Great lesson! Thirds and fifths of the chords is the magic to start getting out of the static solo. You seem to be one of the only instructors that is saying it out loud. It feels great to start doing it in the moment at a jam! Thanks!
@@MickeyAbraham2022 That's very kind of you! I actually wrote up a tab by watching your video, so it's probably not necessary. I have always struggled with putting together coherent leads, and I think this exercise may be just what I needed to get over that stumbling block. You are a really good teacher. Cheers!
I’ve gone through this lesson 3 times now over 3 days and I’m really starting to feel in control of my flow. I’m identifying the root, 3rd and 5th much better 👍. It would be great to see how this mingles with a simple 1,4,5 progression. Thanks so much for the lesson!
Great lesson! I'm curious about the omission of the Bb, which is commonly used when improvising over C. Is this because the lesson is more focused on fiddle tunes, where (I think) the flat 7 is not so frequent? On the other hand, you do include the flat 3rd....
The b7 is much darker and bluesier than the b3 - these lines are designed to work over Major chords more than dominant chords. For dominant chords the lines would be different. Additionally, these lines will work over any chord in C - like Am, Dm, and G7… etc.
