This was refreshing to find here on Utube. I was fortunate eneough to see "Brian Auger, Julie Driscoll, and The Trinity" live at Aaron Russo's Electric Theater in Chicago about late May or early June 1968. It seems like it was a multiple billing that included "Rotary Connection." I never heard much more about Ms. Driscoll except that she went on to sing Jazz back in England. Great voice for any genre!
She was featured on a couple of solo albums in the UK, and collaborated on Carla Bley's Tropic Appetites album released in the mid 1970's. She married jazz pianist Keith Tippett, probably best known for his work with King Crimson on their second and third albums. She also released some free jazz vocal albums on smaller labels like Byg, was in Centipede. and recorded a reunion album with Auger around 1975 or 1977 I think. I don't know how active she was after that, though. I agree she had a striking voice and was, I think part of an all voice free jazz group that included Maggie Nichols. Auger was and remains one of my favorite organists.
Whah you gonna do, BUMPIN ' ON SUNSET, el disco que más veces he escuchado, con el gané MI PRIMER concurso de BAILE. Recuerdos que me acompañaran hasta mi final.
Julie Driscoll & Collen Drewery are my favorite vocalists. Hammond B3 is the greatest sounding & most versatile instru.ent ever. Great clip. Thanks for posting.
There were some fantastic organist around in the sixties. Brian Auger, Georgie Fame, Alan Price, Zoot Money, Graham Bond just a few I was privileged to see play live several times.
@@fredharman4102 yes but although a good organist I think he was mostly noted for his voice and songwriting abilities, he's also one of those geniuses who can play virtually any instrument you hand him.
@@shamteal8614 top songwriting tended to be much later. Gimme some lovin,can't find my way home in the 60s- little in the 70s, but back in the high life, arc of a diver, roll with it, Valerie, High Life, still in the game - -all 80s. AND by the way - Rick Wakeman !
@@fredharman4102 I almost but not quite saw Steve Winwood and Traffic when leaving the Kempton Park Jazz & Blues Festival in 1968/69 not quite sure what year, we left early to go to Cousins in Greek Street London to see Mike Cooper. We heard them playing in the distance whilst we waited for a train wondering why we could also hear loads of police and ambulance sirens with the sky flashing blue, we were a little high on pot but back to the story, we found out later a stand had collapsed due to people having climbed onto the roof for a better view when The Crazy World of Arthur Brown were playing. Happy days.
I've never heard these other songs from Brian Auger and the Trinity before and I'm blown away, they are fantastic. All these years, I thought the only great song they did was wheels on fire. The other thing that makes it doubly fantastic, is the organ epitomizes great 60's music. If only music these days would use something like a Hammond organ, we would have more fantastic music these days, instead of the very bland, mainstream, crap we have today.
J'ai toujours adoré comment ce type gerait ses solo en faisant "monter la sauce" très progressivement . En prime dans l'assistance 2 des futurs "Charlots" assis à coté de Julie Driscoll
Oui, Jean Sarrus et Gérard Rinaldi à la gauche de Julie Driscoll 😮. Il me semble avoir vu aussi la chanteuse Nico. Il y a un gros plan de quelques secondes sur elle. Le garçon avec une guitare pourrait être Pierre Billon, ami de J. Hallyday et fils de Patachou.
To były czasy, kiedy słuchałem Radio Luxembourg. Julie Driscoll i Brian Auger Trinity to był zespół muzyczny. Podziwiam ich kunszt muzyczny. Dzięki za publikację. Pozdrawiam serdecznie
she wasnt ignored in my neck of the woods great singer sang with raw soulful grit & well yeah you got mr auger playing the greatest organ ever made.a 2 tear hammond & look at the many effects it has.they make a digital one now.but it,s lame this organ is all about distortion when you digitally remaster it you lose so much raw deph.yeah i have the original records which i play a few times every year but sadly im noticing something really bad in the music industry today.its called digitally remastered vinyl with criminal multiple overdubs for your so called listening pleasure.so my message to sony emi & universal is simple to respect musical history you dont give us mp3/sacd & digital vinyl all from the same compressed inferior master.some of us are not fooled by your false claims of superiority we listen to class a stereo equipment & records as an analogue format offer the most diverse & truthful listening experience you can get barring the actual master tape.clearly its the only format capable of telling it how it really was so keep your inferior digital vinyl reissues.i say this to these greedy people bass where is the fat tube bass output gone ??? oops we thought no one would notice but we make so much from mp3,s that we decided to make vinyl sound identical.yeah their goal is to get you all buying mp,3,s & sacd,s.which im seeing some go for £40 even though it was originally a 2lp release £40 is daylight robbery the format cost pennies to make,great post peace...
I don't think she was underrated or ignored, I'm pretty sure she was voted no1 vocalist in the Melody Maker and she was featured in many music papers and magazines.
You can tell it's her just from her hand movements. The audience themselves are doing well by normal standards for those days. I've only just spotted this, and she hasn't started yet, but after seeing the Beatclub one the other day with the stupefying Road to Cairo, I know this is going to be good .....
Holy shit. I knew Julie was fantastic, but didn’t really know her range until 12:50 and “Save Me.” She was GREAT. She looked pure rockstar..born with “it”.
Outstanding - probably the best single recording of them live available at the moment. I really, really wish they'd recorded an LP w/this much drive and fire.
Magnifique Brian Auger and Friends musicians 💟🎹🎹🎹🥁 Jeux de rôles sensationnellement réalistes en musique : beaucoup de scénarios et peu d'élus ou mélomanes véritables aux quatre coins du public (sauf Julie) !
Julie’s singing talent was just so incredibly massive, it’s a shame that she wasn’t a big star in the states. There is nobody, except for Janis who can match her talent.
I think that she was always more a jazz singer than a rocker. What she didn't want and wouldn't do was to perform more hit-oriented material. Yes, there's a whole lot of soul music in her, but there's even more jazz. And Brian was a straight-up jazzer - far more a jazzer than Jon Lord or Keith Emerson - even if the song list and the Trinity's meat 'n potatoes rhythm section pulled the band into the rock camp.
Julie's biggest mistake was changing her name to Tippetts.. I had all JULIE DRISCOLL BRIAN AUGER AND THE TRINITY MARMALADE recordings as a teenage and still do 50+ yrs later
What a pity this cannot be remastered but maybe those present were bleary eyed also. I think her singing talent was under appreciated and her beauty also. lookielikee at19 mins
I can sure hear Emerson lake and palmer in this song. Thing is that this was WAY before ELP showed up. I didn't even know about Brian until the Oblivian Express album. He is a great musician.
Un soucenir très personnel,bj'ai adoré le jeu du batteur et du coup je me suis ruiné pouracheter na 1ere batterie de luxe, une Rogers. Gagnant 950 CHF par mois, je payais chaque mois 500 CHF pour assouvir ma passiin d'antan, passion toujours actuelle à 75 piges. Bien-sûr l'instrument ne fait pas le musicien et j'en étais un bien pauvre. Mais que du plaisir et de rêves.
Now that is what you call 'cool' ....in every way! Privileged to have seen the excellent Oblivion Express at my Uni (Glasgow), in 1970, before they departed for the US. BTW. Julie Driscoll was indeed Fantastique, as was the very similar Linda Hoyle (of Affinity) around that same era. At least one of the audience won't remember anything about this.
