11:00 - II. Adagio
18:47 - III. Allegro molto moderato
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Born in Tbilisi, Lisa Batiashvili moved to Germany with her family at the age of eleven. There she studied with Mark Lubotsky and with Ana Chumachenco. The youngest-ever entrant in the International Jean Sibelius Violin Competition in 1995, she made her breakthrough as winner of its second prize. She was named winner of the Schleswig-Holstein Musik Festival’s Leonard Bernstein Award in 2003 and awarded the 2006 Beethoven Ring Prize by the Beethoven Festival Bonn.
Lisa Batiashvili has been an exclusive Deutsche Grammophon artist since 2010. Her first release for the yellow label, Echoes of Time (February 2011), received an ECHO Klassik award. It was followed by the coupling of Brahms’s Violin Concerto with Clara Schumann’s Romances Op.22 (January 2013).
Pierre-Laurent Aimard was born in Lyon, where he entered the conservatory. Later he studied with Yvonne Loriod and with Maria Curcio. In 1973, he was awarded the chamber music prize of the Paris Conservatoire. In the same year, he won the first prize at the international Olivier Messiaen Competition. In 1977, at the invitation of Pierre Boulez, he became a founding member of the Ensemble InterContemporain. He made his American debut with the Chicago Symphony Orchestra at the age of twenty, performing the piano solo part in Olivier Messiaen's Turangalîla-Symphonie.
© 2002, Licensed by Digital Classics Distribution
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1 июл 2024

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Комментарии : 24   
@jansnauwaert1785
@jansnauwaert1785 2 года назад
Great performance of an absolute master piece.
@vijinanadu1962
@vijinanadu1962 Год назад
將小提琴當成是原先在Meiningen當布拉姆斯的女子合唱團團員,仰慕他,後來回到維也納城嫁作人婦的Elisabet von Herzogenberg, 而鋼琴是孓然一身愛慕自己昔日女徒弟的名滿京城作曲家布拉姆斯本人,這首曲子的苦戀本質就昭然若揭了,感謝兩人刻骨銘心的演奏,本來面目方得以示人. 神品!!!
@violinistchanhopark2122
@violinistchanhopark2122 2 года назад
Superb.
@sungeunjin78
@sungeunjin78 2 года назад
It's great to see one of the concert halls from my motherland!
@shupingwang3392
@shupingwang3392 2 года назад
Aimard is superb. Nothing less.
@jasminehychan
@jasminehychan Год назад
Extraordinary!
@ashleynelson517
@ashleynelson517 9 месяцев назад
Beautiful!!!
@franciscoespinozagamboa6490
Lisa es una de las mas brillantes violinistas ,ha interpretado magistralmente la mayor parte de las obras escritas para violín.- conciertos y sonatas
@user-lq3qc3th6r
@user-lq3qc3th6r 6 месяцев назад
ブラームスの作品の中で最も美しい曲 大好きです
@radovanlorkovic3562
@radovanlorkovic3562 Месяц назад
Sehr schöne Aufführung, aber warum wird nicht beachtet, dass in dieser Sonate die Doppelbodigkeit der Trauer ob dem Tod von Brahms‘ Patenkind, Felix Schumann und der Erinnerung an ihn in allen drei Sätzen mit einer Tempoveränderung im Mittelteil dargestellt wurde?
@jacquesvaissier1996
@jacquesvaissier1996 6 месяцев назад
Prise de vue à revoir !!!
@ninotkabladze7448
@ninotkabladze7448 Год назад
@LavaMLG
@LavaMLG 3 месяца назад
23:33 THIS IS TRUE CHAMBER MUSIC
@user-do5og4oy9x
@user-do5og4oy9x Год назад
Lisa Batiashvili 十分動情 全然投入 將此曲詮釋成布拉姆斯的一段 苦戀 浪漫派之尤 難道是 Lucinde ?
@LavaMLG
@LavaMLG 3 месяца назад
23:10
@guillermorochabrun3456
@guillermorochabrun3456 2 года назад
The violin lacks variety of colours. Look the masterclass of Pamela Frank on this sonata.
@cameronjackson9755
@cameronjackson9755 2 года назад
Rubbish. It's beautiful, expressive and accomplished playing, with great range of musical expression, dynamic range, and light and shade, and also terrific ensemble playing.
@cameronjackson9755
@cameronjackson9755 2 года назад
OK, so I looked up the masterclass you talked about. Pamela Frank was giving a masterclass to a 15 year old girl, who gave a musical but not musically mature performance of this piece. Pamela Frank would not be having the same conversation with this woman, who is giving a very fine interpretation of this piece.
@cameronjackson9755
@cameronjackson9755 2 года назад
Just to elaborate on the Pamela Frank masterclass; any advanced teacher would identify the same strengths and weaknesses. Great technique, good ear, good tone. For a 15 year old, it is very good. But where is the colour, the variation, the dynamic range, the deeper understanding? The solutions will differ from teacher to teacher. Frank's answer is to ask the pupil to go back to the sheet music, because this movement is rich with complex, detailed, sometimes difficult to interpret markings. Others would take a different approach, but the aim is to get more colour and contrast into the performance. On the other hand, this performance is full of character and strength.
@guillermorochabrun3456
@guillermorochabrun3456 Год назад
@@cameronjackson9755 (Thank you for your meditated answer. That's is much better than to throw a curse.) Character, strength? Perhaps. What I miss is range of colours, nuances. But obviously each one listen differently from each other.
@Tweeteketje
@Tweeteketje Год назад
I think it's very difficult to judge colours when sound is so compressed.
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